Collecting area: Arts & literature

Cover of Avatar volume 1, number 4

Suzanne Petrucci (neé Karson / AKA Suzanne Beardsley) was the Distribution Secretary for the Boston underground newspaper, Avatar, which was published out of the Fort Hill Commune in Roxbury and led by Mel Lyman, the controversial folk musician, spiritual leader, and writer. The initial run of Avatar ran from 1967-1968 and published 24 issues until a split developed amongst the staff. The Avatar offices moved from Fort Hill to Rutland Street in the South End. A 25th issue was published and partially distributed before the remaining copies were stolen by the Fort Hill contingent. Shortly after this incident, an Avatar board member, David Wilson, of the music publication Broadside, and Charles Giuliano, a writer for the paper, resumed publication during the summer of 1968. Eventually, Lyman resumed publication of a new American Avatar which ran through 1969. A New York edition also ran simultaneously in 1968 and 1969. Petrucci donated a complete run of volume one of the newspaper in 2023.

The collection consists of an entire run of volume 1 of Avatar, consisting of issues 1-24 and the “lost” issue 25. Also included are a selection of issues from volume 2 as well as issues from the New York edition. Issues of the Los Angeles Free Press and Rolling Stone that contain stories about Mel Lyman and the Fort Hill Commune are also included.

The author and social critic Harvey Swados (1920-1972) was a graduate of the University of Michigan who embarked on a literary life after service in the Merchant Marine during the Second World War. His first novel, Out Went the Candle (1955), introduced the themes to which Swados would return throughout his career, the alienation of factory workers and the experience of the working class in industrial America. His other works include a widely read collection of stories set in an auto plant, On the Line, the novels False Coin (1959), Standing Fast (1970), and Celebration (1975), and a noted collection of essays A Radical’s America (1962). His essay for Esquire magazine, “Why Resign from the Human Race?,” is often cited as inspiring the formation of the Peace Corps.

The Swados collection includes journals, notes, typewritten drafts of novels and short stories, galley proofs, clippings, and correspondence concerning writings; letters from family, publishers, literary agents, colleagues, friends, and readers, including Richard Hofstadter, Saul Bellow, James Thomas Farrell, Herbert Gold, Irving Howe, Bernard Malamud, and Charles Wright Mills; letters from Swados, especially to family, friends, and editors; book reviews; notes, background material, and drafts of speeches and lectures; financial records; biographical and autobiographical sketches; bibliographies.

James H. Fraser and his wife Sibylle were eclectic and sometimes omnivorous collectors of the book arts, dedicated to the scholarly exploration of visual culture, the book, and the avant garde. A former Director of the Library at Farleigh Dickinson University and a consultant to many other academic libraries, James Fraser developed an omnivorous passion for German and Eastern European graphic design and book culture and had interests that ranged from Socialist children’s books to Judaica, the American left, Mongolian printing, and Japanese posters of the 1980s. James Fraser died in the fall 2013 and was survived by Sibylle and their two children.

This unusual collection of over 250 volumes is a product of the Frasers’ interest in Swedish book jacket design. Consisting nearly entirely of soft cover volumes printed between the 1920s and 1960s, primarily pre-war, and not necessarily written by Swedish authors, the collection reflects the work of many illustrators drawing on a range of graphic styles, from avant garde modernism to the later parts of the collection, which includes translations of popular works by writers such as Ian Fleming and Agatha Christie.

For many years, Sovfoto, a stock photograph agency based in New York City, was the sole source in the United States for the best work in contemporary Soviet photojournalism. Founded in 1932, the company carried photographers for Tass and, later, other news agencies from throughout the Soviet republics, Eastern Europe, and China.

The Tass Sovfoto Collection depicts Soviet life, primarily in the 1950s and early 1960s. Typically rendered in heroic Soviet style, the photographs are relatively varied in subject, documenting political events (e.g., Communist Party meetings, the meeting of Kennedy and Khrushchev); generals, politicians, and celebrities (Lenin, Khrushchev, Shostakovich); and athletic and cultural events. A few images appear to be parts of photo essays aimed at a popular audience, including images of Jewish life in Russia and the life of a Soviet worker, while others are stock images of Soviet troops during the Second World War.

