Collections: A

A specialist in ciliate development and ecology, Gregory Antipa received a doctorate in Zoology at the University of Illinois in 1970, and since 1978, has been on faculty at San Francisco State University. Working with Paramecium, Conchophthirus, and other taxa, Antipa’s research has ventured into structure/function relationships, chemotaxis, and cellular adaptations, and he has been involved in research into the decomposition of organic wastes by protozoa. He is a member of several professional organizations, including the American Society for Cell Biology,the Microscopy Society of America, and the International Society of Protistologists.

The Antipa collection consists primarily of electron micrographs of ciliates Condylostoma, Trichodina, Conchophthirus, and the mussel encommensal Mytilophilus, along with a lab manual on protist culture and assorted notes.

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

View the the online collection.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

The founding director of UMass Amherst’s Computer Science Department, Michael Arbib’s research on neuroscience and computing has been significantly influential and led to work on early neural networks and advances in both our understanding of the brain and artificial intelligence and computing. Born in 1940, Arbib was raised and educated in New Zealand and Australia, earning a BSc in 1960 at the University of Sydney. He then came to the US, earning his PhD at MIT and working closely with Warren McCulloch. Arbib was an assistant professor at Stanford University for five years before joining the University of Massachusetts Amherst, where he helped found the Computer and Information Science Department. He left UMass in 1986 for the University of Southern California, where he is currently the Fletcher Jones Professor of Computer Science. Arbib has been prolific, publishing almost forty books and hundreds of articles and continues to do research on the coordination of perception and action in both human cognition and machine vision, neural networks, and robotics.

The Michael Arbib Papers are a rich documentation of Arbib’s work while at Stanford and the University of Massachusetts, including his complete professional correspondence during that period, research files and notes, manuscript drafts of his publications, and the records of his administration of the Computer Science Department at UMass.

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

Richard Archambault conducted interviews of various citizens of Ashfield, Massachusetts, under the direction of Joel Halpern of the University of Massachusetts Amherst Anthropology Department. Contains copies of typed notes from interviews, as well as names of the citizens who were interviewed.

With funding from the Tinker Foundation, the historian Robert Potash and colleagues in the UMass Amherst Computing Center and at the Colegio de Mexico collaborated in 1982 on a project to test the feasibility of using computers to create guides to the richly structured, but poorly organized records of notaries in Spanish America. The collaborative issued their results under the title Guide to the notarial records… (1982), which was followed by several volumes issued by the Colegio de Mexico.

This collection consists of photocopies of records selected from the Notarial Archives in Mexico City from the years 1829, 1847, and 1875, along with data tabulation sheets and computer print-outs.

Raised in Short Hills, New Jersey, Natalie “Nancy” Arena’s early education included the Lexington School for the Deaf in New York and the Bruce Street School in Newark, N.J. In 1956, her father transferred her to the Clarke School for the Deaf because of the school’s emphasis on speech and use of the English language. She stayed at Clarke until she graduated with honors in 1961. After Clarke, Arena went to Millburn High in Millburn, N.J., where she was integrated with hearing students. Arena had a long career in data processing and translated the love of sewing she learned at Clarke into a life-long hobby of quilting.

The Natalie C. Arena Photograph Collection consists of photographs taken by Arena of her friends, teachers, and Clarke School outings and activities. Her photographs show the life of a student at the Clarke School during the late-50s and early-60s. Subjects include dorm rooms, camping trips, gym activities, and class trips.

In 1943 Col. Juan Peron took part in a successful military coup in Argentina, beginning over a decade in which he dominated the nation’s political life. After promoting populist policies as Minister of Labor under the military government, Peron built a deep well of support among the working classes that enabled him to win election to the presidency in 1946 and 1951, however political opposition to what was perceived as his Fascist sympathies, demagoguery, and authoritarianism increased. In 1955, Peron was ousted in a military coup and driven into exile in Spain.

Consisting of materials produced in Argentina just prior to and during the era of Juan Peron (1946-1974), this collection of pamphlets, fliers, broadsides, news clippings, and campaign literature provides a unique window onto political developments in the South American nation. The ephemera addresses a wide range of subject matter, from World War II to economics, political controversies, relations with the United States, the election of 1951, the Revolucion Libertadora coup of 1955, and Juan and Eva Peron. Both Peron’s Partido Justicialista and his opponents, including Communists and Socialists, are represented.

George Armelagos, expert on the diet of prehistoric humans and author of the book Consuming Passions: the Anthropology of Eating (1980) was a professor in the University’s Anthropology Department from 1971 until 1989. Armelagos was born in Lincoln Park, Michigan in 1936 and earned his B.A from the University of Michigan in 1958, his MA and PhD from the University of Colorado in 1963 and 1968 respectively. Armelagos became the face of physical anthropology in the 1980s, publishing popular works on forensic studies of prehistoric man and his research in the field of paleopathology attempted to apply the findings of skeletal research to contemporary nutrition and medicine. While at the University, Armelagos undertook a forensic study of the towns flooded by the Quabbin Reservoir. Armelagos left the University for a position at the University of Florida in 1989.

The George Armelagos papers include correspondence, grant proposals, and lecture notes from his time at the University of Massachusetts. There is a folder of materials from his study of the Quabbin Reservoir and photographs from the Mesa Verde Path. The remainder of the collection contains Armelagos’ published and unpublished works, stretching from his time as a Ph.D. student through his time at the University.

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.