Collections: S

Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town’s population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.

The photographic postcards in this collection all relate to the Quabbin town of Greenwich and were originally housed in an album of uncertain provenance. Primarily “real photo” postcards and dating between approximately 1908 and 1928, they were labeled by a knowledgeable, but unknown person at a later date to identify the houses, roads, stores, and views. Unlike many of the commercial postcards of the day, they present a very down-to-earth view of the town, its rocky fields, mills, houses and stores, and its summer hotels.

The children of a textile investor, Mary and David Slade were students at the Friends’ Boarding School in Providence, R.I., during the late 1830s. Both died tragically of consumption at a young age, David at 24 and Mary at 28.

The Slade family papers consist largely of the personal correspondence of the ill-starred David and Mary Slade, dating from and just after their time as students at the Friends’ Boarding School in Providence, R.I. Written primarily by schoolmates and friends, with a few letters from David and Mary themselves, the letters include some fine examples of the intimacy of young people, with their sights set on their schooling or beginning to make their life.

The Sleeveless Theatre Company was an innovative political theater company with a strong feminist slant. Founded in 1989 by UMass Amherst alumnae Lisa Channer, Maureen Futtner, K. D. Halpin, and Kate Nugent, and Smith alumna, Terianne Falcone, Sleeveless was an actor-centered, highly collaborative ensemble company that wielded humor in staging original, socially- and politically-charged theater. Based in Northampton, Mass., the company toured nationally and internationally, presenting sometimes controversial works on themes ranging from reproductive rights to the Gulf War. As they evolved, they refined their mission to focus on telling stories about the lives and perspectives of women, but under the strains of growing within their collaborative model, they made the decision to disband in 1997.

In addition to minutes for the company’s formative years (1989-1992), the records of Sleeveless Theater Company include a small selection of production notes, background research, fliers, reviews and newsclippings, and a handful of publicity photos. Among the plays represtened are Womb for Rent (1989), War: The Comedy (1991), The F Word (1992), Emily Unplugged (1995), and Mill America (1996).

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

Specializing in study of the biology and evolutionary history of ciliophorans, Eugene B. Small conducted both laboratory and field studies in comparative morphology and morphogenesis, ciliate ecology, phylogeny, life history, and nutrition. He was particularly noted for his work on ciliophorans from marine habitats ranging from the psammitic shores to the pelagic zones to deep sea hydrothermal vents. After receiving his doctorate at UCLA in 1964, Small served on the Zoology faculty at the University of Illinois and, from 1972, in the Department of Biology at the University of Maryland.

The collection consists primarily of thousands of electron micrographs of ciliophorans taken over the course of Small’s career, along with a small number of laboratory and field notebooks.

An activist with an international reputation, Agnes Smedley is most often associated with women’s rights, birth control, Indian independence, and China’s Communist revolution.

These black and white mounted prints, many taken by Agnes Smedley with her captions and accompanying narratives, were reproduced from the Smedley Collection at Arizona State University. Most are of China, but the collection also include scenes of the American West and students at the Tempe Normal School. The images were assembled for exhibition, most likely by the Women’s Studies Program at UMass Amherst.

World famous handgun and handcuff-manufacturing company founded in Springfield, Massachusetts in the 1850s.

The Smith and Wesson records are comprised of incoming sales and service correspondence with some outgoing correspondence and administrative and financial/legal subject files, including categories such as ads and advertising, American Railway Express, audits, counselors at law, debtors, insurance, legal actions, newsletters, patents and trademarks, personnel, photos, sample parts, sideline ventures, stocks and bonds awards, and Western Union Telegrams. Includes correspondence with the National Rifle Association, Small Arms Industry Advisory Committee, and the United States Revolver Association.

A chair-maker and Revolutionary War veteran, Daniel Smith lived on High Street in Ipswich, Mass. As early as 1774, Smith was bottoming and repairing chairs, and for several decades, he produced chairs of various sorts, including waist chairs, four-back chairs, “green chairs,” great chairs, round chairs, and low chairs. Smith died in Jan. 1844.

This rough, but noteworthy volume records nearly two and half decades of production by a Massachusetts chair maker in the early National period. The volume begins as a cipher book, apparently kept by Smith in his late teens, but by the earliest accounts in 1774, Smith records “bottoming and mending” chairs and, by 1785, making “six four back chairs & a grat chair” for Thomas Smith.

Gilbert Smith was a shoemaker and doctor from New Marlborough, Massachusetts, and his son Gilbert Jr. was a prosperous farmer from Sheffield, Massachusetts. Includes merchandise sales, labor accounts, lists of boarders, and documentation of the sale of homemade butter and cheese to local merchants, as well as trade with the substantial rural black community of the region.

A native of Haverhill, Mass., and graduate of the University of Maine (BF, 1925) and Harvard (MF, 1927), Hollis A. Smith attempted to establish a career in forestry in the late 1920s. Working as superintendent of the new Martha’s Vineyard State Forest and as a consulting forester associated with the Harvard Forest in Petersham, Smith worked with clients to develop planting and harvesting plans and to care for the trees. With his practice languishing, Smith settled in Martha’s Vineyard and worked as a surveyor and other positions.

This collection contains correspondence, job reports, and ephemera from Hollis Smith’s relatively brief career as a consulting forester in Massachusetts, nearly all concentrated in the years 1929-1931. Nearly half of the collection consists of correspondence with clients (or potential clients), with a few interesting reports on properties.