Collecting area: New England

Homeopathic physician from Arlington, Vermont. Daybook contains patients’ names, including many women, identification of some cases (such as vaccination, extraction of teeth, treatment of swellings, fractures, and burns, and the delivery of babies), methods of treatment (such as purges, bleeding, cupping, and the use of blistering ointments), prices for his services, and method and form of payment (including goods such as fruits, vegetables, meats, clothes, and services such as butchering and timbering). Also contains personal entries and notation of goods he sold such as poultry, leathers, and fabrics.

A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.

Mount Ida College was a regional, co-educational college with 1500 students, over forty majors, and a graduate program designed for working adults. The college began in 1899 when George Franklin Jewett and his wife Abigail Fay Jewett purchased a property on a hill in Newton Corner named Mount Ida and began a college prep and finishing school program, the Mount Ida School for Girls, that steadily grew, adding a junior college curriculum in 1917. Under the financial stress of the Great Depression, the school closed in 1935, but was purchased four years later by William F. Carlson and reopened on the newly acquired Robert Gould Shaw II estate in Newton Centre. Mount Ida officially became a college in 1967, began admitting men in 1976, and in the late 1980s it merged with Chamberlayne Junior College and the New England Institute of Funeral Service Education. However, after a period of protracted financial difficulties in the early 2000s, Mount Ida College closed its doors on May 17, 2018, and the land and campus buildings were purchased by the University of Massachusetts Amherst.

The Mount Ida College Records contain the historical records of the college, including photographs, yearbooks, course catalogs, student scrapbooks and memorabilia, publicity materials, the college’s web and social media presence, and artifacts that document Mount Ida’s athletic programs. The records of the New England Institute of Funeral Service were moved with the program itself to Cape Cod Community College.

Situated on ten acres, Mount Pleasant Cemtery in Taunton, Mass., was designed by Joseph Wilbar and consecrated on July, 1836, just the third rural- or garden-style cemetery in the United States. After a long period of decline in the mid-twentieth century, it was taken over by the city in 1985.

The records of Mount Pleasant Cemetery include an account book with detailed records of expenditures, work performed, and compensation received at the cemetery, and a small selection of ephemera, including two surveys at the time of its establisment.

The Northampton Monthly Meeting of the Society of Friends (later the Middle Connecticut Valley Monthly Meeting) was formally established in 1939, bringing together the small community of Friends in Western Massachusetts. In 1959, the small preparative meetings in Amherst, Greenfield, Northampton, and South Hadley agreed to consolidate to create a more vital gathering. After five years without a fixed location, a Friend was moved to donate three acres of land on Long Plain Road in Leverett on which to build a proper meetinghouse. When that building opened in 1964, the meeting was renamed the Mt Toby Meeting.

Reflecting a strong history of promoting peace social justice, the Mt. Toby collection documents Friends’ involvement in a wide variety of issues ranging from war tax resistance (Randy Kehler and Betsy Corner), the “Colrain action” when the Kehler/Corner house was seized by the IRS), peace education and civil disobedience, refugee resettlement, the Sanctuary movement, and support for LGBT issues and racial equality. The collection consists largely of fliers and newsletters, ephemera, and newspaper clippings.

Mount Toby Monthly Meeting of Friends (formerly Middle Connecticut Valley Monthly) was formed in the 1930s in Northampton, Mass., during a time of growth for Quakers in western New England. Now located in Leverett, Mass., the meeting has had two monthly meetings set off and has supported a number of small worship groups and preparative meetings in the region.

The records of Mount Toby Monthly Meetings include nearly complete minutes from its founding as an independent Monthly Meeting in 1939 to the present, with an extensive, but not complete set of newsletters. Covering nearly eighty years of Friends centered in the academic communities of the central Connecticut River Valley, the collection also includes some documentation of the Greenfield Preparative Meeting and a guest book from the Springfield Worship Group.

A popular tourist destination during the post-Civil War years, the Mountain House hotel was built on the summit of Sugar Loaf Mountain, in South Deerfield, Mass., by Granville Wardwell in 1864 on property owned by his father-in-law Dwight Jewett. Positioned near the southern end of the mountain, the hotel provided tourists with a stunning panoramic vista of the Connecticut River Valley.

This small collection consists of three scenic cartes de visite from a larger series featuring views from the Mountain House. The images include No. 6, a view of five persons perched on the southeast promontory of Sugar Loaf with a view to the northeast across the Connecticut River to Mt. Toby; No. 10, Mountain House with a group of nine men and women posed on the lawn with telescope and tripod; No. 18, view of barns at the southern base of Sugar Loaf Mountain.

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

A grocer from Stow, Massachusetts, Charles N. Murdock catered principally to farmers and the country trade.

The accounts of Murdock’s store include mention of products sold (groceries and other items) and payment received, usually in kind (lard, eggs, fruit, butter, potatoes, cigars, beans, cash, and labor).

One of the pioneers in the ephemera trade, Samuel E. Murray (1906-1989) was a long time antiquarian bookman, based at his home in Wilbraham, Mass. Born on Christmas Day, 1906, Murray interrupted his college studies to go to sea, but after the Depression left him unemployed, he landed a position as sales representative for McGraw-Hill and, later, G. & C. Merriam and other firms. Always an avid book collector, Murray left the publishing industry in 1970 to become a full time bookseller. Without ever advertising or issuing catalogs, he developed a wide reputation among dealers and collectors for his keen eye and perspicacity with rare and uncommon books. A generalist by trade, Murray had a particular fondness for colorplate books and travel literature, but was renowned both for his extensive reference library and for recognizing early on the value of ephemera. After a lengthy bout with myelofibrosis, Murray died at home on June 4, 1989.

The Murray Papers contain correspondence between Murray and a range of his fellow booksellers and clients, as well as his extensive card files on fellow book dealers and wants lists. The collection offers insight into the operations of a well known antiquarian bookman during the 1970s and 1980s.