Collecting area: UMass history

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

In 1944, William Nash graduated as valedictorian of Illinois Institute of Technology in civil and mechanical engineering and five years later he received his Ph.D. in mechanical engineering from the University of Michigan. Pursuing a career in naval engineering, Nash worked as a research engineer at the Naval Ship Research and Development Center in Washington, D.C. (1949-1954) and as a structural researcher at Bethesda Naval Institute (1953-1957), where he participated in the deepest recorded naval dive and reverse engineering of recovered Soviet submarines off the coast of Norway, the details of which remain classified. After nine years teaching mechanical engineering at the University of Florida, Nash joined the Department of Civil Engineering at UMass in 1967, where he remained until his retirement in 1992. During his career, Nash also served as a consultant for the U.S. Navy, U.S. Air Force, Lockheed International, General Electric and the Jet Propulsion Laboratory.

The Nash Papers contain correspondence, publications, and research notes documenting William Nash’s varied academic work and teaching as an engineer, along with selected work of his students.

George Naughton was born in 1951 into an academically inclined family. His father, Thomas, was a writer and magazine editor and his mother a music teacher; his grandfather Julius Seelye Bixler was a college professor and president of Colby College (1942-1960); and his great-great-grandfather Julius Seelye served as the fifth president of Amherst College (1876-1890). Naughton grew up in the 1960s in Old Saybrook, Conn. He graduated from Mount Hermon School in 1969 and from New College in Sarasota, Fla., with a BA in General Studies, in 1973. For the next few years, Naughton lived, worked, and meditated in Cambridge, Mass., and California, then in March of 1978 moved to Amherst and took a job at UMass. From 1978 until his retirement in 2011, he worked in University Information Systems in Whitmore Administration Building. Now president of the Amherst Historical Society, Naughton is also active in the Pelham Historical Society and lives in Pelham with his wife, Cindy.

Naughton’s lifelong interests have included mathematics, science fiction, cultural alternatives, and books, and he accumulated a wide collection of print material on a variety of topics. The Naughton Collection is a reflection of many of those interests and comprises underground comics as well as pamphlets, periodicals, and ephemera on spirituality, new age thinking, counterculture, politics, the environment and sustainability, and intentional communities.

During the late 1960s, the Department of History at UMass Amherst created a new undergraduate course entitled New Approaches to History, relying almost exclusively on primary sources. The theme of the course varied from the Salem witch trials to Daniel Shay’s Rebellion to the Lizzie Borden murders.

The collection includes the course proposal, correspondence, syllabi, course assignments, and resources for three units: Salem witchcraft, Shay’s Rebellion, and Lizzie Borden.

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

A scholar of Francophone literature in Asia and Director of the United Asia Learning Resource Center, Lucy Nguyen Hong Nhiem was born in Kontum, Vietnam, in 1939. A graduate of the University of Saigon and teacher of French, she fled Saigon in 1975 just three days before its fall. From a refugee camp in Arkansas, she traveled through Connecticut and then to Springfield, Mass., before arriving at UMass in 1976 to resume her studies. After completing her MA (1978) and PhD (1982), she held positions at Smith, Amherst, and Mount Holyoke Colleges before beginning her tenure at UMass in 1984. An Adjunct Professor of Asian Languages and Literatures, she also served as Academic Advisor to the Bilingual Collegiate Program and Vice-Chair of the Governor’s Advisory Council on Refugees and Immigrants.

Nguyen’s papers are a small but critical collection of materials on Southeast Asian Refugees. Included among the papers are materials relating to the resettlement of Southeast Asian refugees, materials relating to the Governor’s Advisory Council on Refugees and Immigrants (1983), and a paper on the status of refugees in Massachusetts in 1987, along with unpublished writings, professional correspondence, and a handful of notes from a search committee.

A Professor of Speech in the English Department at UMass Amherst, Arthur Ellsworth Niedeck was born in Ithaca, N.Y., in 1910, and educated at Ithaca College (BS) and Cornell University (MA). He began his career teaching theater in Ithaca schools prior to the Second World War, and after a stint working with the USO, joined the Speech Department at UMass in about 1947. An advisor to the Roister Doisters, the UMass theatre troupe, Niedeck became Professor and Head of Speech Department by the late 1950s and was involved in producing and supporting theater on campus for nearly four decades. Niedeck died in Amherst in June 1984.

Joining a small quantity of memorabilia, handbills, and fliers, the Niedeck collection consists primarily of audio recordings of theatrical productions he oversaw at UMass Amherst. Copyright was retained by Niedeck.

Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.

The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.

Mark G. Noffsinger’s tenure as Associate Dean of Students at UMass Amherst was relatively brief, but tumultuous. Brought in during the fall semester 1964 as coordinator of student activities, he was promoted to Director of the Student Union in 1966 and Associate Dean of Students in 1968. Although he earned a reputation as a supporter of the student press, he became a focal point of controversy during the school year 1967-1968, when he prohibited the sale of the underground “hippie” newspaper, Mother of Voices on campus. Published by UMass students, the paper drew wider fire when John Norton and David Bourbeau were arrested and convicted on charges of selling obscene matter to a minor. The Mother of Voices folded in March 1969. After resigning in 1969 to accept a position at Baldwin-Wallace College, Noffsinger went on to a distinguished career as a university administrator before his death in 1994.

Tightly focused on the controversy in 1968 over banning sale of the Mother of Voices in the UMass Student Union, the Noffsinger collection includes a folder of newspaper clippings relating to underground press publications at UMass and other colleges in the Commonwealth, along with a run of the offending periodical retained by the office of the Dean of Students’ office. Additional copies of the periodical are located in the Social Change Periodicals Collection.

Stephen Baery Oates was born on January 5, 1936, in Pampa Texas, and earned a B.A., M.A., and Ph.D. from the University of Texas at Austin. He was a member of the UMass Amherst History Department from 1968 to 1997, when he retired. He authored consequential, award-winning biographies of major 19^th and 20^th century figures among his seventeen books on American history. As Paul Murray Kendall Professor of Biography, Dr. Oates held one of the first academic chairs in biography in the country. His many awards and honors include a Guggenheim Fellow, Christopher Award, Barondess/Lincoln Award, and a Distinguished Teaching Award from UMass among many others. Dr. Oates was a popular guest lecturer at colleges, universities, societies, and associations throughout the country, and made numerous appearances on radio and television, most notable in Ken Burns’ epic PBS documentary The Civil War. He consulted on projects for various commercial and university presses, as well as for the National Endowment for the Humanities. Dr. Oates was a member of the Society of American Historians, American Antiquarian Society, and Phi Beta Kappa. He died on August 20, 2021.

The papers of Stephen B. Oates document his career as a biographer and faculty member at UMass Amherst. Materials include research notes, correspondence, articles, drafts and proofs of publications, lectures and address, fellowship and grant applications, book reviews, teaching and course notes, awards and photographs.

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.