Collecting area: Arts & literature

For many years, Sovfoto, a stock photograph agency based in New York City, was the sole source in the United States for the best work in contemporary Soviet photojournalism. Founded in 1932, the company carried photographers for Tass and, later, other news agencies from throughout the Soviet republics, Eastern Europe, and China.

The Tass Sovfoto Collection depicts Soviet life, primarily in the 1950s and early 1960s. Typically rendered in heroic Soviet style, the photographs are relatively varied in subject, documenting political events (e.g., Communist Party meetings, the meeting of Kennedy and Khrushchev); generals, politicians, and celebrities (Lenin, Khrushchev, Shostakovich); and athletic and cultural events. A few images appear to be parts of photo essays aimed at a popular audience, including images of Jewish life in Russia and the life of a Soviet worker, while others are stock images of Soviet troops during the Second World War.

With a B.A. in literature from Antioch College and an M.A. in education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women’s studies instructor, massage therapist, yoga teacher, and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process.

The collection features a wide range of Taylor’s work, reflecting her lifelong love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor’s creative writing workshops, and the recollections of former members of the Liberation News Service.

Long-time residents of Berkeley, California, Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, Thomas Tenney became a full-time photographer by about 1960. His photographic interests ranged from urban landscapes and advertising signs to the popular culture of the 1960s and 1970s. Margaret Tenney, also a photographer, was a visual artist who worked in collage and monoprint. For over a decade, the couple took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

A vast array of the Tenneys’ photography, artwork, and collection of historic photographs, including thousands of photographs and negatives ranging from the mid-19th century to the early 2000s.

A popular Spanish-language community radio program broadcast on the New England Public Radio station WFCR, Tertulia featured a wide range of music from the Caribbean region and South and Central America, news in both English and Spanish, and discussions of topics of importance to the Latino community. As of 2017, the show has enjoyed over thirty years on air.

The Tertulia collection consists of hundreds of cassette recordings of the radio show, mostly taken as air-checks and many of interviews with members of the Latino community in Western New England.

Four local unions located in New Bedford, Massachusetts, that joined in 1939 and became the first affiliates of the New Bedford Joint Board of the Textile Workers Union of America. Includes by-laws, minutes of board of directors and local meetings, correspondence, subject files, photographs, and scrapbooks relating to the administration of the New Bedford Joint Board, documenting its role in addressing grievances filed against individual companies, in facilitating arbitration, and hearing wage stabilization Board cases.

A graduate of Yale, failed schoolmaster, and politically-connected customs collector in eastern Maine during the antebellum period, Stephen Thacher raised a large family with grand intellectual ambitions. Thacher’s sons made the most of their collegiate educations in their careers in law and the ministry, his eldest daughter Mary married Thomas Wentworth Higginson, while a granddaughter Alice Thacher married the Harvard historian Edward Channing, son of William Ellery Channing and nephew of Margaret Fuller.

These relics of a prominent New England family contain nearly 150 letters, dozens of photographs and other visual materials, and a large assortment of books from three generations of Thachers and Channings. The letters are a rich resource for understanding the life of Stephen Thacher from the uncertainty of youth in Connecticut to political and financial success in the ports of eastern Maine. Assembled by Stephen’s son Peter, the collection includes a number of noteworthy items, including an excellent letter from Timothy Goodwin in July 1775, describing his experiences during the failed expedition on Quebec and the retreat to Crown Point, and a series of letters from Congressman Martin Kinsley on the major issues of the day, including the extension of slavery to the territories and formation of the state of Maine.

The Scotsman John Thomson is considered one of the fathers of social documentary photography and a pioneer in the photography of southeast Asia. Between 1861 and 1872, he traveled extensively in Asia, documenting the scenery and people of modern day Malaysia, Cambodia, Thailand, Indonesia, and China.

The collection includes eight albumen prints from wet-plate collodion negatives taken early in Thomson’s photographic career. The images of Penang, Malaysia, are all signed by John Thomson, with five dated November 1863. Subjects include Malay people, a native infantry regiment, sugar mill, temple, and Thomson’s widely reproduced image of tree ferns.

The activist, writer, and educator, Sue Thrasher became involved in the civil rights movement while a student at Scarritt College in 1961. A native of rural West Tennessee, Thrasher was drawn to the local chapter of the Student Non-Violent Coordinating Committee shortly after arriving on campus, and in 1964, she helped found the Southern Students Organizing Committee, serving as its first executive director and taking part in the “white folks project” during Mississippi Summer. As a stalwart of the freedom movement and its historian, she joined the staff at the Highlander Center in 1978, helping to organize their archives and conducting oral histories. After more than twenty years of social activism in the South, Thrasher came to UMass Amherst to earn a doctorate in Educational Policy and Research, and from 1997 until her retirement in 2013, she worked as Partnership Coordinator at Five Colleges Incorporated, linking faculty with public school districts in western Massachusetts. Among her several works on the civil rights movement is the collaborative volume Deep in Our Hearts: Nine White Women in the Freedom Movement (2000).

A visual record of Sue Thrasher’s involvement in movements for social justice, the collection includes dozens of posters reflecting international liberation movements (Mozambique, Palestine, Central America), Cuba, the antiwar movement, campaigns for literacy in Nicaragua, the International Council on Adult Education (Chile and Bangladesh), and activities at the Highlander Center (benefit concerts by Pete Seeger, Arlo Guthrie, and Sweet Honey in the Rock). The collection also includes two Nicaraguan masks collected by Thrasher.

Largely self-educated, George Thurber (1821-1890) began a career as a pharmacist before signing on as botanist to the U.S. Boundary Commission from 1850-1854. After completing a masters degree at Brown University, he emerged as a important horticultural writer and editor of American Agriculturist from 1863 to 1885.

Letters, photographs, engravings, and clippings compiled primarily by George Thurber and bequeathed to George Clark Woolson (MAC class of 1871) who added to it and donated it as a memorial to his class, the first to graduate from the College. The collection includes 993 letters written by 336 correspondents, and 35 photographs and engravings, primarily botanists and other scientists, including Asa Gray, Louis Agassiz, John Torrey, Frederick Law Olmsted, John James Audubon, Henry Ward Beecher, Jefferson Davis, Edward Payson Roe, Donald G. Mitchell, and George Brown Goode.

After working for a year on the Standing Rock Indian Reservation in the Volunteers in Service to America (VISTA) program, James Tibensky returned to college, declared a major in anthropology, and soon began to focus on gravestones. For his masters degree at the University of Illinois at Chicago, Tibensky took up an ambitious project, systematically documenting every pre-1800 grave marker in western Connecticut, photographing each stone, and noting the name, date of death, orientation, style, and material. Painstakingly entering and analyzing the data on the computer using Hollerith cards, he completed his thesis, “The colonial gravestones of western Connecticut,” in 1977. During the latter stages of his research, he became a charter member of the new Association for Gravestone Studies.

The Tibensky collection contains the complete product of James Tibensky’s remarkably thorough study of western Connecticut colonial-era gravestones, including approximately 350 rolls of negative film with the accompanying original field nates, printounts, and statistical data, all meticulously maintained.