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Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh’s influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939.

The collection includes an extensive representation of Waugh’s published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.

The Connecticut River Valley town of Whately, Mass., was first settled by Europeans in about 1672, separating from the northern section of Hatfield and displacing the Norwottucks, or Fresh Water Indians. Officially incorporating in 1771, the town’s economy has been based primarily in agriculture, including the production of tobacco, potatoes, and dairy.

The four reels of microfilm that comprise this collection contain records of the town of Whately, Mass., from settlement in the middle of the nineteenth century, including records of the Congregational Church, deeds, and vital records (births, baptisms, marriages, deaths).

In the late 1850s and early 1860s, the pioneering British photographer Walter Woodbury captured images of Java, and especially its capital city Batavia (modern day Jakarta). Working in partnership with James Page, the two established a photographic firm that continued to produce and sell images long after Woodbury’s return to England in 1863.

Consisting of 42 albumen prints, the Woodbury Collection includes numerous images of the landscape and colonial buildings in Batavia, Buitenzorg (Bogor), and Surabaya. A few photographs capture images of the European community in Java, and local Javanese residents.

On June 23, 1946, a young Bulgarian refugee, Theodore Konstantin Yantshev, arrived in Baltimore as a stowaway aboard the S.S. Juliet Victory, intending to seek asylum in the United States. Despite the intervention of influential supporters including John F. Kennedy and Leverett Saltonstall, and the services of the Boston legal firm Powers and Hall, Yantshev was deported to Argentina in 1948. Efforts to secure a legal to the states eventually succeeded, yet poverty prevented Yantshev from following up.

The files retained by Powers and Hall in the case of Theodore Yantshev are focused closely on the plight of a Cold War-era refugee and would-be immigrant from Communist Bulgaria. The collection includes memoranda and summaries of the Yantshev’s case compiled by Powers and Hall and an apparently complete set in incoming and outgoing correspondence from the beginning of the case in 1947 through its final, failed disposition in 1958.

In the early 1960s, Tom Barton (b. 1935) emerged as a leader in the Left-wing of the Young People’s Socialist League, the national youth affiliate of the Socialist Party. Deeply committed to the civil rights and antiwar struggles and to revolutionary organizing, Barton operated in Philadelphia, Chicago, and New York and was a delegate and National Secretary at the 1964 convention in which tensions within YPSL led to its dissolution.

A small, but rich collection, the Barton Papers provide a glimpse into the career of a long-time Socialist and activist. From Barton’s entry into the Young People’s Socialist League in the latest 1950s through his work with the Wildcat group in the early 1970s, the collection contains outstanding content on the civil rights and antiwar movements and the strategies for radical organizing. The collection is particularly rich on two periods of Barton’s career — his time in the YPSL and Student Peace Union (1960-1964) and in the Wildcat group (1968-1971) — and particularly for the events surrounding the dissolution of YPSL in 1964, following a heated debate over whether to support Lyndon Johnson for president. The collection includes correspondence with other young radicals such as Martin Oppenheimer, Lyndon Henry, Juan McIver, and Joe Weiner.