Collections: mss

Desiring a more convenient place of worship in 1758, Quakers in Allen’s Neck, Mass., built a meetinghouse on a hill overlooking Buzzards Bay, six miles from the Apponegansett Meeting House of their parent meeting, Dartmouth Monthly. A relatively small worship group, the meeting was designated the West Preparative Meeting under Dartmouth in 1813, but after experiencing modest growth during the mid-twentieth century, they were formally set off as a monthly meeting in 1956.

The sparse records for Allen’s Neck Monthly Meeting consist of a broken run of newsletters with three annual directories and a brief run of State of the Society reports, all from the 1990s.

In August 1945, U. S. Army second lieutenant John R. “Jack” Allison was on a troop ship headed for the final invasion of Japan. By the time he arrived, the war had ended. Allison, a native of Ontario and the main provider of his family since he lost his father at 18, had immigrated to Evanston, Ill., in 1933. While taking evening classes at Northwestern University, he worked in a bank, rising from courier to internal auditor, before leaving for the printing firm R.R. Donnelley. He married Marion Sellers, formerly of Missouri, in 1942. When World War II began, Allison enlisted in the army. In Japan, with the war over, he became part of the American Occupation under General Douglas MacArthur, helping in a series of roles to rebuild and stabilize the Japanese economy. Eventually, he became director of finance, supervising the Japanese Ministry of International Trade and Industry and the Central Bank of Japan. Marion and their three-year-old daughter, Jacqueline, joined him in Japan in 1947. While there, Marion studied the Japanese language, visited museums, learned crafts, taught English to new Japanese friends and acquaintances, and had two more children. After the family returned to the U.S. in 1951, the Allisons had another two children.

The Allison Papers richly document the family’s experience of American-occupied Japan from their different perspectives, one as a member of military and government operations, the other as a parent raising children and immersing herself in the culture. The collection includes materials from Jack Allison’s military service and work and letters written by Marion, mostly to her parents, along with two photograph albums, a scrapbook, and family histories in print and audiovisual form.

Journalist, news editor, and author of Unmanifest Destiny: Mayhem and Illusion in American Foreign Policy — From the Monroe Doctrine to Reagan’s War in El Salvador (1984).

Includes notes on observations and interviews, background material including press releases, reports, transcripts of speeches and congressional committee hearings testimony, and articles and pamphlets that concern El Salvador, Guatemala, Nicaragua, Costa Rica, Honduras, Belize, and Panama, and focus on the Church, guerrillas, dissent, terrorism, and foreign policies of presidents Jimmy Carter and Ronald Reagan.

Sonia E. Alvarez’s research specializes in social movements and protest politics, comparative and transnational feminisms, and Latin American politics and cultures, with a focus on Brazil and the Southern Cone. Before coming to the University of Massachusetts Amherst in the fall of 2005, she taught at the University of California, Santa Cruz, for nearly two decades and also served as visiting Professor at the University of São Paulo in Campinas, the Federal University of Minas Gerais, and the Federal University of Bahia.

Alvarez is the author of Engendering Democracy in Brazil: Women’s Movements in Transition Politics and co-editor of Quem São as Mulheres das Políticas para as Mulheres no Brazil? Vol. I, O Feminismo Estatal Participativo Brasileiro; Vol. II, Expressões Femnistas nas Conferências Nacionais de Políticas para as Mulheres​ (2018); Beyond Civil Society: Activism, Participation, and Protest in Latin America (2017); Translocalities/Translocalidades: Feminist Politics of Translation in the Latin/a Américas (2014); Cultures of Politics/Politics of Cultures: Re-visioning Latin American Social Movements (1998) and The Making of New Social Movements in Latin America: Identity, Stragegy and Democracy (1992), as well as a two-part special issue of the journal Meridians on “Afro-descendant Feminisms in Latin America” (2016) and five additional special journal issues. Alvarez has published over 120 journal articles and book chapters, many written collaboratively, and in Portuguese and Spanish, as well as English, on topics including movements, feminist politics, NGOs, civil society, race and racism, transnational activism, and democratization. At UMass Amherst, she served as the Leonard J. Horwitz Professor of Latin American Politics and Studies (2005-2022) as well as the Director of the Center for Latin American, Caribbean and Latino Studies (2005-2018) before assuming the role of Distinguished Professor Emerita of Political Science and Leonard J. Horwits Professor Emerita in 2022.

The Sonia E. Alvarez Papers features an extensive collection of her research materials and notes, writings, lectures and talks, conference materials, and publications related to feminism and women’s movements and Latin American politics and cultures.