With a B.A. in literature from Antioch College and an M.A. in education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women’s studies instructor, massage therapist, yoga teacher, and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process.

The collection features a wide range of Taylor’s work, reflecting her lifelong love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor’s creative writing workshops, and the recollections of former members of the Liberation News Service.

Long-time residents of Berkeley, California, Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, Thomas Tenney became a full-time photographer by about 1960. His photographic interests ranged from urban landscapes and advertising signs to the popular culture of the 1960s and 1970s. Margaret Tenney, also a photographer, was a visual artist who worked in collage and monoprint. For over a decade, the couple took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

A vast array of the Tenneys’ photography, artwork, and collection of historic photographs, including thousands of photographs and negatives ranging from the mid-19th century to the early 2000s.

Collection of of 2,500-3,000 glass plate negatives that date back to the 1860s donated by local photographer Terri Cappucci. Cappucci, who received her MFA at UMass Amherst, is a documentary photographer, alternative process printer, and educator who has been producing her own nineteenth century-style photographs using the wet plate collodion process for many years.

Most of the negatives in the collection are undated and have little to no information about where they were taken or who the photographer was. To address this, Cappucci created the “Somebody Photographed This” website and Facebook group. She also utilized her expertise to determine that the photographs in the overall collection were taken by several different photographers. While most of the collection is from Western Massachusetts, specifically Franklin County, there are also images from the coastal towns of Massachusetts. Cappucci then cleaned and digitized some of the most compelling images from the collection and posted them to the “Somebody Photographed This” Facebook page during the pandemic in 2020. Followers left comments to share locations, dates, and additional information about the photos. This led to Cappucci receiving additional glass plate negative collections from people from around the world, as well as articles about the project in the Boston Globe, Greenfield Recorder, Montague Reporter, and UMass Magazine, along with a televised segment on NEPM. Cappucci started a GoFundMe campaign and raised funds for preservation supplies.

In 2023, Cappucci approached SCUA to permanently house the collection amongst our vast holdings of photograph and manuscript collections.

A popular Spanish-language community radio program broadcast on the New England Public Radio station WFCR, Tertulia featured a wide range of music from the Caribbean region and South and Central America, news in both English and Spanish, and discussions of topics of importance to the Latino community. As of 2017, the show has enjoyed over thirty years on air.

The Tertulia collection consists of hundreds of cassette recordings of the radio show, mostly taken as air-checks and many of interviews with members of the Latino community in Western New England.

Four local unions located in New Bedford, Massachusetts, that joined in 1939 and became the first affiliates of the New Bedford Joint Board of the Textile Workers Union of America. Includes by-laws, minutes of board of directors and local meetings, correspondence, subject files, photographs, and scrapbooks relating to the administration of the New Bedford Joint Board, documenting its role in addressing grievances filed against individual companies, in facilitating arbitration, and hearing wage stabilization Board cases.

A graduate of Yale, failed schoolmaster, and politically-connected customs collector in eastern Maine during the antebellum period, Stephen Thacher raised a large family with grand intellectual ambitions. Thacher’s sons made the most of their collegiate educations in their careers in law and the ministry, his eldest daughter Mary married Thomas Wentworth Higginson, while a granddaughter Alice Thacher married the Harvard historian Edward Channing, son of William Ellery Channing and nephew of Margaret Fuller.

These relics of a prominent New England family contain nearly 150 letters, dozens of photographs and other visual materials, and a large assortment of books from three generations of Thachers and Channings. The letters are a rich resource for understanding the life of Stephen Thacher from the uncertainty of youth in Connecticut to political and financial success in the ports of eastern Maine. Assembled by Stephen’s son Peter, the collection includes a number of noteworthy items, including an excellent letter from Timothy Goodwin in July 1775, describing his experiences during the failed expedition on Quebec and the retreat to Crown Point, and a series of letters from Congressman Martin Kinsley on the major issues of the day, including the extension of slavery to the territories and formation of the state of Maine.