Collections: S

From a childhood spent in a tenement in Norfolk, Va., Carolyn Martin Shaw went on to enjoy a distinguished career as a pioneer in Black Feminist anthropology. Educated in segregated schools, she was an outstanding student, winning scholarship funding to Michigan State University, where she received both her BS (1966) and PhD (1975). Shaw’s dissertation on Kikuyu kinship morality marked several themes that she developed through subsequent research projects in Kenya and Zimbabwe. Based in the Department of Anthropology at UC Santa Cruz throughout her career, she was a productive scholar, publishing dozens of articles and chapters, and two important monographs, Colonial Inscriptions: Race, Class and Sex in Kenya (1995) and Women and Power in Zimbabwe: Promises of Feminism (2015), and she filled a variety of administrative posts, including department chair, Provost of the Kresge residential college, and Chair of the UC system-wide Committee on Privilege and Tenure. She has received numerous awards in her career, including a Fulbright Fellowship to the University of Zimbabwe in 1983-1984, a Danforth Award for Excellence in Undergraduate Teaching, and a McHenry Award for Service to the Academic Senate at UCSC. Shaw retired from UCSC in 2010.

Documenting her work in Black feminist anthropology, the Carolyn Martin Shaw collection includes published and unpublished writing, correspondence, and a wealth of information on her research in Kenya and Zimbabwe. Along with her fieldnotes, research data, and photographs, the collection also includes records of her faculty service at USCS, and awards received for teaching and university service.

During the late 1830s, James Shearer operated a general store near Palmer, Massachusetts, trading in the gamut of dry goods and commodities that made up the country trade in Massachusetts, from dried fish, butter, rum, and brandy, to soap, nails, chalk, cloth, sugar, molasses, spices, coffee, and tea. Although some customers paid their accounts in cash, most appear bartered goods (e.g, with butter) or services (carting).

The Shearer daybook contains detailed records the transactions of a general store located in or near Palmer, Mass., during the years surrounding the financial panic of 1837. The volume is attributed to Shearer based on a single signature on the last page of the volume, closing out a lengthy account with J. Sedgwick. Although Shearer cannot be identified with certainty, it appears likely that he was a member of the prolific Shearer family of Palmer in Hampden County.

In the first decade of the nineteenth century, the firm of Shreve and Earl operated in Burlington County, New Jersey, trading in a range of sundries from molasses, sugar, and butter to fabrics and spices. They also sold large quantities of liquor, suggesting that they may have operated as wholesalers of whiskey and spirits.

Kept in standard double column format, the Shreve and Earl account book documents two years of a fairly extensive retail operation, probably located in Burlington County, N.J. The principals in the business are possibly Alexander Shreve (1769-1854), husband of Mary H. Earl, and his son Joshua, along with Alexander’s brothers-in-law Thomas and Caleb Earl. Several accounts are notable for the relatively large quantities of alcohol recorded: of 33 entries for Reuben Gauntt, for example, 29 are for either whiskey or spirits and one for molasses and coffee.

Born on New Year’s Day 1876 to Mark and Katie Shultis, Newton Shultis became a member of the Massachusetts Agricultural College Class of 1896. A resident of Medford, Mass., at the start of his college career, Shultis was described by his classmates in the yearbook as “the only man in the class who has not an enemy in college.” An avid fan of the baseball and football teams, the former of which he was manger, Shultis was also a member of the Washington Irving Literary Society, DGK fraternity, and the YMCA, and he was known to have brought a Hawkeye camera with him to campus. After graduation, Shultis joined his father in the family grain shipping business in Boston where for many years he was a member of the Chamber of Commerce. Shultis died in Hopkinton, N.H. in 1956.

The Shultis papers include a selection of correspondence from Shultis to his parents during his college years, along with a remarkable array of ephemera, including his cadet’s uniform with hat, belt, and bayonet scabbard; his graduation robes; a three-volume herbarium; three volumes of class notes and essays; 16 dry plate glass negatives; a Class of 1896 photograph album; and miscellaneous photographs, school books, and ephemera.

