The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo

Collecting area: Arts & literature

Spragens, John

John Spragens Cambodian Photograph Collection

1983
1 box 0.5 linear feet
Call no.: MS 116

The photojournalist John Spragens spent the better part of a decade living in Southeast Asia from 1966-1974, working for a variety of relief and peace organizations.

Taken by John Spragens late in 1983, the black-and-white photographs in this collection document Cambodia shortly after the Vietnamese Army defeated Pol Pot’s Khmer Rouge and installed a new order.

Acquired from John Spragens, 1986

Subjects

Agriculture--Cambodia--PhotographsCambodia--PhotographsFarmers markets--Cambodia--PhotographsFishing--Cambodia--PhotographsOrphans--Cambodia--Photographs

Types of material

Photographs
Restrictions: The photographer retains copyright to all images in the collection.
Stack, Jonathan

Jonathan Stack Collection

1992-2000
36 boxes, films 65 linear feet
Call no.: MS 969
Depiction of Gabriel Films logo
Gabriel Films logo

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.

Gift of Jonathan Stack, April-Dec., 2017

Subjects

Documentary filmsLouisiana State PenitentiaryMotion picture producers and directors

Types of material

Videotapes
Stagebridge

Stagebridge Records

1979-2017
1 box 1.5 linear feet
Call no.: MS 1024
Depiction of Dorothy Doty in Changes/Ages/Images, 1980 (College Avenue Players)
Dorothy Doty in Changes/Ages/Images, 1980 (College Avenue Players)

A theater company of older adults based in Oakland, Calif., Stagebridge is recognized as a pioneer in the field of creative aging. Founded by Stuart Kandell in 1978, the organization sponsors workshops, performances, and other opportunities for lifelong learning that provide a creative means to transform the lives of older adults and their communities through the performing arts. Organized “for and of” older adults, Stagebridge is testimony to the ways in which elders enrich our culture and communities.

The Stagebridge collection contains scrapbooks, photograph albums, news clippings, and some scripts beginning in the earliest years of the organization. Digital materials in the collection are even richer, ranging from videos of performances to promotional materials and organizational records.

Gift of Stuart Kandell, May 2018

Subjects

AgingCreative agingOlder peopleTheater--California

Types of material

PhotographsVideotapes
State Arts Agencies' Community Development Coordinator

State Arts Agencies' Community Development Coordinator Collection

1975-2007
2 boxes 1 linear feet
Call no.: MS 1001

Since 1975, Community Development Coordinators for state-level arts agencies in the United States have met annually for the exchange of information, training, and to plan state and national programs for community activity in the arts. Charged with development of both community arts councils and rural arts, CDCs also work to decentralize efforts. In recent years, they have increasingly been engaged in arts and social action programs and in providing a voice on national arts policy.

This small collection documents over thirty years of annual meetings between Community Development Coordinators from state arts agencies across the United States. Organized chronologically, the collection includes agendas, membership lists, communications among organizers, and materials used in workshops and that document the history of CDCs. In 2000, the CDCs began keeping records electronically, though without designating a record keeper. Electronic records have not been included in the collection.

Gift of Maryo Gard Ewell, Nov. 2017

Subjects

Artists and communityArts--ManagementCommunity arts projectsGovernment aid to the arts
Steele, Ronald

Ronald Steele Papers

1956-2000
9 boxes 10 linear feet
Call no.: FS 164
Depiction of Ronald Steele
Ronald Steele

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

Subjects

University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Music and Dance

Types of material

Photographs
Stereocards

Stereocard Collection

ca.1890-1915
Call no.: MS 191

A miscellaneous collection, primarily of scenic stereocards by major publishers such as Underwood and Underwood.

Types of material

PhotographsStereocards
Stern, Robert, 1934-

Robert Stern Collection

1975-1981
1 box 0.5 linear feet
Call no.: FS 024
Depiction of Robert Stern
Robert Stern

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).

Subjects

University of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of Music and Dance

Types of material

Audiotapes
Stevens, Wallace, 1879-1955

Wallace Stevens Collection

1804-1973 Bulk: 1930-1954
1 box, 35 vols. 0.5 linear feet
Call no.: MS 365

The modernist poet Wallace Stevens produced some of the century’s most challenging works while employed as an attorney in Hartford, Connecticut. A native of Reading, Pa., Stevens attended Harvard as an undergraduate but left in 1900 before completing his degree. He later earned a law degree at New York School of Law. Working in insurance law but still intent on becoming a writer, he did not publish his first book of poetry until he was 44 years old. Over the last thirty years of his life, he became one of the most revered contemporary poets in the country. Stevens died of cancer in 1955.

Touching on poetry, criticism, and books, the collection consists primarily of letters received by the poet Wallace Stevens along with 35 annotated volumes from his personal library. Among the correspondents represented are Charles Tomlinson, Jean Wahl, Conrad Aiken, and the art collector and Stevens’ close friend Henry Church; there are also retained copies of three letters from Stevens: two regarding an honorary degree at Harvard, and one to Tomlinson declining to respond to Tomlinson’s analysis of “The comedian as the letter C.” The books included in the collection have annotations or inscriptions to or by Stevens.

