Collecting area: Arts & literature

The “Peasant Bard” of Gill, Mass., Josiah D. Canning, published five books of poetry between 1838 and 1892 extolling the spiritual virtues of nature and the agrarian life. The son of a minister, Canning worked as a printer for several years before settling down to farming life, churning out poetry that reflected his reverence for the land.

This small collection consists of a printed copy of Josiah Canning’s fourth book, The Shad-Fishers, published by R.C. Graves in Greenfield, Mass., in 1854, along with a manuscript copy of the same work bound in workmanlike leather over boards. Although it is not possible to determine with certainty, the manuscript may be Canning’s own.

Collection of of 2,500-3,000 glass plate negatives that date back to the 1860s donated by local photographer Terri Cappucci. Cappucci, who received her MFA at UMass Amherst, is a documentary photographer, alternative process printer, and educator who has been producing her own nineteenth century-style photographs using the wet plate collodion process for many years.

Most of the negatives in the collection are undated and have little to no information about where they were taken or who the photographer was. To address this, Cappucci created the “Somebody Photographed This” website and Facebook group. She also utilized her expertise to determine that the photographs in the overall collection were taken by several different photographers. While most of the collection is from Western Massachusetts, specifically Franklin County, there are also images from the coastal towns of Massachusetts. Cappucci then cleaned and digitized some of the most compelling images from the collection and posted them to the “Somebody Photographed This” Facebook page during the pandemic in 2020. Followers left comments to share locations, dates, and additional information about the photos. This led to Cappucci receiving additional glass plate negative collections from people from around the world, as well as articles about the project in the Boston Globe, Greenfield Recorder, Montague Reporter, and UMass Magazine, along with a televised segment on NEPM. Cappucci started a GoFundMe campaign and raised funds for preservation supplies.

In 2023, Cappucci approached SCUA to permanently house the collection amongst our vast holdings of photograph and manuscript collections.

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Founded in 1067, the Benedictine convent of San Pier Maggiore was an ecclesiastical center of medieval Florence, and socially one the city’s most prestigious religious houses for women. A Gothic church was completed at the convent in 1352, featuring an elaborate multi-paneled altarpiece by Jacopo di Cione. The convent remained active until its razing in 1784.

A utilitarian, but ritually significant work, this manuscript contains the text and music used in celebrating the consecration of nuns at the Benedictine convent of San Pier Maggiore. The acanthus border on the first folio suggests a mid-fourteenth century date of origin, though likely prior to the commissioning of Cione’s Coronation of the Virgin altarpiece.

Guillaume Claude Robinet, an avocat du roi from Issoudun (Indre), France, married Catherine Tabouet on Jan. 15, 1591.

A medieval book of hours of the use of Bourges, this manuscript is illuminated with six miniature paintings, each above a four-line initial and accompanied by an originally four-sided floral border (now trimmed at the top). The association of the manuscript with Robinet and Tabouet is based on the use of their names on the front and rear boards of the binding, which may have been commissioned at around the time of their wedding in 1591.

Group comprised of students from the University of Massachusetts and community members who sought to develop and promote cultural, literary, charitable, educational and public affairs television programming. Records include by-laws, articles of organization, organizational histories, annual reports, meeting minutes, correspondence, program schedules, subject files, brochures, handbills, news clippings, and materials relating to a proposed merger with University of Massachusetts Cable Vision. In 1989, CCATV was renamed Amherst Community Television (ACT), and is currently named Amherst Media.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Since its founding 1991, the Center for the Study of Art and Community has been devoted to arts-based community development: the philosophy that human creativity is essential to the development of caring and capable communities. Founded by Bill Cleveland, the CSAC is an association of creative leaders from several cultural sectors, including business, government, and the arts, that seeks new cultural partnerships to integrate arts and creative expression into community life. Their projects have played out in schools, symphony halls, and neighborhood associations, but also in factories, jails, senior centers, unemployment offices.

The records of the CSAC offer extensive documentation of the movement to facilitate the role of arts and creativity in community development and an organization dedicated to fostering cultural partnerships that touch on sectors of the community from education and human services to public safety, faith groups.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Born into a Jewish family in Khotyn, Bessarabia (now Ukraine), in 1888, Benjamin Chalfen emigrated to United States as a young man, arriving in New York City in 1910 before making his way to Boston. Taking work as a clerk with the Roxbury Crossing Steamship Agency, he married a fellow Russian immigrant, Annie Berg in 1914 and, after their divorce a few years later, married a second time. Benjamin and Annie’s son, Melvin (1918-2007), studied Forestry at Massachusetts State College (BA 1940) and Yale (MF 1942) before enlisting in the Army Air Corps in Aug. 1942. Moved to active duty in 1943 as a communications specialist, he rose to the rank of Lieutenant. After he returned home, Mel met and married a recent Smith College graduate, Judith Resnick (1925-2011), with whom he raised three sons. The couple settled into a comfortable life in the Boston suburbs, where Mel carved out a successful career as a home inspector and educator while Judith became well known as a supporter of the arts and as one of the founders of Action For Children’s Television (1968), an important force in promoting quality television programing for children.

A massive archive documenting three generations of a Jewish family from Boston, the Chalfen family papers contain a rich body of photographs and letters, centered largely on the lives of Melvin and Judith Chalfen. The Chalfens were prolific correspondents and the collection includes hundreds of letters written home while Mal and Judy were in college and while Mel was serving in the Army Air Corps during the Second World War — most of these in Yiddish. The thousands of photographs cover a broader span of family history, beginning prior to emigration from Bessarabia into the 1960s. Among many other items of note are rough drafts of a New Deal sociological study of juvenile delinquency and the impact of boys’ clubs in the late 1930s prepared by Abraham Resnick (a Socialist community organizer and Judith’s father); materials from the progressive Everyman’s Theater (early 1960s); and nearly three feet of material documenting Judy Chalfen’s work with Action for Children’s Television.

Jules Chametzky is a professor of English, emeritus, at the University of Massachusetts Amherst, and the founder (1958) and co-editor of The Massachusetts Review. Born May 24, 1928, in Brooklyn, NY, Chametzky attended Brooklyn College (B.A., 1950) and the University of Minnesota (M.A. 1952; PhD, 1958). During his noteworthy career, he taught at the University of Minnesota, Boston University, Yale University, the Free University of Berlin, and UMass Amherst (1959-present). A specialist in Jewish American literary history, Chametzky was twice a Fullbright Professor, and he has contributed his time to the Modern Language Association of America, the American Association of University Professors, the American Studies Association, and the Coordinating Council of Literary Magazines (Secretary of the Executive Committee, 1967-1972). His many publications include The Fiction of Abraham Cahan, Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers, and The Rise of David Levinsky.

The Chametzky Papers document Chametzky’s career as an educator, advocate, and academic pioneer. Included in the collection are professional correspondence, notes compiled for research and teaching, committee and meeting notes, travel documents and memorabilia, and a series of materials relating to the founding of The Massachusetts Review and the Institute for Advanced Study in the Humanities at the University of Massachusetts Amherst.

A Senior Lecturer in Asian Studies at the University of Massachusetts Lowell and formerly the Associate Director of the Cambodian Genocide Program at Yale University (1998-2001), George Chigas is a noted political commentator on the genocide perpetrated by the Khmer Rouge during the 1970s.

This small collection is comprised of photographs taken by George Chigas of Cambodian sites and ceremonies in Lowell, Mass. The images document the ordination of novice monks, the consecration of a Buddhist statue, a Cambodian festival kite, and a community money tree celebration.