The town of Shutesbury was founded as “Roadtown” in 1735 and was incorporated as a town in the Massachusetts Bay Colony in 1761. The town celebrated its 250th Anniversary in 2011 and planned a year’s worth of events, lectures, and celebrations.

This collection comprises the flyers and notes for several of these events and includes commemorative albums and town histories. A perfect example of a small New England town, these materials are a snapshot of the history of Shutesbury and a celebration of the town’s legacy.

Quaker meeting for worship began in Sidney, Maine, in 1795, under the care of Vassalboro Monthly Meeting and advanced to preparative meeting status in 1800, before finally being set off as a monthly meeting in 1802. One of a number of meetings established in the Kennebec River Valley in the decades after the American Revolution, Sidney became the parent of worship groups in several nearby towns at the turn of the nineteenth century, the most successful of which was the one in Fairfield, which was set off from Sidney as a monthly meeting in 1911. Sidney was laid down to Winthrop Monthly Meeting in 1932.

The records for Sidney Monthly Meeting held in SCUA consist of a single volume each of minutes from the Women’s meeting (1791-1809) and from Ministry and Counsel (1907-1915). The bulk of the records for the meeting are held in the collections of the Maine Historical Society.

A key figure in the New England folk revival of the 1960s, Betsy Siggins (nee Minot) entered Boston University in the fall 1958 just at the music was taking off. Along with her college friend Joan Baez, she soon left school for the lure of the bohemian musical scene in Cambridge. At the age of 20, Betsy married the banjo player for the Charles River Valley Boys, Bob Siggins, who was also a founding member of Club 47, the most important venue for folk music in the region. For musicians from Baez and Bob Dylan to Jim Kweskin, Eric Von Schmidt, and Jim Rooney Club 47 was a career launching pad and despite the segregation of the era, it was a place where white northern audiences first encountered African American and blues musicians. Siggins worked full time at Club 47, filling a variety of jobs from office work to waitress to art gallery manager, eventually becoming program officer, arranging the schedules for musicians booked by Rooney or Byron Linardos. After Club 47 closed in 1968, Siggins went on to work for a succession of not for profit organizations, including the Smithsonian Festival of American Folklife and for programs for the homeless and poor.
The Siggins Collection contains important materials on Club 47 and its successor, Club Passim, including business records, ephemera, clippings, and some remarkable scrapbooks featuring performers such Joan Baez, Bob Dylan, and Richard Farina. The collection contains dozens of photographs (many taken by Charlie Frizzell), showing Siggins, her friends, and musicians at home, at Club 47, and at folk festivals in Newport, Brandeis, and Monterey. Of particular note in the collection is a remarkable series of 27 reel to reel tapes of performances at Club 47 featuring John Hammond, Doc Watson, Bill Monroe, Eric Von Schmidt, Jim Rooney, Jeff and Maria Muldaur, Jackie Washington, the Charles River Valley Boys, Joan Baez, and others. Additional material on Siggins and the Minot family was retained by the Cambridge Historical Society.

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Founded in September 1978, Sirius is an intentional community in Shutesbury, Mass., built on four foundational pillars: spiritual, ecological, communitarian, and educational. Established by former members of the Scottish Findhorn Community, Sirius is rooted in a non-sectarian spirituality and practices consensus in the community governance process and in their shared vision of an ecologically sustainable future.

The Sirius collection contains a nearly complete run of the commune newsletter along with a selection of fliers and brochures about the community, and a small number of newsclippings and photographs.

At the time of the American Civil War, Charles Sisson attended the Friends Boarding School in Providence, R.I. An active member of the Society of Friends, Sisson was apparently a dedicated student and avid member of the literary society. After graduation, he pursued an enormously successful career in the textile industry, becoming a founder of the Hope Webbing Company in 1883, one of the nation’s largest narrow-fabric manufacturers.

Kept by teenaged Charles Sisson, this diary includes regular entries describing a student’s daily life at the Friends Boarding School in Providence R.I. In addition to occasional details on coursework, Sisson describes his social activities in some depth, and often with some humor. With rare exceptions, the larger currents of the Civil War served as little more than a backdrop, although the future of liberated slaves appeared as a topic for debate at the Lyceum, and marching was taken up as an activity by the students.