Collecting area: Arts & literature

Temporarily stored offsite; contact SCUA to request materials from this collection.

Beloved for her essays on New England life and for a long-running column in Yankee Magazine, Edie Clark was born in northern New Jersey in 1948 and raised near Morristown. A graduate of Beaver College, Clark cut short a career as editor for the Chilton Company in 1973 when she and her husband, inspired by Scott Nearing, moved to Vermont to pursue a simpler, more self-sufficient life. Drawing on the skills honed at Chilton, Clark developed a successful editorial business, which led her to approach Yankee Magazine in 1978 with the idea of writing an article on Abby Rockefeller and composting toilets, beginning an association that would last nearly twenty years. In 1990, Clark began writing a regular column on country life for Yankee, and in the years since, she has written dozens of essays and seven books, including The place he made (2008), a memoir about her second husband’s struggle with cancer; States of grace (2010), containing essays on “real Yankees;” and What there was not to tell (2013), an account of Clark’s search to uncover her parents’ experiences during the Second World War. Following a lengthy period of ill health, Clark retired from writing in 2017.

The record of a popular writer known for her depictions of contemporary New England, the Edie Clark Papers contain drafts and printed copies of nearly all of Clark’s work. An assiduous researcher, she gathered background materials on topics ranging from Lyme disease to the New England-Canadian border region to psychics and Spiritualists, and she corresponded or conducted interviews with dozens of people who featured in her work, including the author Carolyn Chute (author of The Beans of Egypt, Maine) and her husband Michael, then leaders in the so-called Second Maine Militia. Even more voluminous are some remarkable Clark family materials, including dozens of essays and letters by Clark’s grandmother Eleanor Sterling Clark and over 2,000 letters from her parents. Luther and Dorothy Clark, written during the Second World War while they were serving in the Army Air Corps and Marine Corps, respectively. These letters formed the basis for Clark’s remarkable book, What there was not to tell.

Receiving her Ed.D in Foundations in Education from UMass Amherst in 1982, Marie Sally Cleary has been a member of the Associates Program for independent scholars based at the Five Colleges since 1983. In her book Myths for the Millions: Thomas Bulfinch, His America, and His Mythology published in 2007, Cleary provides an in-depth study of the man behind the landmark work, The Age of Fable, which has been responsible for introducing many Americans to classical mythology since its original publication in 1855.

The collection consists of drafts and subject files related to the research and writing of Cleary’s book.

In taut and haunting prose, Andrew Coburn left a memorable impression as both novelist and journalist. Born in Exeter, N.H., on May 1, 1932, Coburn became serious about writing while fulfilling his military duty in Germany and earning a degree in English at Suffolk University. After landing a position with the local newspaper, the Lawrence Eagle-Tribune, he put his talents to good use. Building his career as a journalist covering organized crime by day, he managed to spend nearly every night writing fiction until dawn. His successes on the beat earned him steady promotions all the way to city editor, and he eventually founded two newspapers of his own, though fiction would be his future. Winning a Eugene Saxton Fellowship in 1965, Coburn drew upon his experiences on the streets of Lawrence to publish his first novel, The Trespassers, in 1974, followed by The Babysitter in 1979, and eventually eleven other novels, a novella, and a host of short stories and essays. A master of language and dialogue grounded in a strong sense of place, Coburn won both wide readership and praise from other writers. His work has garnered nominations for the Edgar Allan Poe Award and Pushcart Prize and has been translated into 14 languages. Three of his novels have been made into films in France. He was married to Bernadine Casey Coburn, a former journalist and public relations expert, with whom he had one son and four daughters.

The Coburn Papers contain working drafts and page proofs of Andrew Coburn’s novels and short stories, along with selected correspondence, and dozens of journals, scrapbooks, and notebooks used in his fiction. In many cases, the completeness of the collection makes it possible to follow a work from its earliest inception, often recorded as a sketch (literal or in prose), through to its final iteration.

Letters to Regina Codey, writer and chair of English department at Bennett Junior College. Two typescript poems by Robert Francis (“White Sunday Morning” and “Tit for Tat”). Biographical materials about Regina Codey and news clippings about Robert Francis.

Ed Cohen is a graduate of UMass Amherst (’75) and has been an active commercial photographer in Western Massachusetts since finishing at UMass. In addition to typical work for hire subject matter, Cohen has specialized in event and concert photography.

The Edward Cohen Photographs of Max Roach collection is comprised of seventeen mounted photographs of Max Roach at UMass in the late 1980s, early 1990s. Roach is depicting in concert, backstage, and interacting with well known musicians, UMass faculty, and members of the UMass community. The photos were purchased by the University and were exhibited in the Student Union.

