Collections: mss

A noted activist opposing bilingual education, Rosalie Pedalino Porter was six when her family emigrated to the United States speaking no English at all. After marrying the Dickinson scholar, David Porter, and raising a family, Porter pursued three degrees in quick succession from UMass Amherst culminating in an EdD in bilingual education (1982). In her subsequent career, Porter worked as a Spanish teacher and coordinator of bilingual programs in the town of Newton, but she has become known nationally since the 1980s for her advocacy of structured immersion, rather than bilingual education, as the most effective means of educating English learners. A lecturer, writer, and consultant on educational policy, she is author or editor of four books.

Documenting Porter’s work against bilingual education, the collection contains particularly rich content for three successful initiatives opposing bilingual programs in California, Arizona (including the landmark Flores v. Arizona), and Massachusetts.

The collection includes demands and receipts 1804-1809 for taxes (parish, highway, town, county, and state) on various tracts of land in Greenwich, Massachusetts owned by Dr. William and Eleanor Porter. It also includes three documents dating from 1800-1808 regarding the settling of accounts with local individuals: Ichabod [Trandell], James Mills, and Isaac Hunter, and an agreement ca. 1807 to sell pasture land to Captain West of Greenwich.

The current Portland Monthly Meeting has its origins in two different monthly meetings taking place in close proximity to each other that later merged into what is now the Portland Monthly Meeting. Friends’ meetings in Portland, Maine began in 1752, and by 1790, joined the neighboring Falmouth Monthly Meeting. In 1850, the group built a new meetinghouse on Oak Street in Portland, and started becoming known as the “Oak Street” meeting. Meanwhile, the other of two originating meetings began when a second meetinghouse was built in 1855 on Forest Avenue to house the Deering Preparative Meeting that eventually became the Forest Avenue Monthly Meeting in 1934. The two separate monthly meetings continued in Portland until 1974 when they merged into one: the current Portland Monthly Meeting.

The current collection consists of materials dating from just before the start of the 1974 merger. Newsletters make up the largest portion of the collection, and have extensive information about the meetings’ activities, including (in some years) biographies of various members. There are newsletters from most years between 1973-2010. Minutes, primarily from the late 1970s and the late 1980s, make up the next largest portion of the collection. In addition, there is a smattering of committee reports and membership directories mostly from the mid-1990s. Material predating the 1974 merger can be found at the Maine Historical Society.

Founded and chaired by Norman Thomas in 1942, the Post-War World Council sought to lay the groundwork for a democratic and anti-imperialist end to the Second World War. As the face of the organization, Thomas promoted the pacifist ideals of internationalism, disarmament, and decolonization, however his failing health in the early 1960s led to the decline of the Council and its formal dissolution in 1967.

This collection consists of pamphlets from the Post War World Council that document a range of opinions concerning the war and the world, including titles such as “Saboteurs of Victory,” “The Case Against Compulsory Peacetime Military Training,” “The Future of the Far East,” and “Disarmament in the Post War World.”

Klaus Postler was a visual artist and curator who lived and worked in New England. Born Michael Edward Postler on March 23, 1951, he grew up in Yonkers, New York, and Connecticut. He was an avid collector of paper ephemera, which he included in his large-scale paintings and collages. From the late 1970s he was an enthusiastic participant in the international mail art movement, labelling his enterprise the Social Artists Reality Empire (S.A.R.E.). One of the exhibitions he curated was the Ray Johnson Memorial Mail Art Show at UMass Amherst, in 1996, for which he put out an open call and received mailed responses from around the world. Postler traveled in Europe and forged relationships with artists there, especially in Germany. In addition to his art practice, he worked for many years picking apples and pruning trees at New England orchards. Postler pursued his education at a number of institutions, with some difficulty due to his dyslexia, and completed his bachelor’s degree in 1998 through the University Without Walls program at UMass Amherst. He was a MacDowell Colony fellow in 2000, and returned to UMass to earn his MFA in studio art in 2005. Late in his life he cared for the estate of the artist Robert Mallary. He died on January 6, 2013, at his studio in Conway, Massachusetts.

