You searched for: "Aging" (page 2 of 9)

A pioneer in geriatric psychiatry with a polymathic imagination, Gene D. Cohen was born in Brockton, Mass., in 1944, and educated at Harvard, Georgetown University School of Medicine (1970), and the Union Institute (PhD, Gerontology). Cohen began his career with the U.S. Public Health Service out of medical school, and from the outset, set a novel course in his research, becoming one of the first psychiatrists to specialize in study of the impact of aging on the brain and Alzheimer’s disease. Recognized for administrative prowess as well as the originality of his scholarship, he was selected as the first chief of the Center on Aging at the National Institute of Mental Health (1975-1988), and went on to leadership positions at the National Institute on Aging (NIH) and in the profession more generally. In 1994, he left government employment to found the Center on Aging, Health, and Humanities at George Washington University. The impact of Cohen’s research was felt widely and catalyzed a change in the field from viewing aging as a disease to recognizing the creative potential of the older mind. His demonstration of the health benefits to older people of engagement in the arts made him one of the intellectual architects of the field of Creative Aging. The author of more than 150 articles and monographs, he earned numerous awards for his work, including the highest award bestowed by the U.S. Public Health Service, the Distinguished Service Medal. Cohen died of metastatic prostate cancer at the age of 65 in Nov. 2009, leaving his wife, Wendy Miller, two children, and four grandchildren.

A significant collection for study of the growth of geriatric psychiatry and the field of creative aging, the collection includes materials from throughout Gene Cohen’s pathbreaking career. The collection offers insight into the development of gerontological research particularly during Cohen’s years at the NIMH and NIH. In addition to an extensive set of publications by and about Cohen, the collection includes background materials for Cohen’s books The Creative Age, The Mature Mind, and Sky Above Clouds, and a significant corpus relating to some of his major research projects. Finally, the collection includes a selection of videotapes of interviews with Cohen, including several presentations and talks.

Responding to a concern expressed in the New England Yearly Meeting of the Society of Friends in 1971, Quakers in eastern Massachusetts set out to create an intentional Quakerly community for the care of elder Friends. The first meeting for worship took place in 1977, with the first residents moving in to Friends Crossing in 1979, leading to recognition of North Easton as a monthly meeting under Rhode Island-Smithfield Quarter in 1980. In the following years, however, the reduction in numbers of older members and decline in attenders, led to the decision in 1994 to lay down the meeting.

The records of North Easton Monthly Meeting document the short career of a meeting built around a planned Quaker intentional community. The relatively complete set of minutes is accompanied by a mixed, but useful body of financial records documenting the meeting’s dissolution.

David Graham Du Bois was a visiting lecturer in the Journalism and African-American Studies Departments from 1983 until his retirement in 2001. Du Bois was the son of activist and artist Shirley Graham Du Bois, who married W.E.B Du Bois in 1961. Du Bois earned his B.A. at Hunter College in 1950 and a Masters in American Civilization from New York University in 1956. After studying at Beijing University, he traveled to Cairo, Egypt, fell in love with the city, and settled there in 1961, working as a foreign correspondent for the Pacific News Service, Variety, and as an assistant editor for several Egyptian news publications. An activist, like his step-father and mother, Du Bois became the spokesperson for the Black Panther Party, and agitated for racial liberation throughout his life. After his mother’s death in 1977, he became the custodian of W.E.B Du Bois’ legacy and founded the W.E.B. Du Bois Foundation to continue working toward his step-father’s goals. While at the University, Du Bois played an essential role in naming the University Library after his step-father. Du Bois died on January 28, 2005.

The David Graham Du Bois Papers document his later life and his managing of W.E.B. Du Bois’ estate. The papers include a selection of David Du Bois’ correspondence, speech manuscripts, clippings describing his step-father, as well as seleced personal financial records from his time in Amherst, Massachusetts. Additional Du Bois materials remain with the family.

In May 2017, a group of archivists and librarians convened at the Moving Image Archiving and Preservation Program at NYU’s Tisch School of the Arts for a two-day colloquium on the impact of environmental change on historical memory institutions. The speakers in the Libraries and Archives in the Anthropocene colloquium explored the profound implications of cataclysmic climate change on the missions and practices of cultural heritage institutions, the challenges confronting them, and the opportunities for future efforts and investigations.

This digital collection consists of video recordings of each of the sessions held at the Libraries and Archives in the Anthropocene colloquium. Following the keynote address by Roy Scranton, each day of the colloquium consisted of two or three panels of twenty-minute talks, a round of five-minute lightning talks, and a concluding plenary and discussion.

