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Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Situated in a region known for its progressive spirit, the Western Massachusetts Library Club was established in 1898 to respond to the unique needs of librarians overseeing small or rural libraries, and to foster camaraderie among local colleagues. Almost immediately, however, the club expanded its focus, taking positions on issues ranging from modern library practices to national legislation and leading the way in the expansion of services for public libraries, all while maintaining its identity as an advocate for local libraries and librarians.

The collection is richest in records that document the early history of the club including detailed meeting minutes, news clippings, programs, and circulars. Beginning in the late 1960s, the club’s activities are captured primarily through membership lists and meeting notices and programs. Taken together, the records trace the growth of the WMLC for more than a century from its establishment to the present.

David Kenneth Wetherbee was a naturalist and local historian who lived for many years in the small town of New Salem, Mass. Receiving a doctorate in ornithology from the University of Connecticut in 1959, Wetherbee worked as an adjunct instructor in Wildlife Biology at UMass Amherst and pursued his eclectic research agenda that ran from butterflies in the Caribbean to the history of his adopted New Salem. He died in 1997 at the age of 70.

This unusual collection is the result of David K. Wetherbee’s concerted effort to collocate data on the early settlement of New Salem, Mass., and his attempt to “reconstruct” the record book of the town’s Proprietors that had succumbed to fire in 1856. In addition to a scarce copy of his eccentric summary of his findings, Heare Lies Salim New Grant, the collection includes notes on the original divisions of land among the early settlers, arranged by division; and information on each of the early settlers and their landholdings, arranged alphabetically by name.

Charles Lewis Whipple was a noted journalist, editor, and the first ombudsperson for the Boston Globe. As a student at Harvard in the 1930s, Whipple joined the Young Communist League, carrying his radical politics with him when he joined the Globe’s staff in 1936 and became an active member of the American Newspaper Guild. Although classified as unfit for military duty due to the loss of vision in one eye, Whipple joined the Red Cross during the Second World War, and served with distinction with over thirty months of overseas service. After returning to civilian life and severing ties with the Communist Party, he resumed his position at the Globe, rising steadily to become editor of the opinion page in 1962 and ombudsperson in 1975. An editorial he wrote in 1967 is considered the first editorial in a major American newspaper to oppose the war in Vietnam. Although he formally retired from the Globe in 1979. Whipple worked an additional three years with the Xinhua News Agency in Beijing as editor of the Beijing Review and the China Daily, China’s first English-language daily. Whipple died in Northampton, Mass., in 1991, following complications from surgery.

A mixture of personal and professional correspondence, writing, and subject and clipping files, the Charles Whipple Papers document a long and exceptional career in journalism. The diverse roles that Whipple filled at the Boston Globe from the 1930s through 1970s resulted in rich documentation of his work as an organizer for the American Newspaper Guild on the eve of the Second World War; his writing and editorial work during the Vietnam War and as the Globe’s Ombudsman in the 1970s; and the three years he spent in China setting up an English-language newspaper during the late 1970s and early 1980s.

Thomas Weston Fels is an artist, author, art historian, writer, and curator. Born in Baltimore, Maryland, 1946, Fels spent his teenage years at The Putney School, a private boarding school in Southern Vermont. Upon completion, Fels enrolled in Amherst College, and after graduating in 1967, moved to the Montague Farm commune. 

Fels lived on the farm from 1969 to 1973, and was an integral member of the larger communard community, extending from the Wendell Farm and Johnson Pasture, to Packer Corners and the Tree Frog Farm. While there, Fels associated with prolific writers, artists and photographers of 1960s counterculture, such as Harvey Wasserman, Ray Mungo, Peter Simon, and others. 

Sometime after leaving the commune, Fels returned to school, attending Williams College. He graduated in 1984, earning a Masters in the History of Art. Following the completion of his degree, Fels was awarded multiple prestigious fellowships. In 1986, he became a Chester Dale Fellow of the Metropolitan Museum of Art, while between 1998-1999, he was a Fletcher Jones Foundation Fellow of the Huntington Library, California. His career has seen him employed by numerous museums across North America, ranging from the J. Paul Getty Museum of Art in California, the Elizabeth de C. Wilson Museum in Vermont, and the Canadian Centre for Architecture in Quebec. 

