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An accomplished concert pianist and composer, Howard Miles Lebow earned both a BA and MFA at the at the Julliard School of Music. Under the tutelage of Edward Steuermann, a pupil of composer Ferruccio Busoni, Lebow exceled as a pianist, performing throughout Europe and the Americas. Joining the rapidly expanding Music faculty at the University of Massachusetts in September 1965, Lebow mixed lecturing and performing until 1968, when he died in an automobile crash at the age of 32. The Howard M. Lebow Scholarship Fund was established in his name in 1968.

The Lebow Collection contains concert programs of many of Lebow’s performances, copy manuscripts, manuscripts of his own compositions, performance notes, and newspapers clippings about and concert programs of other performers. There are also materials that were interleaved within his extensive sheet music collection, now separated and organized by composition. An extensive collection of sheet music has been added to the Libraries’ general collections.

John Merrall Whitcomb was an architect, researcher, and life-long scholar. Born in New York City in July 1907, Whitcomb earned an undergraduate degree at Yale (1930) and a degree in architecture from the University of Pennsylvania (1934) and began working his way up the ranks of the architectural profession in Boston. After wartime service in the Air Force, he resumed his career, establishing his own firm in Cambridge, Johnson and Whitcomb. He died in 1998.

Part of a large collection of books amassed over a lifetime, this collection focuses largely on Whitcomb’s interest in “seditionist” literature, including works on Anglo-American Socialism and Communism, as well as topics ranging from American labor to political and social history, the rise of fascism in Europe, Soviet studies, the Vietnam War, and political theory. The bulk of the material dates from the 1930s through early 1960s.

The Quaboag Seminary was founded in Warren, Mass., in 1842 by two of Amherst College’s early graduates, and was incorporated eight years later. During its relatively brief period of operation, its best-known student may have bene the abolitionist and feminist Lucy Stone, who enrolled in 1841 to prepare for entrance examinations at Oberlin College. In 1856, the school was purchased by the town to serve as the local high school.

This small collection consists primarily of printed materials associated with the short-lived Quaboag Seminary of Warren, Mass. In addition to a school catalogue for 1847, the collection includes two issues — apparently all that were printed — of the student literary periodical, the Quaboag Quarterly Offering (1845); eight programs for school exhibitions (1842-1854); a flier announcing the spring term 1848; and two writing exercise books kept by Mary Ann Moore (later Richardson) while a student at the Seminary.

Founded in 1067, the Benedictine convent of San Pier Maggiore was an ecclesiastical center of medieval Florence, and socially one the city’s most prestigious religious houses for women. A Gothic church was completed at the convent in 1352, featuring an elaborate multi-paneled altarpiece by Jacopo di Cione. The convent remained active until its razing in 1784.

A utilitarian, but ritually significant work, this manuscript contains the text and music used in celebrating the consecration of nuns at the Benedictine convent of San Pier Maggiore. The acanthus border on the first folio suggests a mid-fourteenth century date of origin, though likely prior to the commissioning of Cione’s Coronation of the Virgin altarpiece.

The Dominikanerinnenkloster St. Gertud (Dominican Convent of Saint Gertrude) operated in Cologne, Germany, for nearly five and half centuries. An important center in connection with German mysticism in the 13th and 14th centuries, the Kloster survived the Reformation, however persistently poor finances led to its decline in the 18th century. After it was abolished during a wave of secularization on October 14, 1802.

This diminutive book of hours was prepared by Dominican nuns at the Kloster St. Gertrud during the 1480s. Like some other German books of hours it lacks the calendar, Gospel lessons, and the two prayers to the Virgin, Obsecro te and O intemerata, however it includes additional liturgical texts, such as Offices for major feasts, as well as music for the funeral service. This copy may have been made for or by the prioress Magdalena Frankengruenerin (1481-1488), and remained in the convent until the eighteenth century.

Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town’s population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.

The photographic postcards in this collection all relate to the Quabbin town of Greenwich and were originally housed in an album of uncertain provenance. Primarily “real photo” postcards and dating between approximately 1908 and 1928, they were labeled by a knowledgeable, but unknown person at a later date to identify the houses, roads, stores, and views. Unlike many of the commercial postcards of the day, they present a very down-to-earth view of the town, its rocky fields, mills, houses and stores, and its summer hotels.

