Collecting area: Arts & literature

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Ken Brown, born March 12, 1944 in Dayton, Ohio, is a filmmaker, photographer, cartoonist, designer and collector. He was raised in Amherst, Massachusetts, where he briefly attended UMass Amherst, before moving to Cambridge where he also attended Boston University. In the late 1960s he joined the thriving arts scene in Boston, where his most notable contribution was his film work, now known as Psychedelic Cinema. This live music project was projected onstage at the Boston Tea Party while musical acts like the Velvet Underground and Jimi Hendrix played. Brown made experimental films, using tricks like double exposure and stop motion, with a Super 8mm camera. He also worked as a film teacher in the early 1970s.  

In 1975 his career took a fortuitous turn when he started to sell postcards featuring his own drawings. This venture was so successful that he expanded the postcard line to include photographs and collages, mining his own collections, which are characterized by kitsch. From there he expanded the business further to include rubber stamps, eventually adding t-shirts, coffee mugs, tea towels, and wrapping paper to the line; he worked with local businesses to put his art and designs on the products. His unconventional business model attracted the attention of the Harvard Business School, which conducted and published a study of his work. He also continued to make films, which have been featured on MTV and Sesame Street. Since 1985 he has lived in New York City with his wife and frequent collaborator, artist and filmmaker Lisa Crafts. He continues to take photographs and make films about life in the city. 

The collection comprises a wide variety of the products Brown has produced and marketed throughout his career. It includes near-complete runs of his postcards, rubber stamps, and wrapping paper; a selection of t-shirts, tea towels, placemats and magnets; published books; and a variety of editioned screen prints made from his cartoons and drawings. The collection also contains ephemera documenting Brown’s career and early artwork in an anti-nuclear publication. The collection is expected to grow over time to include drawings, films, and recent digital photographs.

Gene Bruskin arrived at Princeton in 1964 as a basketball player and left as a political radical. After taking part in the Second Venceremos Brigade, Bruskin got involved in antiracist, cultural, and labor organizing in Boston. As president of the United Steelworkers of America local during the busing crisis of the 1970s, he helped win overwhelming support among the city’s bus drivers to have the union represent them, leading successful campaigns for better wages and working conditions and for safefty for the children. In the years since, he has held numerous high-profile positions nationally and internationally, including as labor director for Jesse Jackson’s Rainbow Coalition, Secretary Treasurer for the Food and Allied Service Trades Department of the AFL-CIO, and co-convener of U.S. Labor Against the War, an organization promoting peace and the demilitarization of U.S. foreign policy and an initiator of the National Labor Network For Ceasefire (NLNC). Bruskin was a major figure in the largest private union election in the history of the United Food and Commercial Workers when he led the successful campaign to unionize 5,000 workers at Smithfield Foods in North Carolina. Since retiring in 2012, he has continued to consult with unions and has played an active role as mentor for Amazon workers organizing across the country. In addition he has returned to some of his earlier undertakings in producing cultural works as a poet, songwriter, and playwright, centered on social justice and working class themes including three original musicals.

Documenting nearly fifty years of activism, Gene Bruskin’s papers are an exceptional resource for the labor movement in the 1970s through early 2000s, and particularly its radical flank. Although Bruskin’s early years are relatively sparsely represented, there is a significant run of <title render=”italic”>Brother</title>, the first anti-sexist, “male liberation” journal that he helped found while in Oakland, and the collection includes important material from his work in Boston with the Hyde Park Defense Committee, the Red Basement Singers, and especially with the School Bus Drivers and their tumultuous three-week strike in 1980.

The collection also contains a rich assortment of material on labor left and antiwar organizing in the 1990s and 2000s, the Justice at Smithfield campaign, and Bruskin’s work on behalf of single payer insurance, for International Solidarity, the American Federation of Teachers, and the Brotherhood of Maintenance of Way Employees.<lb/> Also included are materials about the US labor movements solidarity with workers in Gaza in 2024 as well as a range of documents about Amazon workers organizing, including important materials about the historic organizing victory of Amazon workers in Staten Island in 2022. In addition, there are a number of digital files of interviews with Gene about his work, past and present. Bruskin’s cultural work includes materials from his three original musicals, dozens of poems, and recorded original songs.