 Fels has organized many exhibitions throughout his career, some internationally. In California, Fels’ exhibition Carleton Watkins: Western Landscape and the Classical Vision was presented at the J. Paul Getty Museum of Art; while his exhibition Fire and Ice: Treasures from the Photograph Collection of Frederic Church at Olana, was shown at both the Dahesh Museum in New York, and the Van Gogh Museum in Amsterdam.

In addition to his curatorial duties, Fels’ work as a researcher and writer has led him to publish a variety of catalogs and companion pieces to his exhibitions alongside various articles and books. In 1989, he published O Say Can You See: American Photographs 1839-1939, and in 1994, he edited a single issue of Farm Notes, in some ways a successor to the Montague Commune’s Green Mountain Post (formerly New Babylon Times). In 2008, Fels published the memoir Farm Friends, reflecting on his life, the counterculture era, and his time on the Montague Commune. In the same year, Fels helped found the ‘Famous Long Ago Archive’ at the University of Massachusetts Amherst; collecting the personal papers of several members of the communard community. These collections contain articles, manuscripts, photos, posters, oral histories, and more. He continued to reflect on the Montague Farm, publishing Buying the Farm in 2012, providing an in-depth history of the commune, connecting with communards decades later, while chronicling the farm from its beginning in 1968 through the following thirty-five years of its existence. 

Since 2013, Fels has been showcasing his unique cyanotypes throughout the American Northeast, and by 2015 his art would take him to Europe and the United Kingdom. In 2016, his large, life-sized renderings were subject to sale at one of the world’s most renowned auction houses, Christie’s London. Beyond his photography and historical work, Fels can be found giving lectures throughout New England, or at his home in Southern Vermont. 

The Tom Fels collection reflects the work of the many friends he made while living on the Montague Farm. Their works make up the bulk of the collection, containing articles, manuscripts, publications, photographs, posters, and audio recordings. Of particular interest is the 25th Anniversary reunion of the Montague Commune. The 10-day celebration is memorialized through photos, audio recordings, and a publication. 

Frederic Allen Whiting at his typewriter

Frederic Allen Whiting Jr., the “Poet Laureate of Perkins Cove”, was born on January 10, 1906 in Boston Massachusetts to Olive Elizabeth Cook, a singer, and Frederic Allen Whiting Sr., a philanthropist and museum director and president of the American Federation of Arts. They moved to Cleveland in 1912 where Frederic Sr. became the director of the Cleveland Museum of Art. Having a father as the director of a cultural heritage institution, exposed young Frederic to the intellectual class. He met poets, scholars, and others from the world of arts and letters including Sir Lawrence Binyon, Langdon Warner, Carl Purington Rollins, and Thomas Whitney Surette. He attended the private Hawken School in Cleveland and Deerfield Academy in Massachusetts, which he referred to later as “redolent of witchcraft and Indian massacres, and compliance with chamber of commerce goals and attitudes”. He went to Harvard for two years before becoming a freelance writer.

Adopting the pen name Allen Whiting, his first foray into writing began when he wrote commentary and criticism for the Magazine of Art, the organ of the American Federation of the Arts, where he was also editor from 1931-1942. Some of his pieces for the magazine were republished in the New York Herald Tribune and The Washington Post. Under his tenure, the circulation rose and he became familiar with all aspects of magazine production and made contacts with members and chapters of the American Federation of Arts, which consisted of artists, writers, teachers, museum officials, art dealers, and officials working with U.S. government cultural projects. On one occasion in 1940, Whiting took charge of the Federation’s annual convention, which met in San Francisco. He left the magazine in May 1942 to participate in the war effort.

Whiting was appointed Chief of the Office of War Information’s Overseas Exhibit Section. Charged with developing programming and staff, Whiting aimed to project positive visual images of the United States to Europeans. He was responsible for planning and carrying through creative programming, administrative duties, and liaison work with other civilian agencies, Army & Navy administrators, business leaders, and the press. Following the end of the war, he was brought to Washington by Elmer Davis to develop an exhibit aimed at explaining to liberated Europe the demand on resources of the continuing war in the Pacific. The project was abandoned following the surrender of Japan in August of 1945.