Temporarily stored offsite; contact SCUA to request materials from this collection.

An anti-white supremacist, working class intellectual and activist, Theodore W. “Ted” Allen was one of the most important thinkers on race and class in the twentieth century. He developed his pioneering class struggle-based analysis of “white skin privilege” beginning in the mid-1960s; authored the seminal two-volume The Invention of the White Race in the 1990s; and consistently maintained that the struggle against white supremacy was central to efforts at radical social change in the United States. Born in Indianapolis, Indiana, Allen was raised in Kentucky and West Virginia, where he was “proletarianized” by the Great Depression. A member of the American Federation of Musicians and the United Mine Workers, and a member of the Communist Party, Allen moved to Brooklyn after injuring his back in the mines, and spent the last fifty years of his life at various jobs including factory work, teaching, the post office, and the Brooklyn Public Library. In the 1960s, having broken from the Communist Party, Allen set out on his own independent research course. Inspired by the work of W. E. B. Du Bois he wrote on the “white blindspot” and “white skin privilege” and began what became forty years of work focused on white supremacy as the principal retardant of class consciousness among European-American workers. Over his last thirty years, Allen wrote hundreds of published and unpublished articles and letters challenging white supremacy, capitalist rule, sexism, and U.S. Imperialism, as well as numerous poems.

The Theodore W. Allen Papers are a comprehensive assemblage of correspondence, published and unpublished writings, audio and video materials, and research by one of the major theorists on race and class of the twentieth century. The Papers offer important insights on the Old and New Left and their relation to the labor and Civil Rights/Black Liberation Movements and have much to offer students, scholars, researchers, and activists.

Gene Bruskin arrived at Princeton in 1964 as a basketball player and left as a political radical. After taking part in the Second Venceremos Brigade, Bruskin got involved in antiracist and labor organizing in Boston. As president of the United Steelworkers of America local during the busing crisis of the 1970s, he helped win overwhelming support among the city’s bus drivers to have the union represent them, leading successful campaigns for better wages and working conditions. In the years since, he has held numerous high-profile positions nationally and internationally, including as labor director for Jesse Jackson’s Rainbow Coalition, Secretary Treasurer for the Food and Allied Service Trades Department of the AFL-CIO, and co-convener of U.S. Labor Against the War, an organization promoting peace and the demilitarization of U.S. foreign policy. Bruskin was a major figure in the largest private union election in the history of the United Food and Commercial Workers when he led the successful campaign to unionize 5,000 workers at Smithfield Foods in North Carolina. Since retiring in 2012, he has continued to consult with unions. In addition he has returned to some of his earlier undertakings in producing cultural works as a poet, songwriter, and playwright, centered on social justice and working class themes.

Documenting nearly fifty years of activism, Gene Bruskin’s papers are an exceptional resource for the labor movement in the 1970s through early 2000s, and particularly its radical end. Although Bruskin’s early years are relatively sparsely represented, there is a significant run of Brother, the first anti-sexist, “male liberation” journal that he helped found while in Oakland, and the collection includes important material from his work in Boston with the Hyde Park Defense Committee, the Red Basement Singers, and especially with the School Bus Drivers and their tumultuous three-week strike in 1980. The collection also contains a rich assortment of material on labor left and antiwar organizing in the 1990s and 2000s, the Justice at Smithfield campaign, and Bruskin’s work on behalf of single payer insurance, for International Solidarity, the American Federation of Teachers, and the Brotherhood of Maintenance of Way Employees.

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

A pioneer of African dance in the United States and a vital scholarly voice, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Trinidad in 1919 and raised in New York City, Primus was introduced to performance through the National Youth Administration and the New Dance Group. Her interest in the dance cultures of Africa and the African diaspora formed the conceptual center of her work throughout her career, drawing upon her deep scholarly research. In addition to her creative work, Primus earned a doctorate in anthropology from NYU and taught at a number of universities, including the Five Colleges. She died in New Rochelle, N.Y., in October 1994.

Conducted with Pearl Primus’ fellow dancers, musicians, friends, and collaborators between 1995 and 2005, the interviews comprising this collection were recorded by Peggy and Murray Schwartz for use in their book, The Dance Claimed Me: A Biography of Pearl Primus (New Haven, 2011). The oral histories provide insights into Primus’s sometimes controversial life career, her performances, teaching, and legacy.