Collections: mss

Mark Taylor Brinsfield studied languages and law in Europe before receiving his MA in European Studies at the University of Exeter. His research has included work in the history of multiracial people in post-World War II Southeast Asia. Brinsfield currently lives in Northampton, Mass.

The posters in the Brinsfield Collection represent a cross-section of West German political campaigning during the decade leading up to reunification. Focused primarily on national, rather than regional elections, the collection includes representative work from the major left- and right-leaning political parties (CDU and RCDS, SDU, the Greens) as well as a few posters addressed at major political issues, including the antinuclear and antiwar movements.

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.

A consulting architectural historian and urban planner based in Shreveport, Louisiana, Eric J. Brock was born in San Francisco, California, but with deep family roots in New York, New England, and the coastal Deep South. The author of sixteen books and several hundred popular and academic journal articles on Louisiana history, Brock is a member of the board and former president of the Oakland Cemetery Preservation Society of Shreveport, a former board member of the Louisiana Preservation Alliance, a member of Save Our Cemeteries of New Orleans, of Friends of New Orleans Cemeteries, and a current or former member of multiple preservation and museum organizations. Brock has a deep interest in cemetery preservation and in the multi-faceted role of cemeteries as archives of architectural, historical, genealogical, and artistic importance and as benchmarks of cultural change and development.

With an emphasis on New Orleans and Shreveport, the Brock collection consists primarily of articles and newsclippings on Jewish and other Louisiana cemeteries.

Settled in 1660 and incorporated in 1718, the town of Brookfield (Worcester County) straddles the Boston Post Road, one of the major arteries during the colonial period connecting Boston with the towns of the Connecticut River Valley and New York.

This assemblage of documents from the town of Brookfield consists primarily of warrants for town meetings, many with agendas, issued through the local constable. Concentrated in the 1770s, these warrants provide relatively detailed information on matters of local importance, including town finances, tax assessments, contributions to the poor house, roadways, and property disputes. During the Revolutionary and post-Revolutionary years, however, issues of interest to the town were often wrapped up in regional or national political issues. Town freeholders, for example, were called to consider requests to “come into any Vote or Resolve Respecting the East India Company Tea,” the encouragement of manufacture of firearms, smallpox inoculation, and pay for the town’s Minute Men.

Freight haulers from Dana, Massachusetts. Includes information about products that were hauled (such as palm leaf hats, mats, lumber, railroad ties, and waste) and the companies for which they were carried. Also contains information about how Brown was paid (cash, barter, manure, chopped wood, stone) and the names of many people and places with whom Brown and Brothers conducted business.

Ken Brown, born March 12, 1944 in Dayton, Ohio, is a filmmaker, photographer, cartoonist, designer and collector. He was raised in Amherst, Massachusetts, where he briefly attended UMass Amherst, before moving to Cambridge where he also attended Boston University. In the late 1960s he joined the thriving arts scene in Boston, where his most notable contribution was his film work, now known as Psychedelic Cinema. This live music project was projected onstage at the Boston Tea Party while musical acts like the Velvet Underground and Jimi Hendrix played. Brown made experimental films, using tricks like double exposure and stop motion, with a Super 8mm camera. He also worked as a film teacher in the early 1970s.  

In 1975 his career took a fortuitous turn when he started to sell postcards featuring his own drawings. This venture was so successful that he expanded the postcard line to include photographs and collages, mining his own collections, which are characterized by kitsch. From there he expanded the business further to include rubber stamps, eventually adding t-shirts, coffee mugs, tea towels, and wrapping paper to the line; he worked with local businesses to put his art and designs on the products. His unconventional business model attracted the attention of the Harvard Business School, which conducted and published a study of his work. He also continued to make films, which have been featured on MTV and Sesame Street. Since 1985 he has lived in New York City with his wife and frequent collaborator, artist and filmmaker Lisa Crafts. He continues to take photographs and make films about life in the city. 

The collection comprises a wide variety of the products Brown has produced and marketed throughout his career. It includes near-complete runs of his postcards, rubber stamps, and wrapping paper; a selection of t-shirts, tea towels, placemats and magnets; published books; and a variety of editioned screen prints made from his cartoons and drawings. The collection also contains ephemera documenting Brown’s career and early artwork in an anti-nuclear publication. The collection is expected to grow over time to include drawings, films, and recent digital photographs.

In the early Republic, Moses Brown emerged as an ardent abolitionist, a social reformer, and one of the best known philanthropists in his native Providence, R.I. A Baptist who converted to the Society of Friends in 1774, Brown had made a fortune as a merchant, partly in the triangular trade, but a crisis of conscience brought on by the ghastly results of an attempted slaving voyage in 1765 and the death of his wife in 1773 led him to reexamine his life. Withdrawing from most of his business affairs, Brown joined the Society of Friends and emancipated his slaves. He was a founder of the Providence Society for the Abolition of Slavery in 1786 and a strong voice for peace, temperance, and universal education.

A small, but rich archive of the personal papers of Moses Brown, this collection centers on Brown’s activities in antislavery, peace, and educational reform and his connections to the Society of Friends between the 1760s and 1830s. In addition to significant correspondence with major figures in early antislavery cause, including Anthony Benezet, George Benson, William Dillwyn, and Warner Mifflin, and some material relating to the Providence Society for the Abolition of Slavery, the collection includes outstanding content on peace activism. In addition to materials from Moses Brown, the collection includes letters to Moses’ son Obadiah Brown and some fascinating letters and manuscripts relating to Moses’ friend and fellow Friend, Job Scott.

During the mid-1970s, Robert Brown worked as a fifth grade teacher at the West Street School, Southbridge, Mass., while pursuing a graduate degree in anthropology at UMass Amherst under Joel Halpern. Part of Brown’s research involved conducting oral histories with Southbridge families identified as “ethnic,” including Albanian, Greek, Polish, Portuguese, Italian, and Puerto Rican, as well as the only African American family in town at the time. Brown published his work in local newspapers and ultimately in the book, The New New Englanders (Worcester, Mass.: Commonwealth Press, 1980).

The Brown collection includes copies of his newspaper articles, profiles of the families he studied, and apparently complete transcripts of two oral history interviews. Also included are copies of two papers by Brown on Southbridge, possibly for an anthropology class, analyzing the education of Puerto Rican students and the lives of Rumanian Americans.

The Brunswick Friend Meeting was established in 1983 after a year of unaffiliated worship under Falmouth Quarterly Meeting.

The records for the Brunswick Friends Meeting consist solely of State of the Society reports for the years 1990-1994.

Robert Brush (1751-1835) operated a sawmill in North Salem, Westchester County, N.Y., at the turn of the nineteenth century, sawing and selling board, timber, and logs to the local community.

This double-entry account book documents an active sawmill and gristmill in Westchester County, N.Y. at the turn of the nineteenth century.