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An award-winning photojournalist, Janet Knott was one of the first woman to become a staff photographer at the Boston Globe. Over a 31-year career, she covered a broad range of topics, from local assignments to longer-form photo essays and international coverage, producing iconic images of the space shuttle Challenger disaster, the late 1980s famine in the Sudan, and the violence accompanying the Haitian elections of 1987. She was only the third woman recognized with the Robert Capa Gold Medal and, among many other awards, won first place for spot news from the World Press Photography Foundation. After leaving the Globe in 2007, she became Chief of Staff for Boston City Councilor Salvatore La Mattina, representing East Boston and the first district.

The Knott Collection contains an array of letters, ephemera, and photographs documenting both her photographic and political careers. There is an extensive body of work from her years working as a photojournalist at the Boston Globe comprised of slides, negatives, prints, and contacts sheets.

Richard Levins, the John Rock Professor of Population Science who taught at Harvard University for nearly forty years, used his varied interests in ecology, mathematics, population genetics, and politics to form a multifaceted approach towards his studies. Focused on “looking at the whole” and understanding complex issues from a variety of perspectives, Levins was an active contributor to the disciplines of ecology, sustainable development, population dynamics, epidemiology, mathematical theorizing, and disparities in science. Rather than separating academic life from the political, Levins sought to intertwine the two subjects whenever possible. It was through these political connections that he met his wife, Rosario Morales, an author and poet from Puerto Rico. Following his marriage to Rosario, he became increasingly focused on the Puerto Rican independence movement and the mistreatment of the United States towards this territory. Along with holding professorship, Levins remained involved in research throughout his career, with topics including the spread and impact of infectious diseases as a result of a changing environment, human ecology, sustainable development, population dynamics in multi-species systems, agro-ecology, new and resurgent disease, philosophy of science in relation to complex systems, and third world science development.

The Richard Levins Papers spans the early years of his education to the end of his retirement years. Published writings, research materials, course materials, correspondence, and personal items bring multiple perspectives into this survey of Levins’s career and accomplishments.

Klaus Postler was a visual artist and curator who lived and worked in New England. Born Michael Edward Postler on March 23, 1951, he grew up in Yonkers, New York, and Connecticut. He was an avid collector of paper ephemera, which he included in his large-scale paintings and collages. From the late 1970s he was an enthusiastic participant in the international mail art movement, labelling his enterprise the Social Artists Reality Empire (S.A.R.E.). One of the exhibitions he curated was the Ray Johnson Memorial Mail Art Show at UMass Amherst, in 1996, for which he put out an open call and received mailed responses from around the world. Postler traveled in Europe and forged relationships with artists there, especially in Germany. In addition to his art practice, he worked for many years picking apples and pruning trees at New England orchards. Postler pursued his education at a number of institutions, with some difficulty due to his dyslexia, and completed his bachelor’s degree in 1998 through the University Without Walls program at UMass Amherst. He was a MacDowell Colony fellow in 2000, and returned to UMass to earn his MFA in studio art in 2005. Late in his life he cared for the estate of the artist Robert Mallary. He died on January 6, 2013, at his studio in Conway, Massachusetts.

The Klaus Postler collection contains a variety of sketchbooks that also functioned as diaries, as well as daybooks and dream journals; slides of his work; and photographic prints. Also included is an assortment of mail art, some created by Postler but mostly work sent to him by other artists, which Postler included in exhibitions he curated in Brattleboro, Vermont, and at UMass Amherst. Thomas Jahn, known as Horsefeathers, is a prolific contributor of mail art. The collection also includes documentation from posthumous gallery shows and a commemorative book about his work published by his partner, Eileen Claveloux.

Upton Bell is the son of Bert Bell, National Football League Commissioner from 1946 to 1959. Growing up inside the early NFL, Upton witnessed his father’s leadership: implementing a proactive anti-gambling policy; negotiating a merger with the All-America Football Conference (AAFC); bringing professional football successfully to television; creating the NFL Draft; and initiating the Sudden Death rule, which launched the meteoric rise in the popularity of professional football. Bell’s mother, Frances Upton, was a Broadway actress and movie star of the 1920s and 1930s and funded Bert Bell’s creation of the Philadelphia Eagles. Bell’s grandfather, John C. Bell, helped found the NCAA and served on the Walter Camp Intercollegiate Football Rules Committee which negotiated with President Teddy Roosevelt to save college football.

Upton Bell’s career in professional football began in the early 1960s working at the Baltimore Colts training camp and ticket office, advancing to head scout by the late 1960s. Bell served the team through two NFL Championships and two Super Bowls, winning Super Bowl V in 1971. After leaving the Colts, Bell was hired as general manager of the Boston Patriots, encouraging their name change to the New England Patriots. He then bought the Charlotte Hornets, a team in the short-lived World Football League. Soon after the WFL folded, Bell began a broadcasting career in Boston, where for more than 40 years he has been a host and commentator covering the country’s top newsmakers. He is a three-time AP Talk Radio Award winner and author of Present at the Creation: My Life in the NFL and the Rise of America’s Game (University of Nebraska Press, 2017).