Following the war, Whiting became a freelance writer and photo editor, wrote two novels, short stories, and non-fiction pieces on a variety of subjects, including politics, the arts, and food. He designed and produced a brochure for a New England children’s camp and was a contracted photo research and editor for the State Department.

In 1951 he was recruited to work as a civilian information specialist with the Department of the Army’s Reorientation Division for occupied areas, which was responsible for supplying materials used to re-educate the people of Japan and the Ryukyu Islands. Out of an office in New York, he supplied the U.S. Information Centers in Japan with musical recordings and other media. The job ended following the end of the U.S. occupation in December, when he resumed freelance writing and editing. He moved his parents from Florida to Ogunquit, Maine in 1952, where he became the Associate Director of the Museum of Art of Ogunquit where he assembled a Winslow Homer exhibit but was later “politely fired” by Henry Strater.

Throughout the 1950s Whiting’s wife Rose suffered from several strokes and eventually died in 1960. Whiting was also caring for his aging parents, which caused much stress and led to excessive drinking where his “control over beverage alcohol had left me behind”. His mother died in 1955. During this time he found solace in the Roman Catholic Church and was committed to the Augusta State Hospital in 1957. Whiting’s battles with alcoholism and simultaneous search for God was explored in his unpublished 1965 autobiographical novel, Minutes of the Days.

The collection contains evidence of an attempt to start an organization called The Society of Servants of Rose Hill, whose aim was to “bring to bear in a practical manner the venerable and curative offices of prayer and work upon those in particular need of them”. The goal was to create cooperatively governed outpatient retreat centers in bucolic settings for people recently released from psychiatric institutions. The mission statement stated that no one would be turned away for financial or religious reasons. There is no evidence that the organization ever came to fruition.

Whiting’s career as a published poet began in the 4th grade. He was eventually published in several magazines including Spirit: A Magazine of Poetry, The American Poetry Magazine, The Harvard Advocate, Voices, and The Cecelian. He spent much of his creative life in Ogunquit, Maine reading his work at informal gatherings of “mostly young people of creative bent, gathered in the vicinity of Perkins Cove”. In 1952 he completed his first novel, The Gift of Merlon Crag.

The collection consists of copies, drafts, published and unpublished copies of Whiting’s poetry written throughout his lifetime. The manuscript of his unpublished autobiographical novel, Minutes of the Days is also contained herein. Some biographical information, written by Whiting while planning to release Minutes of the Days, is in the collection as well.

Born in Detroit in 1930, Audrey Smedley was the oldest daughter of Ulysses and Mattie Smedley. After attending Detroit Public School, Smedley earned a B.A. in the history, letters, and law program (1954) and a M.A. in anthropology with a concentration in history (1957) from the University of Michigan. Smedley pursued her Ph.D. at the University of Manchester (1967) where she investigated the social and economic structure of the Birom in Northern Nigeria. Known for her research into the history of “race,” a concept she argued emerged in the Americas to justify slavery, Smedley published widely on the topic including her award-winning book Race in North America: Origin and Evolution of a Worldview (1993). She began her teaching career at Wayne State University and Oakland University, went on to teach at Binghampton University, retiring in 1995, before becoming a professor of anthropology at Virginia Commonwealth University, where she retired a second time in 2002. Smedley was the co-founder of the Museum of Afro-American History in Detroit and the recipient of numerous awards and honors including a fellow of the American Association of Science and winner of the Delta Award for Excellence in Afro-American History and Anthropology. Smedley died on October 14, 2020, in Beltsville, Maryland at the age of 90.

The Audrey Smedley Papers features an extensive collection of research materials and notes, drafts of articles and books, professional correspondence, and teaching files. Smedley’s filed notes related to her work in Birom are included as are drafts of her award-winning book, Race in North America: Origin and Evolution of a Worldview.

