Collections: A

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Founded in 1915, the Associated Industries of Massachusetts (AIM) is the largest non-profit, nonpartisan association of employers in the state and a “voice for business.” As a lobbying organization, the AIM focuses on issues affecting employers of all size in the state with goal of supporting job growth and economic activity and advocates for fair and equitable public policy. The organization also provides services for management and human relations professionals to increase workforce productivity and to improve workforce recruitment and retention.

Approximately half of this small collection consists of AIM newsletters from the 1940s and 1950s, with the other half consisting of newsletters relating to lobbying efforts in the early- to mid-1980s.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to the study and preservation of gravestones of all periods and styles. Based in Greenfield, Mass., the AGS sponsors conferences, workshops and exhibits, and publishes an annual journal, Markers, and quarterly bulletin. Their mission is to promote the study of gravestones from historical and artistic perspectives, expand public awareness of the significance of historic grave markers, and encourage individuals and groups to record and preserve gravestones.

The AGS Collection consists of the central records of the organization plus a growing number of photographic archives of gravestone art donated by members and associates. Offering critical documentation of gravestones, tombs, and cemeteries throughout the country, but especially New England.

Collections include:

• AGS Printed Materials Collection
• AGS Ephemera Collection
• Friedrich Karl Azzola Collection
• Alford Marble Works Records
• Carol D. Andrews Collection
• Peter Benes Collection
• Alex Beron Collection
• Eric J. Brock Collection
• Warren F. Broderick Collection
• Alice Bunton Collection
• Frank Calidonna Collection
• Cemetery Inscriptions Collection
• Paul and Olive Colburn Collection
• Brian A. Conley Collection
• Michael Cornish Collection
• Edwin S. Dethlefsen Collection
• Robert W. Drinkwater Collection
• Edward H. Duane Collection
• Joseph Dudley Memoir and Diary
• L. Sidney Eslinger Collection
• Daniel and Jessie Lie Farber Collection
• Laurel K. Gabel Collection
• George and Kent Records
• Jonah B. Griswold Ledgers
• Roberta Halporn Collection
• William E. Harding Collection
• Historic Burying Grounds Initiative Collection
• Margaret R. Jenks Collection
• Sharon Keim Collection
• Allan I. Ludwig Collection
• Richard E. Meyer Collection
• Nanette Napoleon Collection
• Cora M. Ott Collection
• Carol A. Perkins Collection
• Portland Granite Company Records
• Susanne S. Ridlen Collections
• Barbara Rotundo Collection
• Robert Bayard Severy Collection
• Small Collections
• Thomas W. and Margaret Tenney Collection
• James Tibensky Collection
• Ralph L. Tucker Collection
• Una F. Weatherby Collection
• Elizabeth W. Whitaker Collection
• Gray Williams Collection
• John S. Wilson Collection
• Robert A. Wright Collection

Or View all

The AGS publications, Markers
and Newsletter of the AGS are digitized and available online through Credo

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Ephemera Collections contains a mix of materials relating to gravestones and the slate and marble industries. Most of the items relate to the marble and slate industries in Western Massachusetts and adjacent areas in Vermont and New Hampshire.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The AGS Books Collection also includes the AGS publication, Markers. The collection is divided into three series: Series 1 (Monographs and Offprints), Series 2 (Theses and Dissertations), and Series 3 (AGS Publications).

View: AGS Quarterly Newsletters

View: AGS Conference programs

View: Markers: Journal of the AGS

View: the catalogued books

Members of the Association for Gravestone Studies are actively engaged in research, documentation, and writing about gravemarkers of all periods and styles. Interests within the membership range from the historical, artistic, and cultural aspects of gravestones to preservation and conservation, and the records they produce run the gamut from photography to maps, rubbings, databases, and articles for both scholarly and popular audiences.

This collection consists of small aggregations of material relating to gravestone studies that have been collocated and organized in keeping with the provenance: larger assemblages are maintained as distinct collections. Among the donors represented are (Box 1) Judith Auth, Jim Jewell, Ellen Kosmer, James Slater, James Smith, and Richard F. Welch; (Box 2): Coolidge, Cranes, Forbes, Harte (from the New England Historical and Genealogical Society), and (not yet mapped) Dorothy Annesser, Janet Bartow, Ruth Cowell, Robert Emlen, Marion Epperson, Lindsey Fisher, Jo Goeselt, Elna Headberg, Bill Jordan, Keene Elementary School, Andy Meier, Patricia Roberts, Edith Sparling, Mary Frances Stewart, Sally Thomas, Marjorie Waterfield, Phyllis Weatherall, and Algona Winslow.

The Association of American Cultures (TAAC) was founded in 1985, following the success of the first Open Dialogue conference in which cultural workers from an array of arts disciplines gathered to discuss issues confronting arts organizations and artists in communities of color. As a national arts service agency, TAAC advocates for racial equity in the arts and arts organizations and provides support for those concerned with the preservation of their culturally specific identities through the arts.

The TAAC collection consists primarily of materials distributed to participants at several of the Open Dialogues conferences, along with a handful of promotional materials. A videotape in the collection is one of several produced by TAAC in the 1980s on aspects of cultural diversity in the American arts.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

The largest division of the American Library Association, the Association of College and Research Libraries (ACRL) is an organization of information professionals employed in the wide variety of academic libraries. In 1972, the ACRL authorized formation of regional chapters, including one in New England, as a means of supporting professional growth among academic and research librarians by sponsoring workshops, conferences, and other opportunities for learning, consultation, and collaboration.

Representing over forty years of records of a regional chapter of the ACRL, this collection offers thorough documentation. The collection includes a nearly complete run of bulletins, information on the organization and administration of the chapter, and some “historical” materials gathered for the chapter’s tenth anniversary.