The Klaus Postler collection contains a variety of sketchbooks that also functioned as diaries, as well as daybooks and dream journals; slides of his work; and photographic prints. Also included is an assortment of mail art, some created by Postler but mostly work sent to him by other artists, which Postler included in exhibitions he curated in Brattleboro, Vermont, and at UMass Amherst. Thomas Jahn, known as Horsefeathers, is a prolific contributor of mail art. The collection also includes documentation from posthumous gallery shows and a commemorative book about his work published by his partner, Eileen Claveloux.

The American Civil Liberties Union has played a significant role in working with the courts, legislatures, and the public to protect civil liberties in the United States. Founded in 1920, the organization has a membership of more than a million.

An extensive run of press releases issued by the national office of the ACLU between 1961 and 1984, this collection reflects the organization’s priorities and public communications strategies during a critical time in the struggle for civil liberties. The topics range from organizational changes within the ACLU to the major issues in civil liberties of the day, including those pertaining to the civil rights movement, civic unrest, freedom of the press, the Vietnam War, and the counterculture.

A devoted reader of newspaper cartoon strips, Jim Powell began collecting Peanuts cartoon books in the mid-1970s, prompted by obtaining two pure-bred beagles for his son.

The Powell cartoon book collection consists of 419 mass market paperback copies of popular cartoon books, representing the work of well-known cartoonists such as Charles M. Schultz, Johnny Hart, Gary Larson, Garry Trudeau, Jim Davis, and Berke Breathed. The collection has particularly rich runs of Peanuts, Garfield, and Doonesbury.

Grace Eleanor (O’Neill) Pratt was born in Ware, Mass., in 1924. By the early 1940s, her father’s work brought his family to Greenfield, Mass., where Grace continues to reside.

The Pratt Scrapbook Collection represents several decades of intense interest in unusual news-makers. Pratt’s primary interests included “unusual” marriages and loves, but centered on multiple births, sparked by her youthful fascination with the Dionne Quintuplets. Pratt also clipped accounts of the U.S. space program in its early years, stories on U.S. presidents and British royalty, and accounts of local Catholic church leaders. Clipped from newspapers, tabloids, and magazines, this collection captures Pratt’s fascination with popular culture and “other” lives as entertainment. Most of the items are clipped and tucked between scrapbook pages.

Rural and sparsely populated, Prescott, Massachusetts, was founded in 1822 along the ridge separating the West and Middle branches of the Swift River. Its three villages (North Prescott, Atkinson Hollow, and Prescott Hill) never amounted to more than a few houses each, and the town’s total population never exceeded 500. Prescott became the first of four towns to vacate after the Swift River Valley was ordered cleared and dammed to create the Quabbin Reservoir, ceding its administration to the state in 1928 before formally disincorporating in 1938.

The records of Prescott, Mass., document the history of the smallest of the four towns inundated to create the Quabbin Reservoir. Held by the Swift River Valley Historical Society, the materials in this collection consist of records of town meetings and of the activities of the town Selectmen, 1822-1938, as well as sparser records of the School Committee, the Treasurer, and Overseers of the Poor.

A pioneer of African dance in the United States and a vital scholarly voice, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Trinidad in 1919 and raised in New York City, Primus was introduced to performance through the National Youth Administration and the New Dance Group. Her interest in the dance cultures of Africa and the African diaspora formed the conceptual center of her work throughout her career, drawing upon her deep scholarly research. In addition to her creative work, Primus earned a doctorate in anthropology from NYU and taught at a number of universities, including the Five Colleges. She died in New Rochelle, N.Y., in October 1994.

Conducted with Pearl Primus’ fellow dancers, musicians, friends, and collaborators between 1995 and 2005, the interviews comprising this collection were recorded by Peggy and Murray Schwartz for use in their book, The Dance Claimed Me: A Biography of Pearl Primus (New Haven, 2011). The oral histories provide insights into Primus’s sometimes controversial life career, her performances, teaching, and legacy.