Kerry W. Buckley is an American History writer and artist. He graduated from Samford University in 1969 but continued his studies at the University of Georgia to get his Masters in 1971 and then completed his Ph.D. in American Social and Intellectual History at the University of Massachusetts Amherst. Buckley wrote and edited several books and articles, including “Mechanical Man”, a biography of the psychologist, John Broadus Watson. He’s a veteran from the Vietnam era and has taught and lectured at many different colleges and universities. Buckley became fascinated by Du Bois after writing a research paper, and eventually his thesis, on him. Throughout his life, he worked on a few projects centered around Du Bois, including a biographical travelling exhibit that contained some of Du Bois’s pictures and selected writings. Buckley also worked in the University of Massachusetts Archives to help process and create a guide for the W.E.B.Du Bois Papers.

The collection contains drafts, letters, publications and documents that focus on the creation of the Du Bois traveling exhibit , the production of the published guide to the papers, and the effort to create a Du Bois documentary by Black Flame Productions.

Former Massachusetts legislator, state auditor, and justice in the Essex Court, active in the Boston, Massachusetts-area Polish community. Fifty-five photographs including portraits of Judge Buczko with Pope John Paul II, Robert and Edward Kennedy, Carl Yastrzemski, Francis Sargent, Hubert Humphrey, and various Massachusetts politicians and friends.

A local historian from Bethany, Connecticut, Alice Bice Bunton (1924-2000) was a long-time member of the Association for Gravestone Studies. Author of a book on the historic houses of Bethany in 1972, she attended AGS conferences regularly beginning in the late 1970s. Bunton died on October 18, 2000, at the age of 75.

Many of Bunton’s photographs documenting cemeteries in Connecticut, Massachusetts, and New Jersey were taken during tours associated with the AGS annual conferences. Also included in the collection are AGS conference brochures and other printed material, newspaper clippings, grave rubbings, and a small amount of correspondence.

A teacher at the New York State School for the Deaf since the 1970s, Frank Calidonna is a professional photographer based in Rome, N.Y. A long-time member of the Association for Gravestone Studies, Calidonna has a long standing interest in Victorian cemeteries and, among other projects, made a photographic study of the Victorian Mount Cemetery in Rochester, N.Y., in 1991.

The Calidonna Collection contains 55 black and white prints (5×7″) taken of monuments and gravestones in Mount Hope Cemetery, ca.May 1991, documenting the stylistic variation, ranging from high Victorian to relatively recent. The collection also includes two brochures for Mount Hope.

Shortly before his twentieth birthday in 1918, Roswell “Ross” Calin joined the 44th Coast Artillery Corps and was sent overseas for service. Arriving in France in August 1918, Calin took part in the St. Mihiel offensive and was wounded in action. He returned to his home in Providence, R.I., early in 1919 and was active in veterans’ organizations for years, including serving as Rhode Island State Adjutant of the Disabled American Veterans in the mid-1920s.

The Calin collection consists of two scrapbook “volumes,” now disbound, assembled by Ross Calin to document his experience in the First World War. Labeled a “memoir,” the volumes consist primarily of photographs and postcards (including many real photo postcards) depicting American troops in the field, war damage, and sites visited by Calin in France. Also included are a selection of medals received by Calin, including a Victory Medal with St. Mihiel clasp, and some newspaper clippings, primarily from the post-war years.

Organized by UMass anthropology professor Joel Halpern, the images in this collection were put on display during the Cambodian New Year celebration in 1986. As part of the celebration, members of the large community of Cambodian refugees who have resettled in Amherst were recognized.

The collection consists of photographs as well as programs, correspondence, and financial records pertaining to the Cambodian-Americans in Amherst New Year’s Day Celebration and Exhibit of 1986.

A housewife, mother and active community member, Sadie Campbell was born in 1881 and lived at 1 Depot Street in Cheshire, Massachusetts for most of her life until she died in 1971. Sadie was closely tied to the Cheshire community where she had a large circle of friends and acquaintances, and was active in a a number of organizations, such as: the Cheshire Ladies Reading Club, the Merry Wives of Cheshire Shakespeare Club, and the Cheshire Cash Tearoom.

The collection documents three generations of a western Massachusetts family. The variety and nature of the materials in this collection offer a good view into the local and social history of western Massachusetts through the lives of Sadie Campbell and her family.