Collecting area: New England

The New Salem Academy was founded February 25, 1795, “for the purposes of promoting piety, religion, and morality, and for instruction of youth in such languages and in such of the liberal arts and sciences as the trustees shall direct.”

The collection consists of the student exercise book of Ernest Howe Vaughan, later a teacher in Greenwich and an attorney in Worcester, along with an issue of the alumni magazine, The Reunion Banner.

New Song Library letterhead

Founded by Johanna Halbeisen in 1974, the New Song Library was a collaborative resource for sharing music with performers, teachers and community activists, who in turn shared with a wide variety of audiences. Based initially in Boston, the Library was devoted to the music of social change and particularly music that reflected the lives and aspirations of workers, women and men, elders and young people, gays and lesbians, other minorities, and Third World people.

This collection contains over forty years of organizational and operational records of the New Song Library along with hundreds of sound recordings, primarily audiocassettes made at concerts, music festivals, song swaps, and gatherings of the People’s Music Network. The Library also collected newsletters and magazines on folk music, and most importantly dozens of privately produced songbooks and song indexes.

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.
Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Prominent lawyer, judge, and author from Lynn, Massachusetts. Includes services as lawyer and judge (such as selling stocks, writing wills, mortgage notices, and lien certificates, and acting as administrator of estates), mention of various court cases, family members, and prominent townspeople. Also contains personal records pertaining to a rental property, and the sale of his book, History of Lynn.

Jacob Newland and his son John Everit Newland were farmers in Mansfield, Mass., during the earlynational period. A Revolutionary War veteran, Jacob died in 1823, leaving much of his operation to John, his second son.

The account book kept by Jacob Newland and later John E. Newland of Mansfield, Massachusetts, details much about the work of these farmers and their interaction with neighbors in eastern Mansfield during the early nineteenth century. The customers, most of whom seem to have been fellow farmers, made frequent use of the Newlands’ animals and animal-drawn vehicles (carriage, “waggon,” “slay”) for riding and work, in addition to purchasing products, using the Newlands’ labor, and leasing pasture land. The book also served as a leaf press and scrapbook for newspaper items bearing upon the Woman’s Christian Temperance Union, mention of social events and anniversaries, children’s sayings, short romantic fiction, and as a copybook for poetry.

Frank “Nick” Newth was born in Lynn, Mass., on Oct. 9, 1895, the son of shoe cutter Charles H. Newth and his wife Mary Hobart Brackett. A talented baseball player in high school, Newth used his sport connections to become a manager, and eventually owner, of a billiard parlor. On October 5, 1917, however, he was drafted for service in the First World War an deployed to France with the Quartermaster Corps in January 1918. Unusually, for most of his service, Newth was posted in northwestern France (Abbeville, Amiens, Rouen) as a disbursement officer for American troops serving with the British Expeditionary Force an then disbursing to the wounded in base hospitals. He was promoted to Corporal in May 1918, and ended his overseas service in May 1919 as a Sergeant working with the Quartermaster’s financial unit. After returning home, Newth married his longtime sweetheart Letitia “Letty” Crane, with whom he raised a family of four. He worked as proprietor of the New Buick Billiard Hall until 1928, when he opened a successful business selling rubber tires in southern New England. Newth died on May 29, 1979, and is buried in the Forest Chapel Cemetery in Barrington, R.I.

The Newth collection consists of many dozens of letters written between Frank Newth and his fiancee Letty and other members of his family back home in Lynn, Mass., while his served with the Quartermaster Corps in the First World War. Although his letters are subject to the censorship typical of that war, Newth was an excellent and observant writer and because often served near the front, but in a support role, he had time and energy to write. His affection for Letty (and hers for him) come through in every letter, but Newth also discusses his duties in the service, recreation and travel, and the sights and people of France. The collection also includes a fine letter describing the relief after the Armistice went into effect; a brief, but outstanding typed diary kept during the early months of his overseas service; and a small handful of pamphlets, keepsakes, and official papers.

A farmer living in the Quabbin region, Levi Newton spent most of his life within a few miles of the adjoining towns of North Dana and New Salem. Born in 1830, Newton was married three times and raised two sons and a daughter. He died in New Salem in 1919.

Written at a time when his son Willie was living at home and his wife Persis was struggling with her health, Levi Newton’s pocket diary is a terse record of the daily life of a farmer in the great Quabbin region. Little more than a sentence or two in length, each entry makes quick note of the weather, travel, and Levi’s and Willie’s activities for the day, but there are relatively frequent references to the ailments and ultimate death of Persis and occasional notes on the anniversaries of the death of family members. The Newtons raised wheat, potatoes, cattle, hay, and oats on their farm and occasionally record hauling logs and other miscellaneous work.

A cartwright from Cohasset, Massachusetts. Account book includes the types of activities and services Ambrose Nichols performed (working on wagons, wheels, sleds and carts, mending roofs, plowing, raking) and a few entries recording the means by which debts were paid.

The son of a Revolutionary War veteran from Fairfield County, Conn., Reuben Nichols went to sea as teenager and spent a quarter of a century sailing the Atlantic aboard merchant ships and privateers. After rising to become master of the New York and Savannah packets Exact and Angelique in the 1830s, he retired to a life on shore near Bridgeport.

This vigorous account of a life on the antebellum seas runs Nichols’ childhood hardships through a series of adventures at sea in war and peace. An observant and effective writer, Nichols describes voyages to western and northern Europe, the Mediterranean, the Caribbean, and South America during and after the War of 1812. During a colorful career, he took part in the operations of warships and privateers, witnessed attempted mutinies and desertions, rescued the abolitionist John Hopper from a mob in Georgia, and was drawn into the struggles for colonial liberation. His experiences aboard the privateer Kemp and descriptions of Haiti, Cape Verde, Spain, Gibraltar, Turkey, and Argentina are particularly evocative.

Howard Prussack at High Meadows Farm in Putney, VT

A farmer for over thirty years along the Connecticut River in Vermont, John Nopper came to photography later in life. Drawn to the challenge of capturing individuals and environments in his and surrounding communities, Nopper focuses on portraits and landscapes, and specializes in 11”x17” or larger printing, emphasizing the depth of tone in his black and white photography. His photograph projects often focus on the instruments and individuals of a specific industry or place, and frequently document subjects and vocations he feels warrant increased attention, either due to their methods, like his work documenting traditional maple sugaring and printing practices, or due to current events, such as a more recent project as an embedded photographer within a Vermont city police department.

The John Nopper Photograph Collection currently consists of twenty-five, 11”x17”, black and white prints from the exhibit “Plowing Old Ground: Vermont’s Organic Pioneers,” along with the descriptions from the project. In a collaborative effort with interviewer and writer Susan J. Harlow, Nopper photographed the subjects of Harlow’s interviews for an exhibit featuring interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection also includes digital photographs not printed, as well as digital versions of most of the prints.