Collections: mss

Born in 1963, Feuchtenberger was raised in East Berlin, where she trained as a graphic artist at the Kunsthochschule Berlin-Weissensee. Shortly before the fall of the Berlin Wall, motivated by the East German citizens’ movement, she co-founded the political artists’ collective PGH Gluhende Zukunft—a group that ironically called itself the “Glowing Future Productive Collective.” In her comics, theater and political posters, and other works, Feuchtenberger blends different artistic traditions, including German Expressionism. Her work frequently reflects her feminist activism by focusing on the relationship between women and their children and society. Since 1997, she has taught drawing and media illustration at the Academy of Applied Sciences in Hamburg, Germany.  

The works included in this collection were part of the first major solo exhibition of Feuchtenberger in the U.S. curated by UMass MFA student Bibiana Medkova and on display at the Olver Design Building in 2018. The collection itself was donated by German Filmmaker Jörg Foth. Both Foth and Feuchtenberger were active in the art scene at the time of German reunification and their work occasionally overlapped. For example, Feuchtenberger created film posters as well as art for the opening titles, closing credits, and intertitles for Foth’s 1994 film, Tir na nOg. The works in this collection reflect Feuchtenberger’s printing oeuvre for theaters, plays, and films during the 1990-2000s with a focus on works in color, and including a selection of black and white drawings and political artwork of the post-Berlin-Wall pre-unified Germany era.

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

The Acadia Friends Meeting in Northeast Harbor, Maine, began as an independent worship group in 1975 under the care of Vassalboro Quarterly Meeting. It was accorded status as a monthly meeting in 1978.

This small collection consists of an imperfect run of meeting minutes and newsletters for the Acadia Monthly Meeting.

A collection of t-shirts, gift cards, and posters designed by activist and political artist Bonnie Acker. Each item features an illustration by Acker in support of various issues relating to social change ranging from peace with Nicaragua, to nuclear abolition and from lifting the debt of impoverished countries, to the Burlington, Vermont community land trust.

Acton Monthly Meeting of the Society of Friends began in 1956 as a worship group under care of Cambridge Monthly. By 1965, Acton was set off as a monthly meeting of its own, part of Salem Quarterly.

The records of Acton Monthly Meeting include a nearly complete set of minutes from its days as a worship group through its formal establishment as a monthly meeting to the present, along with less complete material on membership and finances. The minutes are somewhat sporadic in the early years, but have been regularly maintained since 1965.

Olga Gyarmati was one of the most successful and popular athletes in post-war Hungary. A multiple national champion in sprint and jumping events, Gyarmati represented her country in three Olympic games, winning gold in the inaugural women’s long jump competition in 1948. Gyarmati fled Hungary with her husband, the novelist Tamas Aczel, during the 1956 revolution, eventually settling in Hadley, Mass., in 1966 when Tamas joined the faculty at UMass Amherst.

The Aczel collection includes a small quantity of material relating primarily to Olga Gyarmati’s athletic career and particularly to her participation in the 1948 Olympics. Included are the gold medal awarded to her at the London games along with the printed certificate; a silver box commemorating her victory, presented to her by the Hungarian Workers’ Party; a scrapbook and two photograph albums; and a landscape painting done by Gyarmati in later life.

During the 1870s, William A. Adams maintained a blacksmithing shop close to the intersection of Walnut and Hickory Streets in Springfield, Mass. His trade ran from farriery to repairing iron work, wheels, and wagons, and situated as he was near the southern end of Watershops Pond, one of the industrial centers of the city, his customers ranged from local residents to manufacturing firms, the city, and the Armory.

The Adams account book contains approximately 150 pages containing brief records of blacksmithing work for a range of customers located in the immediate area. Among the more names mentioned are the grocers Perkins and Nye, W. and E.W. Pease Co., J. Kimberley and Co., and Common Councilman William H. Pinney and J. W. Lull, all of whom can be located within a few blocks of Adams’ shop.

The Hampshire-Franklin Central Labor Council is a democratically-elected body drawn from among AFL-CIO-affiliated unions in Hampshire and Franklin Counties, Mass. The Labor Council advocates for workers’ interests at the state and local level and works with its members and communities on social and economic justice issues.

This slender collection consists of the minutes of monthly meetings of HFCLC for three decades beginning in 1977, with some brief gaps in the latter years.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Founded in 1953 by a multi-racial collective of educators including Horace Mann Bond, then President of Lincoln University, and William Leo Hansberry, a professor of history at Howard University, the Africa American Institute has encouraged and supported African students in pursuit of higher education in the United States. From its early years, AAI provided financial and social support for African students studying in the U.S., but it has expanded its activities in scope with the goal of helping to building leadership for Africa within the academic, professional, business, and policy making classes. It has become a vibrant intellectual center for developing human capacity, drawing together thought leaders, researchers, and entrepreneurs interested in issues relating to the continent.

A massive body of material documenting the history of the AAI from its founding in the early 1950s to the present, the collection is a remarkable resource for study of American relations with Africa as the continent emerged from colonial domination. With a focus on the history of educational support and exchange between the continents, the collection contains a vibrant record of the growth of leadership in Africa.

A poet and translator of Kashmiri descent, Agha Shahid was raised in a household where poetry was recited in Persian, Urdu, Hindi, and English. Born in New Delhi on February 4, 1949, he was educated at the University of Kashmir, Srinagar, and University of Delhi, earning earned a doctorate in English from Pennsylvania State University in 1984 and an MFA from the University of Arizona in 1985. The author of nine volumes of poetry, and widely anthologized, Ali was on faculty in the MFA Program at University of Massachusetts Amherst, when he died of brain cancer in December, 2001.

This small collection contains copies of Ali’s first two books, Bone-Sculpture (1972) and In Memory of Begum Akhtar (1979), a self-produced chapbook, and a rough manuscript of poems. All are inscribed to his colleague and friend Zabelle Stodola.