Collections: mss

In 1943 Col. Juan Peron took part in a successful military coup in Argentina, beginning over a decade in which he dominated the nation’s political life. After promoting populist policies as Minister of Labor under the military government, Peron built a deep well of support among the working classes that enabled him to win election to the presidency in 1946 and 1951, however political opposition to what was perceived as his Fascist sympathies, demagoguery, and authoritarianism increased. In 1955, Peron was ousted in a military coup and driven into exile in Spain.

Consisting of materials produced in Argentina just prior to and during the era of Juan Peron (1946-1974), this collection of pamphlets, fliers, broadsides, news clippings, and campaign literature provides a unique window onto political developments in the South American nation. The ephemera addresses a wide range of subject matter, from World War II to economics, political controversies, relations with the United States, the election of 1951, the Revolucion Libertadora coup of 1955, and Juan and Eva Peron. Both Peron’s Partido Justicialista and his opponents, including Communists and Socialists, are represented.

An alumnus of both the University of Massachusetts Amherst and Boston College, Victor Aronow was involved with the anti-draft and anti-war movement during the Vietnam War, and the movement against U.S. involvement in Central America. Aronow was also involved with socialist, anarchist, and other leftist movements and organizations. Some of these organizations include the United States Socialist Labor Party, the Peace and Freedom Party, and the New America Movement. Most of his activism was focused in Massachusetts, but he also engaged with organizations that offered support to Central American movements in Nicaragua and El Salvador. Aronow practiced law, serving as defense counsel for Arthur Montour also called Kakwirakeron in U.S. vs. Kakwirakeron, as well as a member of the Wounded Knee Legal Defense team.

Aronow’s collection consists of a series of subject files containing magazines, books, leaflets, correspondence, clippings, newspapers, and fliers from a range of national and international leftist organizations. Aronow was a member of The Boston Draft Resistance Group, Newton Draft Counseling Center, and the American Friends Service Committee. As a member, Aronow collected files from these groups including correspondence, publications, meeting minutes, newspaper clippings, and his personal notes. While practicing law, Aronow gathered court records for cases he worked on, including both his work as a member of the Wounded Knee Legal Defense team, where he worked defending the rights of the Oglala Sioux tribe members who were involved in the attempted liberation of Wounded Knee in 1973, as well as a member of the defense counsel in U.S. vs. Kakwirakeron in 1990. The collection contains files gathered from multiple trials related to Wounded Knee including correspondence between lawyers and defendants, court records and legal filings, newsletters, press releases, funding appeals, and fliers.

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Founded in 1915, the Associated Industries of Massachusetts (AIM) is the largest non-profit, nonpartisan association of employers in the state and a “voice for business.” As a lobbying organization, the AIM focuses on issues affecting employers of all size in the state with goal of supporting job growth and economic activity and advocates for fair and equitable public policy. The organization also provides services for management and human relations professionals to increase workforce productivity and to improve workforce recruitment and retention.

Approximately half of this small collection consists of AIM newsletters from the 1940s and 1950s, with the other half consisting of newsletters relating to lobbying efforts in the early- to mid-1980s.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Ephemera Collections contains a mix of materials relating to gravestones and the slate and marble industries. Most of the items relate to the marble and slate industries in Western Massachusetts and adjacent areas in Vermont and New Hampshire.

Members of the Association for Gravestone Studies are actively engaged in research, documentation, and writing about gravemarkers of all periods and styles. Interests within the membership range from the historical, artistic, and cultural aspects of gravestones to preservation and conservation, and the records they produce run the gamut from photography to maps, rubbings, databases, and articles for both scholarly and popular audiences.

This collection consists of small aggregations of material relating to gravestone studies that have been collocated and organized in keeping with the provenance: larger assemblages are maintained as distinct collections. Among the donors represented are (Box 1) Judith Auth, Jim Jewell, Ellen Kosmer, James Slater, James Smith, and Richard F. Welch; (Box 2): Coolidge, Cranes, Forbes, Harte (from the New England Historical and Genealogical Society), and (not yet mapped) Dorothy Annesser, Janet Bartow, Ruth Cowell, Robert Emlen, Marion Epperson, Lindsey Fisher, Jo Goeselt, Elna Headberg, Bill Jordan, Keene Elementary School, Andy Meier, Patricia Roberts, Edith Sparling, Mary Frances Stewart, Sally Thomas, Marjorie Waterfield, Phyllis Weatherall, and Algona Winslow.

The Association of American Cultures (TAAC) was founded in 1985, following the success of the first Open Dialogue conference in which cultural workers from an array of arts disciplines gathered to discuss issues confronting arts organizations and artists in communities of color. As a national arts service agency, TAAC advocates for racial equity in the arts and arts organizations and provides support for those concerned with the preservation of their culturally specific identities through the arts.

The TAAC collection consists primarily of materials distributed to participants at several of the Open Dialogues conferences, along with a handful of promotional materials. A videotape in the collection is one of several produced by TAAC in the 1980s on aspects of cultural diversity in the American arts.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

The largest division of the American Library Association, the Association of College and Research Libraries (ACRL) is an organization of information professionals employed in the wide variety of academic libraries. In 1972, the ACRL authorized formation of regional chapters, including one in New England, as a means of supporting professional growth among academic and research librarians by sponsoring workshops, conferences, and other opportunities for learning, consultation, and collaboration.

Representing over forty years of records of a regional chapter of the ACRL, this collection offers thorough documentation. The collection includes a nearly complete run of bulletins, information on the organization and administration of the chapter, and some “historical” materials gathered for the chapter’s tenth anniversary.