Bell’s collection of sport artifacts and memorabilia from his and his father’s careers in professional sport includes hundreds of items, with a selection of items, including the Baltimore Colts Super Bowl ring, on permanent exhibit in the Special Collections reading room.

The digital exhibit “Upton Bell Collection: In the huddle of football history” includes essays on family history, Upton Bell’s career, and a selection of digitized items.

Corn sample, Herbarium of Walt C. Galinat, 1971

Born in 1923 in Manchester, Connecticut, Walton Clarence Galinat was a corn enthusiast for almost his entire life. He worked with various aspects of corn in high school, as an undergraduate student assistant at the Connecticut Agricultural Experiment Station, in graduate school at the University of Wisconsin, as a research associate at Harvard University, and finally, as a professor at the University of Massachusetts Amherst, where he worked at the Waltham Field Station as a plant geneticist from 1964 until his retirement in 1990. A contributing author to more than 300 published papers, Galinat spent significant parts of his research career in Mexico studying ancient maize, but was also deeply embedded in New England farming and corn production and sustainability. In addition to his world-renowned research on corn evolution, morphology, and diversity, he is credited with the development of many varieties of corn, including Candy Stick, “airplane corn,” and a red, white, and blue kernel variety. His skill as an artist was also recognized across his field and beyond, with his articles often accompanied by beautifully detailed illustrations of corn samples, his widely distributed and used teaching illustrations, and with a few of his hand-drawn corn diagrams permanently displayed in the National Academies Building in Washington D.C. The Waltham Experiment Station building retains several of Galinat’s oversized 3D art models of corn plant migrations and lifecycles to this day. Amongst many honors, Galinat was awarded the prestigious Distinguished Economic Botanist Award from the Society for Economic Botany in 1994.

The Walton C. Galinat Papers document Galinat’s academic, service, research, and artistic work during his time at the Waltham Experiment Station while employed as a professor at the University of Massachusetts Amherst. Roughly half the collection is administrative and professional materials, including correspondence; research files and journals, with numerous detailed hand-drawn illustrations; Experiment Station and Hatch annual reports and grants; UMass administrative memos, reports, and files; and photographs of corn samples as well as individuals from Experiment Station, Home Economics, and 4H clubs. The other half of the collection consists of three-dimensional corn display samples and pressed corn and grass from Galinat’s personal herbarium.

Eleanor “Nina” Hathaway Swaim (1938-2015) was a feminist, environmental and antinuclear activist, antiwar organizer, and proponent of women’s collective enterprises globally. She was arrested for the final time just a month before her death, chained to the gates of a pipe yard in Williston, VT, protesting a fracked gas pipeline. Born into a conservative family in Sharon, MA, Swaim was radicalized during the mid-sixties by courses at the Free University on the Lower East Side and during the 1968 occupations at Columbia University, where she was an administrator. She joined the It’s All Right to be a Woman Theater in 1970 and toured the country with them before leaving New York City to work in a GI bookstore near a military base in Massachusetts, helping soldiers protesting the Vietnam War. Learning the printing trade, she moved to Vermont and co-founded the women’s collective press, New Victoria Press, worked as a mediation coordinator for the Vermont Supreme Court, and became a strong force in the antinuclear movement, helping found the Upper Valley Energy Coalition (UVCE), and co-authoring a book with Susan Koen, “A Handbook for Women on the Nuclear Mentality.” She met her husband, Douglas Smith, through UVEC, and the pair worked on numerous antinuclear, environmental, and other grassroots campaigns and protests together, including a project in Mozambique on water access, where Swaim worked as a cooperator with the revolutionary Organization of Mozambican Women. Other international work included picking cotton in Nicaragua, visiting Cuba under siege, and touring Gandhian centers in India to learn practical nonviolence and social change techniques. A practicing Buddhist, Swaim was an avid writer, gardener, beekeeper, and hiker, and in addition to her other causes, spearheaded numerous events related to the natural world, food security, and honeybees.

The Nina Swaim Papers offer an intimate look into the life of an indomitable and inspiring grassroots activist focused on both local Vermont issues and global concerns. Unpublished writings, clippings, and correspondence, as well as photographs, tapes, and scrapbooks reflect her international travels and work, as well as her community and concerns in the antinuclear and environmental movements based out of Vermont. Detailed writings, reflections, short stories, travel notes, and a comprehensive set of journals dating from the late sixties make up a large part of the collection. They are full of the musings of an activist pondering the meaning of women’s consciousness raising and conflict settlement, of worker collectives and other community building, of struggles and misunderstandings between lesbian and straight women, of power in organizations like Clamshell Alliance and the Upper Valley Energy Coalition, of motherhood and aging, and of the relationship between action for social change and spiritual practice.