Subjects

Poets--Connecticut

Contributors

Stevens, Wallace, 1879-1955
Stoddard, Forrest S., 1944-

Woody Stoddard Papers

ca.1970-2007
27 boxes 40.5 linear feet
Call no.: MS 826
Depiction of Engineers climbing a turbine, Tehachapi, Calif., Aug. 1992
Engineers climbing a turbine, Tehachapi, Calif., Aug. 1992

A visionary of modern wind power, Forrest “Woody” Stoddard was a graduate in aeronautics from MIT (BS, 1966; MS 1968) and an early member of the UMass Amherst “wind power mafia.” After service with the Air Force, Stoddard returned home to Amherst, Mass., in 1972 to pursue a doctorate in Ocean Engineering and to take part in the emerging field of alternate energy. Joining the vibrant, interdisciplinary group at UMass gathered around William Heronemus, he began a dissertation in wind turbine dynamic analysis (1979), earning selection as lead developer of the famed 25kW Wind Furnace 1 (WF-1) turbine. To carry research into practice, Heronemus, Stoddard, and other UMass graduates joined US Windpower (later Kenetech), the country’s first producer of large wind turbines and promoter of early wind farms. A tireless advocate for wind power and alternative energy, Stoddard was highly regarded as a researcher but also as a teacher and mentor of a generation of engineers who populate the industry. Nearly coincident with his untimely death on Jan. 25, 2007, the American Wind Energy Association awarded Stoddard its Lifetime Achievement Award.

As a participant in the early years of the wind power group at UMass, Stoddard’s papers offer insight into an engineer’s experiences in the fitful growth of the wind power industry. The collection is rich in engineering data on turbine dynamics and other aspects of wind power and the extension of academic research into the nascent wind power industry, and it includes an interesting array of both personal and professional photographs and correspondence.

Gift of Nate Stoddard, July 2014

Subjects

U.S. Wind Power AssociatesUniversity of Massachusetts at Amherst. Department of Mechanical EngineeringWind Energy Center (University of Massachusetts Amherst)Wind Furnace 1Wind powerWind turbines--Aerodynamics

Contributors

Heronemus, William E.

Types of material

Photographs
Stokes, Ann R.

Ann R. Stokes Papers

ca. 1911-2013 Bulk: ca. 1960-2010
10 boxes 15 linear feet
Call no.: MS 1124

Ann Richardson Stokes (1931-2016) was an activist, artist, and community builder across such issues as progressive politics, women’s and lesbian/gay rights, and the environmental and antinuclear movements. Stokes was born and educated in New Jersey, the daughter of Dr. Emlen Stokes and Lydia Babbott Stokes, and the great grand-daughter of Charles Pratt. A lifelong Quaker and longtime member of Putney Friends Meeting, Ann moved to Welcome Hill in West Chesterfield, NH in 1959. She helped build and run the studio retreat for women artists, Welcome Hill Studios, which has been inspiring and nurturing artists since the 1970s, and in 1985 Stokes published an account of the all-woman-built first studio in “A Studio Of One’s Own.” A fabled party thrower, she hosted Nina Simone, Odetta, the Arthur Hall African-American Dance Troupe and many others, and built up lore around “Madame Sherrie” with her events and with a gift of land in West Chesterfield known as Madame Sherrie’s, which now includes the Ann Stokes Loop hike. A talented writer and painter, Ann penned numerous thoughtful letters to editors across the country, but was happy to engage personally in social action as well, such as when she was jailed for two weeks for protesting the Seabrook Station nuclear power plant in 1977 or when she ran, unsuccessfully, for Sheriff in West Chesterfield.

The Ann R. Stokes Papers document Ann’s varied and passionate life of art, community building, Quakerism, and activism. The building and story of Welcome Hill Studios, as well as Ann’s famous parties, are well documented with scrapbooks, photographs, and posters. Her engagement with the Putney Friends Meeting is evident through numerous records and correspondence. Family photo albums and scrapbooks document the Stokes extended family history, and Ann’s own writing, photographs, and art (mostly original paintings and prints) make up a bulk of the collection. Ann’s collection of women/lesbian organization’s newsletters, mostly from the 1980s-2000s, with titles such as Lezzie Fair, Open Closet, Lesbian Connection, the Revolutionary & Radical Feminist Newsletter, show her engagement with local and national women’s issues.

Gift of Elissa Pine and Welcome Hill Studios, 2020.

Subjects

Antinuclear movement--United StatesArtists' studios--New HampshireLesbian community--New EnglandQuakers--New HampshireWomen artists

Contributors

Stokes, Ann

Types of material

CorrespondenceNewslettersPaintings (visual works)Photographs