Alice Blake Hawes Garside, who became a prominent educator in Boston known for working with students with reading and learning challenges, was born in 1909 in New Bedford, Mass., a descendant of a whaling family with deep roots there. She graduated from Vassar College in 1930, the year she married Kenneth Garside, with whom she had three daughters before they divorced in 1956. Beginning in the early 1950s, Alice Garside worked as a reading tutor at the Cambridge School in Weston and reading supervisor in the language clinic at Mass General, where she was trained in the Orton-Gillingham method under Dr. Edwin Cole, a pioneer in the field of learning disabilities. Having also earned a master’s degree from Boston University, she trained teachers at the Carroll School from its founding in 1967, joining the school’s staff in 1976 and staying until her retirement in 1990. She was honored as the first recipient of the Alice H. Garside Award from the Massachusetts Branch of the International Dyslexia Association in 1985 and the IDA’s highest honor, the Samuel T. Orton Award, in 1987. In her retirement, she continued to consult on reading and made regular trips to the Bermuda Reading Clinic. Alice Garside passed away in 2007 at age 98.

The Alice H. Garside Papers cover Garside’s professional life as a teacher as well as her personal life. There is documentation of her extensive travels, including the six-month round-the-world trip she took not long after her divorce, as well as correspondence, photographs and photo albums, journals, ephemera, and memorabilia. The collection also includes some family history and genealogical material.

L-R: Steven Botkin (MRC Executive Director), Thulanu Nkosi (men's work leader in South Africa), and Rob Okun (MRC Associate Director), ca. 2000

Joining a men’s group soon after his arrival in the Pioneer Valley in 1979, and finding the support and community there important personally, and professionally for his graduate work in anti-oppression education, Steven Botkin began his now decades long work in anti-sexist activism. While doing his doctoral work at the University of Massachusetts Amherst, in 1982, Botkin co-founded the Men’s Resource Connection (MRC) to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and to create a local network devoted to this work. He completed his Ed.D. in 1988 (dissertation entitled Male Gender Consciousness: A Study of Undergraduate College Men) and continued to guide the MRC into a successful non-profit community-based organization, whose programs became a model for men’s organizing in communities around the world. In 2004, Botkin founded Men’s Resources International (MRI) to support the development of masculinity awareness and men’s engagement as allies within a global network. MRI eventually merged with MRC to form MERGE for Equality, Inc. Botkin additionally co-founded the Springfield based Men of Color Health Awareness (MOCHA), and the North American MenEngage Network, and has served as a leader, trainer, educator, and consultant for local, national, and global men’s groups and organizations, including in Africa, Asia, and Europe, and for groups such as the YMCA, Planned Parenthood Federation, Save the Children, the International Rescue Committee, and the Women’s Peacemakers Program.

The Steven Botkin Papers document Botkin’s long career in global men’s organizations and networks and their work in policy, education, empowerment, and organizing around the intersections of masculinity, gender, violence, sexism, oppression, power, politics, and society. Materials related to the men’s movement include significant records from the various groups Botkin co-founded and assisted, including organizational histories, program records and reports, meeting agendas, resource pamphlets, posters, networking and training curricula handbooks and handouts, a full run of the MRC magazine Voice Male, and video tapes and recordings. Botkin’s collection compliments and enriches the materials in the Men’s Resource Center Records.

Sign from the Helping Hand House, out of which the Helping Hand Society operated.

Formed in 1887, the Helping Hand Society began as a missionary society for young girls who learned about the world (foreign missions) while also learning how to sew, developed by Emily Graves Williston. Within that same year, the Emily Mission Circle transformed into The Young Ladies’ Missionary Society, a society which became devoted to charitable work in Easthampton. The Society’s name was changed to the Helping Hand Society in 1894, and the group was incorporated in 1913. In 1919, the Society started operating out of a house purchased and endowed by Franklin W. Pitcher. The Society went on to establish a Visiting Nurse program, providing room for the nurse in the house, as well as an apartment rented out to caretakers, and at one time the Society operated a Benefit Shop. Membership in the Society has fluctuated over the years, and while specific projects may have been discontinued over time, the Society continues forward with its mission to provide help to those in need by donating time and resources to Easthampton and the surrounding communities that serve Easthampton residents.

The collection documents the history of the Helping Hand Society from its inception to around 2017. This includes minutes and annual reports, by-laws, and ledger books. There are also scrapbooks and photo albums, the framed incorporation document, and the original sign that adorned the Helping Hand House.