Collections: mss

Following the Wilburite separation in the New England Yearly Meeting of Friends in 1845, the Wilburite “smaller body” reconstituted the structure of the Quaker church. The Rhode Island Quarterly Meeting was formed after the split overseeing four monthly meetings in Rhode Island and one in Massachusetts, most of which were relatively short lived.

The records of the Wilburite Rhode Quarterly Meeting include a relatively complete set of minutes and thorough documentation of the Ministers and Elders.

A graduate of UMass Amherst (’71) and the son of a faculty member, Jim Ricci had a childhood encounter with a Locke Power Lawn Mower that led to lifelong fascination with reel lawn mowers. As an historian ofthe field, Ricci has written extensively on mowers and the industy, culminating in his book Hand, Horse, and Motor: The Development of the Lawn Mower Industry in the United States (2016). He and his wife Margaret McCarthy are also advanced collectors of vintage lawn mowers and associated paper and ephemera.

The Ricci and McCarthy collection cuts a wide swath through the subject of pre-World War II lawn mowers, and includes materials ranging from scarce catalogs, trade publications, and letters and documents, as well as Ricci’s extensive research files organized by manufacturer. The collection is rich in visual content, with early tradecards, advertisements, postcards, and photographs.

A prosperous farmer in the southern reaches of Massachusetts Bay Colony, James Richards was born on June 2, 1658, and never ventured far from his from his home in Weymouth or the adjoining town of Braintree. The son of William Richards and his wife Grace Shaw, and a member of the third generation of Richards in the new world, James was characteristically diverse in his economic activities, raising livestock (sheep and pigs), harvesting salt grass, making salt, and raising crops including rye, corn, and barley, which he malted, presumably for the production of beer. Although most of his transactions were local, he traded as far away as Charlestown and Barnstable.

The Richards family ledgers include a daybook from James Richards kept between 1692-1710 and an account book from his great grandson Jacob Richards kept a century later, along with loose receipts from generations of Richards in between. The volume associated with James Richards records sales of goods produced on his Weymouth farm, including barley, rye, “Indian corn,” salt, mutton and lamb, pork, and eggs, along with occasional records of the sale of goods such as shingles, “board nails,” clapboards, molasses and sugar, lamp oil, tobacco, and cloth. The sparser records from Jacob Richards include accounts that include the sale of cider; cord wood; pine, oak, and maple boards; and shoes.

A shipfitter and union activist, Charley Richardson was a visonary labor educator. After working for a time in a machine shop and driving a school bus, Richardson hired on as a shipfitter at Sun Ship in Philadelphia in 1976, and grew active in the labor movement as a steward for the United Steelworkers. After relocating to the Fore River Shipyard in Quincy seven years later, he sustained a workplace injury that ended his career, but he remained active in the workers’ cause. Helping served as director of the Labor Extension Program at UMass Lowell and helped to create the Technology and Work Program where he and his wife Nancy Lessin developed educational programs to aid unions in countering harmful workplace changes and build strength and solidarity for the union. An advocate for social and economic justice, he became a vocal opponent of the U.S. war in Iraq in 2002, and was co-founder of Military Families Speak Out. After a long battle with cancer, Richardson passed away in May 2013.

The Richardson papers document over thirty years of work as a labor educator and United Steelworkers activist. At the heart of the collection are materials relating to Richardson’s research and instruction at UMass Lowell, teaching “continuous bargaining” and other techniques for unions coping with economic and political change. The collection is informed throughout by Richardson’s concerns for workplace safety and health and the impact of technology, downsizing, deregulation, and globalization.

The Quaboag Seminary was founded in Warren, Mass., in 1842 by two of Amherst College’s early graduates, and was incorporated eight years later. During its relatively brief period of operation, its best-known student may have bene the abolitionist and feminist Lucy Stone, who enrolled in 1841 to prepare for entrance examinations at Oberlin College. In 1856, the school was purchased by the town to serve as the local high school.

This small collection consists primarily of printed materials associated with the short-lived Quaboag Seminary of Warren, Mass. In addition to a school catalogue for 1847, the collection includes two issues — apparently all that were printed — of the student literary periodical, the Quaboag Quarterly Offering (1845); eight programs for school exhibitions (1842-1854); a flier announcing the spring term 1848; and two writing exercise books kept by Mary Ann Moore (later Richardson) while a student at the Seminary.

Meetings for Quaker worship began in Richmond, N.H., as early as 1766. Situated in a small town on the border of Massachusetts, the new meeting was initially placed under the care of Smithfield Monthly meeting, transferring to Uxbridge Monthly in 1783. Having achieved a degree of stability, the meeting was set off as the Richmond Monthly Meeting in 1792, although it was laid down in 1850. Its remaining members were attached to Uxbridge Monthly Meeting.