A community arts organization founded by Susan Perlstein in 1979, Elders Share the Arts was a pioneer and national leader in the field of creative aging. Beginning as a single living-history theater workshop in the South Bronx, ESTA grew into a citywide organization with national impact that engaged older adults in participatory arts programing. The performing groups that emerged from ESTA typically drew upon the experiences of its members, with the programs running from storytelling and theater to writing, dance, and the visual arts. With the rapid growth of the field, ESTA ceased operations in June 2018, transferring their programs to other organizations.

The records of Elders Share the Arts offer vital documentation of the origins and development of the field of creative aging and the growth of one of the innovators. The collection includes a full set of board minutes, action plans, and by-laws, marketing materials, photographs and media, and a relatively complete record of grants sought and won. Of particular importance are files for ESTA’s senior programs and intergenerational programs, and a thick series of matierlas relating to the National Center for Creative Aging and the history of creative aging as a field.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

The dissolution of the Soviet bloc after 1989 was hastened in the Baltic republics by mass popular resistance waged through non-violent cultural and political means. In Lithuania, the revolutionary efforts that began in the spring 1988 culminated in a formal declaration of independence in March 1990. After demands to submit to Soviet authority were ignored, the Soviets sent troops to occupy key buildings in Vilnius killing fourteen protesters in the process. In the face of a resilient resistance and international pressure, the Soviets held on to power for several months, until turmoil at home forced them to recognize Lithuanian independence on September 6, 1991.

This small collection contains a selection of publications dating roughly from the time of the Lithuanian revolution of 1988-1991. Along with a series of mostly pro-independence newspapers and magazines, the collection includes some interesting ephemera, including a series of scarce appeals for independence issued by Sajudis and their Latvian and Estonian partners, a pair of buttons, posters, fliers, and pamphlets. Although most of the materials are in Lithuanian, the collection includes a few written in Russian or English, and there are a few items relating to Lithuania reflecting a Soviet provenance.

A theater company of older adults based in Oakland, Calif., Stagebridge is recognized as a pioneer in the field of creative aging. Founded by Stuart Kandell in 1978, the organization sponsors workshops, performances, and other opportunities for lifelong learning that provide a creative means to transform the lives of older adults and their communities through the performing arts. Organized “for and of” older adults, Stagebridge is testimony to the ways in which elders enrich our culture and communities.

The Stagebridge collection contains scrapbooks, photograph albums, news clippings, and some scripts beginning in the earliest years of the organization. Digital materials in the collection are even richer, ranging from videos of performances to promotional materials and organizational records.

Rebecca Nourse, born on October 5, 1928, was Laurence G. Nourse’s second child. Laurence, a graduate of Dartmouth College, was a long time educator and served as the Superintendent of Schools for Norton, Mass. from 1924 to 1958. Rebecca was born with intellectual disabilities and after attending the Norton Public Schools and the Deveraux School, now known as Devereux Advanced Behavioral Health, she was committed to the Belchertown State School in 1949. She remained at Belchertown for eleven years, transferring to the Laconia State School in Laconia, New Hampshire so she could be closer to her parents’ home in Deery. Rebecca died on March 12, 1993.

The Rebecca T. Nourse Collection though small, paints a rich portrait of the challenges of managing a daughter’s care in a State institution. The collection is made up of Laurence’s correspondence leading up to Rebecca’s commitment and with State School administration about issues ranging from replacing Rebecca’s broken glasses to attempts to make her tuition more affordable for their family. There are also a small number of letters from Rebecca to her father and mother and Rebecca’s commitment papers, school reports, certificates, brochures, and her death certificate.

A producer, performer, writer, and pioneer in Americana music, Jim Rooney was born in Boston on January 28, 1938 and raised in Dedham. Inspired to take up music by the sounds of Hank Williams and Leadbelly he heard on the radio, he began performing at the Hillbilly Ranch at just 16 years old, taking to music full time after an undergraduate degree in classics at Amherst College and an MA at Harvard. As manager of Club 47, Rooney was at the epicenter of the folk revival in Boston, becoming director and talent coordinator for the Newport Folk Festival beginning in 1963, a tour manager for jazz musicians in the late 1960s, and by 1970, a producer. After managing Bearsville Sound Studios in Woodstock, NY, for Albert Grossman, he moved to Nashville, where he has produced projects by Hal Ketchum, Townes Van Zandt, Iris DeMent, John Prine and Bonnie Raitt, among others, winning a Grammy award in 1993 for his work with Nanci Griffith.
Documenting a varied career in American music, the Rooney collection contains material from two of Rooney’s books on the history of American music, Bossmen: Bill Monroe and Muddy Waters (1971) and Baby, Let Me Follow You Down (1979), his autobiography In It For the Long Run (2014). In addition to correspondence and other content relating to his collaborations with key Americana musicians and his record production career in Nashville, the collection includes valuable interview notes, photographs, recordings, and news clippings.