Records of the New England Joint Board of the Amalgamated Clothing and Textile Workers Union include union administration files, company files, and publications. Company files document interactions between the union and companies such as Best Coat Co.; Healthtec, Inc.; Image Wear; M & M Pants Co.; Soloff & Son, Inc.; and Wear Well Trouser Co.

The Amalgamated Clothing Workers of America originated from a split in the United Garment Workers in 1914 and quickly became the dominant force for union in the men’s clothing industry, controlling shops in Boston, Baltimore, Chicago, and New York. The Boston Joint Board formed at the beginning of the ACWA and included locals from a range of ethnic groups and trades that comprised the industry. It coordinated the activities and negotiations for ACWA Locals 1, 12, 102, 149, 171, 172, 173, 174, 181,183, 267, and 335 in the Boston area. In the 1970s the Boston Joint Board merged with others to form the New England Regional Joint Board.

Records, including minutes, contracts, price lists, and scrapbooks, document the growth and maturity of the ACWA in Boston and the eventual decline of the industry in New England. Abundant contracts and price lists show the steady improvement of conditions for workers in the men’s clothing industry. Detailed minutes reflect the political and social influence of the ACWA; the Joint Board played an important role in local and state Democratic politics and it routinely contributed to a wide range of social causes including the Home for Italian Children and the United Negro College Fund. Minutes also document the post World War II development of industrial relations in the industry and include information relating to Joint Board decisions to strike. Minutes also contain information relating to shop grievances, arbitration, shop committees, and organizing. The records largely coincide with the years of leadership of Joseph Salerno, ACWA Vice President and New England Director from 1941 to 1972.

Local 115 of Connecticut was comprised of branches from Bridgeport, Hartford, New Haven, and Waterbury, and affiliated with the Amalgamated Clothing Workers of America.

The ACWA records consist of minutes of meetings, correspondence, reports, and contracts. Also included are a number of agreements between local businesses and the union identifying the union as the bargaining representative of their employees.

Based in New Haven, Connecticut, Local 125 was a chapter of the Amalgamated Clothing Workers of America (ACWA) that worked to improve wages and hours of work, to increase job security, to provide facilities for advancing cultural, educational, and recreational interests of its members, and to strengthen the labor movement. Key figures in Local 125 included Aldo Cursi who, with Mamie Santora, organized the Connecticut shirtworkers and served as Manager from 1933 to 1954; John Laurie who served as Business Manager from 1933 to 1963; and Nick Aiello, Business agent in 1963 and Manager from 1964 to 1984.

The collection includes constitution, by-laws, minutes, contracts, piece rate schedules, accounts, subject files, scrapbooks, newsclippings, printed materials, photographs and a phonograph record. These records document the history of Local 125 from its founding in 1933 to 1984, when the Local office in New Haven was closed. Included also are correspondence and case materials pertaining to grievance and arbitration proceedings (access restrictions apply).

Organized in Chicago in 1914, the Amalgamated Clothing Workers of America was formed after a split in the United Garment Workers, and quickly became the dominant force for union in the men’s clothing industry. Within a decade of its founding, ACWA had more than 100,000 members across the U.S. and Canada.

Records of the New England Joint Board of ACWA consist of general correspondence, membership lists, press releases, and collective bargaining files for companies such as Arlan’s Department Stores, Bedford Shirtmakers Corporation, Ethan Ames Company, Holyoke Shirt Company, Lawrence Clothing Company, and Whitney Shirt Company.

A native of Buffalo, N.Y., the expatriot sculptor Harold Ambellan was a participant in the Federal Art Project during the 1930s and a figure in the radical Artists’ Union and Sculptors Guild. After naval service during the Second World War, Ambellan left the United States permanently to escape the hostile climate of the McCarthy-era, going into exile in France. Although a friend of artists such as Pollock, de Kooning, and Rothko, Ambellan’s work was primarily figurative and centered on the human form. His work has been exhibited widely on both sides of the Atlantic. He died at his home in Arles in 2006 at the age of 94.

In 2005, Victoria Diehl sat with her friend, Harold Ambellan, to record his memories of a life in art. Beginning with recollections of his childhood in Buffalo, N.Y., the memoir delves into the impact of the Great Depression, Ambellan’s experiences in the New York art scene of the 1930s and his participation in the leftist Artists’ Union, his Navy service, and his expatriate years in France from the 1950s-2000s. Ambellan’s memoir also includes extended discussion of his views of democracy, patriotism, and art, and his career as a sculptor.