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Founded and chaired by Norman Thomas in 1942, the Post-War World Council sought to lay the groundwork for a democratic and anti-imperialist end to the Second World War. As the face of the organization, Thomas promoted the pacifist ideals of internationalism, disarmament, and decolonization, however his failing health in the early 1960s led to the decline of the Council and its formal dissolution in 1967.

This collection consists of pamphlets from the Post War World Council that document a range of opinions concerning the war and the world, including titles such as “Saboteurs of Victory,” “The Case Against Compulsory Peacetime Military Training,” “The Future of the Far East,” and “Disarmament in the Post War World.”

A professor of Biology at UMass Amherst with and interest in the mangrove ecosystems of the Caribbean and the deep water environments of the Connecticut River, Ed Klekowski has become well known as a videographer and writer. He has produced documentary for PBS station WGBY on the Quabbin reservoir and the great flood on the Connecticut River in 1936, and on the Yankee Division during the First World War. He and his wife Libby have co-written two books on the First World War, Eyewitness to the Great War (McFarland Press, 2012) and Americans in Occupied Belgium (McFarland Press, 2014).

This small collection of postcards consists primarily of images of American military involvement during the First World War. The scenes depicted range from the first contingent of American soldiers to arrive in 1917 to gas attacks, tanks, and American soldiers and Marines in the trenches and combat during the summer and fall 1918. Among the more unusual form postcards are two cartoon images intended for use by soldiers on their return home, one each from the Knights of Columbus and the Jewish Welfare Board. The postcards were collected by the Klekowskis during preparations for their documentary on the Yankee Division.

A specialist in higher education and comparative politics in the developing world, Fred Hayward earned a doctorate in Politics at Princeton in 1968 for his research on political organizations in West Africa. Following a 24 year career at the University of Wisconsin (1967-1991), where he became Dean of International Studies and Programs, Hayward has worked as a Senior Associate to the American Council on Education, a consultant to the World Bank, and since 2009, as a Senior Higher Education Consultant with UMass Amherst. Having worked in fifteen countries with ministries, universities, and NGOs, his scholarship runs the gamut from African politics to higher education in Afghanistan.

The papers document some of Fred Hayward’s activities, centered in Africa and Afghanistan. The bulk of the collection stems from his work in Sierra Leone during the 1960s through 1980s, in Ethiopia (2003), and it includes noteworthy material on a World Bank-funded project to support strategic planning for six Afghan Universities as well as a feasibility study on private section involvement in Afghan higher education.

A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.

The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.

Born in Syracuse, N.Y., in 1915 and raised largely in Hampton, Va., Edward Abbe seemed destined to be an engineer. The great nephew of Elihu Thomson, an inventor and founding partner in General Electric, and grandson of Edward Folger Peck, an early employee of a precursor of that firm, Abbe came from a family with a deep involvement in electrification and the development of street railways. After prepping at the Rectory and Kent Schools, Abbe studied engineering at the Sheffield School at Yale, and after graduation in 1938, accepted a position with GE. For 36 years, he worked in the Industrial Control Division in New York and Virginia, spending summers at the family home on Martha’s Vineyard. After retirement in 1975, he and his wife Gladys traveled frequently, cruising both the Atlantic and Pacific.

Ranging from an extensive correspondence from his high school and college days to materials relating to his family’s involvement in engineering, the Abbe collection offers an in depth perspective on an educated family. An avid traveler and inveterate keeper, Ed Abbe gathered a diverse assemblage of letters, diaries, and memorabilia relating to the history of the Abbe, Peck, Booth, Gifford, and Boardman families. The collection is particularly rich in visual materials, including albums and photographs, depicting homes, travel, and family life over nearly a century.

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Born in Chelsea, Mass., in 1874, and a long-time resident of Somerville, Dana F. Ward enjoyed a prominent career in the fisheries industry in Massachusetts. Entering the wholesale fish business in 1900 when he organized the firm of Whitman, Ward, and Lee, Ward became Director and Advertising Manager of the Boston Fish Market Corporation (builder and operator of the Fish Pier) and an investor. Before the U.S. entry into the First World War, Ward was employed by the state to lecture on the benefits of frozen fish as a food source. An active member in both the Congregational Church and local Masonic lodge, he married Katherine B. Symonds (d. 1948) in Leominster in October 1899.

Personal in nature, the Ward diaries provide a chronicle of the daily life of a relatively well to do fish wholesaler from 1897 through 1951, with some gaps. Generally small in size, the diaries are densely written and are laid in with letters, various sorts of documents, stamps, newsclippings, and other ephemera that help define the contours of Ward’s life. The collection is particularly rich for the years during the Second World War and it includes three diaries (1967, 1977, 1982) from later family members.

In June 1917, Lloyd Walsh volunteered for duty in the American Field Service, and for three months he served as an ambulance driver for Service Section 68 (S.S.U. 68), a unit that included a number of Amherst College students. When the United States entered the war later in the year, however, most AFS units were transferred to the American Expeditionary Forces or disbanded, and Walsh transferred to ambulance duty with the American Red Cross. He continued to serve with the Red Cross after the war, stationed in Vienna, eventually rising to the rank of Captain.

The collection includes a thorough paper trail of Walsh’s work as a volunteer with the AFS and Red Cross during and after the First World War, along with a capsule service record, correspondence, and news clippings that flesh out his experiences. Adding to the picture is Walsh’s decorated Red Cross footlocker, two German helmets, and two Hungarian posters.

Richard Wolff delivering a lecture at the New York Society for Ethical Culture, 2011. Photo by Joel Simpson

Hired to the UMass Amherst Economics Department as part of the “radical package” in 1973, Richard D. Wolff is an influential Marxian economist and professor emeritus of economics. Wolff was born in 1942 to Max and Lieselotte Wolff, who emigrated to the United States during World War II. He earned a BA in History from Harvard, MA in Economics from Stanford, and MA and PhD in Economics from Yale University, during which time he was an instructor at Yale. Before coming to UMass, Wolff also taught at the City College of the City University of New York. Wolff and his colleague and frequent collaborator, Stephen Resnick, wrote prolifically during their career at UMass, developing a new framework for considering political economy. While teaching at UMass, Wolff and his colleagues established the Association for Economic and Social Analysis (AESA), which sponsors publication of the journal Rethinking Marxism. In 2012, Wolff co-founded Democracy at Work, a non-profit producing media that provides education and analysis of capitalism, Marxism, and democratic workplaces.

The Richard Wolff Papers document the professorial and professional career of Wolff through course material, writings and publications, book contracts, floppy disks, and a plethora of correspondence in the form of handwritten letters and printed out emails. There is also a small but significant amount of personal material, including family scrapbooks from Germany and his mother’s manuscript on surviving the Holocaust.