In 1857, Frederick L. H. Willis earned the singular distinction of being expelled from Harvard Divinity School for acting as a spirit medium. An important figure in the post-Civil War Spiritualist movement, Willis lived a long and eclectic life in which he was at turns an intimate of the family of Bronson Alcott, an ardent proponent of Spiritualism, a lecturer, preacher, homeopathic physician, and writer.

A wide-ranging intellect and steadfast opposition to orthodoxy suffuse the Willis Papers. The heart of the collection is an extensive collection of sermons, lectures, and essays by Frederick L. H. Willis dating from the late 1850s to the turn of the twentieth century. These works veer into commentary on ancient history, art and aesthetics, medicine, astrology, Eastern religion, and social reform, but are rooted firmly in the framework of a Spiritualist worldview. The collection also includes a large number of family photographs, some correspondence, and a few works by Willis’s wife, Love, and daughter, Edith.

An East German Prosecutor General, Carlos Foth was a key player in the legal effort to investigate and punish Nazi war criminals. For two decades beginning as a law student in Berlin in 1947, Foth was part of a team dedicated to the prosecution of former Nazis, and he contributed to the creation of an antifascist internationalist system quite distinct from the weaker efforts in West Germany. Having assisted in high profile cases such as those stemming from the Koepenicker Blutwoche (the SA-led pogrom in Berlin in June 1933), Foth found himself at the center of investigations that highlighted the tensions between the East and West German systems. In a series of cases in the early 1960s, East German prosecutors uncovered former Nazis working in the West German judiciary, culminating in the 1963 “show trial” conviction in absentia of Hans Globke, National Security Advisor to West German Chancellor Konrad Adenauer, who had been the author of Nazi racial purity laws. As department head for international relations beginning in 1972, Foth was engaged in negotiations between the German legal systems and in 1979 he was invited to assist in the investigative phase of war crimes trials against the Khmer Rouge. He left office after reaching retirement age in 1988.

The Carlos Foth Papers offer important documentation of East German attempts to hold former Nazis accountable for war crimes and crimes against humanity and they provide insight into the operation of the East German legal system and its relations with the west. In addition to materials on prosecutions of SA Brownshirts involved in political violence during the Köpenicker Blutwoche, the collection includes files relating to prosecutions of West German officials accused of Nazi-era crimes and materials relating to Foth’s role as a consultant to the 1979 war crimes trials against the Khmer Rouge.

At the time of the American Civil War, Charles Sisson attended the Friends Boarding School in Providence, R.I. An active member of the Society of Friends, Sisson was apparently a dedicated student and avid member of the literary society. After graduation, he pursued an enormously successful career in the textile industry, becoming a founder of the Hope Webbing Company in 1883, one of the nation’s largest narrow-fabric manufacturers.

Kept by teenaged Charles Sisson, this diary includes regular entries describing a student’s daily life at the Friends Boarding School in Providence R.I. In addition to occasional details on coursework, Sisson describes his social activities in some depth, and often with some humor. With rare exceptions, the larger currents of the Civil War served as little more than a backdrop, although the future of liberated slaves appeared as a topic for debate at the Lyceum, and marching was taken up as an activity by the students.

One of the most frequently published photographers in Life magazine during the late 1960s, Rowland Scherman is noted for an iconic portfolio that documents the worlds of politics, culture, and the rock music scene. Born in New York in 1937, Scherman attended Oberlin College and began his career in the darkroom at Life before winning an assignment as the first official photographer for the Peace Corps in 1961. His work blossomed after becoming a free-lancer two years later, with assignments that included the civil rights March on Washington and the presidential campaign of Lyndon Baines Johnson. He covered the Newport Folk Festival when Bob Dylan broke on the national scene, the Beatles’ first concert in the U.S., Robert Kennedy’s campaign for the presidency, and Woodstock, and he went along on a memorable tour with Judy Collins. His work has appeared in dozens of magazines and books, including Life, Look, Time, National Geographic, Playboy, and Paris Match, earning wide acclaim, including a Grammy Award in 1968 for the portrait that appears on the cover of Dylan’s greatest hits album. Scherman relocated to London in 1970, then to Birmingham, Ala., in the 1980s, and finally to Cape Cod on 2000. He continues to shoot portraits, photo essays, and abstract work.

This rich collection consists of nearly the entire body of work from Rowland Scherman’s long career in photography, including negatives and transparencies with a small selection of prints. Negatives from the March on Washington and the Peace Corps are in the collections of the Library of Congress.