A pioneer in geriatric psychiatry with a polymathic imagination, Gene D. Cohen was born in Brockton, Mass., in 1944, and educated at Harvard, Georgetown University School of Medicine (1970), and the Union Institute (PhD, Gerontology). Cohen began his career with the U.S. Public Health Service out of medical school, and from the outset, set a novel course in his research, becoming one of the first psychiatrists to specialize in study of the impact of aging on the brain and Alzheimer’s disease. Recognized for administrative prowess as well as the originality of his scholarship, he was selected as the first chief of the Center on Aging at the National Institute of Mental Health (1975-1988), and went on to leadership positions at the National Institute on Aging (NIH) and in the profession more generally. In 1994, he left government employment to found the Center on Aging, Health, and Humanities at George Washington University. The impact of Cohen’s research was felt widely and catalyzed a change in the field from viewing aging as a disease to recognizing the creative potential of the older mind. His demonstration of the health benefits to older people of engagement in the arts made him one of the intellectual architects of the field of Creative Aging. The author of more than 150 articles and monographs, he earned numerous awards for his work, including the highest award bestowed by the U.S. Public Health Service, the Distinguished Service Medal. Cohen died of metastatic prostate cancer at the age of 65 in Nov. 2009, leaving his wife, Wendy Miller, two children, and four grandchildren.

A significant collection for study of the growth of geriatric psychiatry and the field of creative aging, the collection includes materials from throughout Gene Cohen’s pathbreaking career. The collection offers insight into the development of gerontological research particularly during Cohen’s years at the NIMH and NIH. In addition to an extensive set of publications by and about Cohen, the collection includes background materials for Cohen’s books The Creative Age, The Mature Mind, and Sky Above Clouds, and a significant corpus relating to some of his major research projects. Finally, the collection includes a selection of videotapes of interviews with Cohen, including several presentations and talks.

Husband and wife Paul Francis and Olive (“Tommie” Fox) Colburn were active members of the Association for Gravestone Studies from the 1980s. Natives of Lowell, Mass., and long-time residents of Berwick, Me., the Colburns shared an interest in New England gravestones and marker symbolism, with Tommie enjoying a particular specialty in metal-based markers.

The Colburn collection represents a cross-section of the couple’s work documenting and lecturing about New England grave markers and marker symbolism as well as Victorian funerary practice. Of note are a small number of items reflecting Victorian mourning culture, including images of funeral wreaths and arrangements, three mourning handkerchiefs, and a funeral card.

The daughter of a Scottish immigrant and a 1923 graduate of Smith College, Phebe Hazel Ferris returned to her alma mater to pursue graduate work degree in Geology, but in 1928 she married her instructor, Robert Frank Collins. Settling in Williamsburg, Mass., the couple raised a family of three boys, Frank, Robert, and James. Robert, Sr., remained as a Professor of Geology and Geography at Smith, while Phebe eventually returned to graduate work, though in Physics, and thereafter worked for many years at Smith as a laboratory instructor. Phebe died in 1983, less than two months before her husband.

The Collins collection consists primarily of meticulously maintained scrapbooks assembled by Phebe Collins between the 1920s and the 1960s. The range of materials in these scrapbooks is remarkable, including not only photographs, postcards, and letters received, but children’s drawings, report cards, and the occasional surprise like a quarantine sign hung on the family door for a sick child. In aggregate, they are a rich record of the growth of an intellectually-inclined family across four decades. The collection also includes seventeen photograph albums and hundreds of Collins and Ferris family photographs, along with images taken by Robert during his geological work.

Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts, specialized in women’s studies materials, or in their words, “books by, for, and about women.” A couple for almost 40 years and married in 2004, Johnson and Abramson opened the store in 1977 and as they grew, relocated to the town’s old Center School building across the street in 1983. The shop closed for business in 2000.

Comprised of two scrapbooks and folder of ephemera, the collection highlights the Common Reader Bookshop not only as a place for buying antiquarian books, but also for the community it fostered.

In May 1985, a group of activists in Western Massachusetts opposed to the interventionist U.S. foreign policy of the Reagan era formed a construction brigade to assist with basic human needs and express solidarity with the people of Central America. Modeled on the Venceremos Brigade, Construyamos Juntos, Building Peace of Nicaragua, raised over $20,000 for construction supplies in addition to funds for individual travel. Between January and March 1986, the 17 activists joined a smaller brigade from West Virginia in constructing the Carlos Armin Gonzales elementary school in San Pedro de Lovago. During their first month in Nicaragua, they witnessed a Contra assault on the town that left one assailant dead and two residents of the town wounded.

This exhibit includes 55 mounted images and 99 35mm slides taken during the brigade’s time in Nicaragua, documenting the brigade’s construction work and providing a valuable visual record of life in Nicaragua during the Contra war. Used in public talks about Contruyamos Juntos, the collection includes exhibit labels that explain the purpose and activity of the brigade, the history of Nicaragua, and the Contra attack in January 1986.