The records of Richmond Monthly Meeting contain a complete set of minutes from both the men’s and women’s meetings, along with records or births, deaths, marriages, and transfers within the membership.

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

A leading voice in the psychiatric survivor movement, Pat Risser worked for years in the cause of civil rights and peer self-help for people with psychiatric disabilities. An Ohioan by birth, Risser suffered severe abuse as a child and was diagnosed with “schizophrenia” in his twenties, although he wrote that his diagnosis changed with each new doctor or therapist. Finding his condition worsen the deeper he became involved in the mental health system, Risser discovered the value of peer self-help in the early 1980s and became one of the first students in the Consumer Case Manager Aide program, where he trained to work as a professional mental health provider. A dynamic leader, he helped start dozens of self-help peer support groups in Colorado, founded several drop-in centers, and established seventeen Alliance for the Mentally Ill groups. His reputation led to his recruitment to become Director of Mental Health Consumer Concerns, a patients-rights advocacy program in California, with which he enjoyed enormous success. In 1996, he relocated to Oregon and although “semi-retired” due to poor health, he continued to work at the state and national level on mental health issues, becoming chair of Clackamas County Mental Health Council, acting as a mental health consultant, and writing and speaking on a range of topics. Risser died in 2016 at the age of 63.

Primarily a digital archive, the Pat Risser papers contain the writings and correspondence of a significant figure in the history of disability rights. Working in Colorado, California, Oregon, and Ohio, Risser was an early adopter of online technologies to communicate with fellow activists and to raise awareness about the pitfalls of the mental health system. The collection includes several important autobiographical essays by Risser.

The protistologist Hope T. Ritter (1919-2007) is recognized for his important research on the evolution of mitosis. A native of Allentown, Pa., Ritter received his doctorate at Lehigh University in 1955 for a study of the gut fauna in a subterranean termite. Building on this research during the 1950s, he became the first scientist to successfully culture Barbulanympha, a hindgut flagellate symbiont of the wood-eating cockroach Cryptocercus, which has since become a model organism for study of the evolution of mitosis. After teaching at Harvard (1957-1961) and SUNY Buffalo, Ritter moved to the University of Georgia in 1966, where he remained until his retirement from teaching in 1987.

The Ritter Papers contain valuable professional correspondence, lab notebooks, and a large number of electron micrographs documenting his research.

Rob Okun, in his office.

Rob Okun is a progressive social activist, writer, and editor who has worked for equality between men and women for over 50 years. Following his awakening to the preponderance of men in leadership roles throughout the anti-Vietnam War movement, he became interested in feminism, masculinity, and gender inequality. He began to work towards promoting healthy ideas of masculinity and challenging harmful stereotypes about men through his work with Steven Botkin and the Men’s Resource Center (MRC), which was founded by Botkin in Amherst, Mass in 1982. Okun was the editor of Voice Male, the newsletter of the MRC, and also served as Executive Director. Following Voice Male’s transition to an independent magazine, he remained its editor. In addition to his work with the MRC and Voice Male, he edited the book Voice Male – The Untold Story of the Profeminist Men’s Movement which was released in 2017 and has written op-eds and commentaries in newspapers and on websites. His writing is syndicated by Peace Voice and has appeared in The San Diego Union Tribune, The Daily Hampshire Gazette, Boston Globe, Albany Times Union, Alternet, Ms., Counterpunch, Women’s eNews and more.

In addition to his work with the MRC and Voice Male, Okun served as Director of the nearly decade-long traveling art exhibition, book, and documentary film project known as Unknown Secrets – Art & the Rosenberg Era. The project dealt with the origins of the Cold War through the story of the arrest, trial, and execution of Julius and Ethel Rosenberg. The Rosenbergs were convicted of conspiring to pass atom bomb secrets to the Soviet Union and were both electrocuted in June of 1953. The tragedy was examined in the exhibit via the images and words of dozens of artists such as Picasso, Sue Coe, Arthur Miller, David Wojnarowicz, Adrienne Rich, and many others. Okun coordinated showings of the exhibit, fundraised, was the editor of the book about the exhibit, and was a co-producer/director of a 30 minute documentary film, produced by Green Mountain Post Films. A Zoom celebration of Rob’s career at the Men’s Resource Center and as editor of Voice Male magazine was held in January of 2024 and is available via You Tube.

Okun’s papers document his extensive efforts related to the Rosenberg era art exhibit through correspondence with galleries, project members, universities, donors, artists, advisory board members, and funding agencies, as well as grant proposals, posters, photographs, drafts, clippings, press releases, pamphlets, and more. The collection also includes copies of the Rosenberg anthology.

Okun’s work with the Men’s Resource Center and Voice Male is represented through clippings, correspondence, photographs, pamphlets, writings, drafts, and more. Copies of the magazine—from its newsletter days up through its redesign as a four-color magazine, and copies of the Voice Male anthology—are also part of the collection.