Collections: mss

An avid birder and eminent ornithologist, Arthur Cleveland Bent was born in Taunton, Massachusetts, on November 25, 1866. After receiving his A.B. from Harvard in 1889, bent was employed as an agent for the Safety Pocket Company and from 1900 to 1914, he was General Manager of Mason Machine Works. His passion, however, was birds. An associate in Ornithology at the Museum of Comparative Zoology at Harvard University, Bent became a collaborator at the Smithsonian and president (1935-1937) of the American Ornithologists’ Union. The culmination of his research was the massive, 26 volume Life Histories of North American Birds (1919-1968).

The Bent collection is a glimpse into the birding life of a remarkable amateur ornithologist. It contains the field notebooks of his collaborator, Owen Durfee (1880-1909), his own journals (1887-1942), photographs and negatives (1896-1930), correspondence concerning the photographs (1925-1946), and mimeographed and printed material. Bent’s records cover nest observations, egg measurements, bird sightings, and notes on specimens provided to organizations such as the Massachusetts Audubon Society, the Bristol County Agricultural School, and the United States National Museum.

Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.

The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.

During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army’s War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war’s end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke.

The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners — both political prisoners and prisoners of war — with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, “labor reform” prisons, and police prisons, and the sheer scale of wartime inhumanity.

Born in New York City in 1935, Roy Berkeley’s eclectic creative career began while working his way through Columbia University (BA, 1956) as an editor for the New York Post and pseudonymous author of 14 pulp novels, and continued after graduation, working for two years at the height of the Cold War in U.S. intelligence. A self-taught guitarist, he became a stalwart of the folk music scene in Greenwich Village, performing at the Gaslight regularly and at the first Newport Folk Festival in 1959, and eventually recording three albums. In 1966, Berkeley married Ellen Perry, a writer and editor for Progressive Architecture and Architectural Forum, and one of the few women architectural critics of the time. Their time in New York City ended in 1971, however, when Ellen’s job as an editor at an architectural magazine ended. Using Roy’s winnings from his appearance on the television show Jeopardy, the couple relocated to Shaftsbury, Vt., where they led a freelance life as writers, editors, teachers, and lecturers. Roy was eventually appointed deputy Sheriff in town and became a member of the state’s Fish and Wildlife Board. After a struggle with cancer, Roy Berkeley died in 2009 at the age of 73.

The bulk of the Perry Papers consists of Roy’s research files and drafts of a never-completed history of the folk music scene, along with some correspondence, notes, and ephemera that includes both editions of his Bosses Songbook, a satirical send-up of the People’s Songbook. The collection also contains a sampling of the exceptional range of Ellen’s writing on topics from architecture to cats, cookery, to grieving.

Stage coach line that carried passengers and mail from Berlin, Bolton, and Feltonville (Hudson) to the Boston area. Includes account book documenting expenses of running the line, with passenger fares recorded elsewhere. Last several pages contain an individual’s accounts, as well as photocopies of passages about the stage coach line and a poem written when the company folded. Amos Sawyer, Jr., and his son-in-law Lorren Arnold ran the business.

A member of the Association for Gravestone Studies, Anna Bernardi had an interest in the art and iconography of New England Gravestones.

This small collections contains miscellaneous articles on gravestone art and iconography mostly from the 1960s to 1980s, a relatively early period in the field.

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

The fortunes of the Berwick (Maine) Monthly Meeting reflect the rise and decline of Quakerism in southern Maine more generally. Worship began in North Berwick in about 1750 and the Berwick Monthly Meeting was formally set off from its parent, Dover, in 1802. Following the Wilburite split, however, the meeting gradually declined. Regular meetings were suspended in 1919 and the meeting was formally laid down in 1952.

The surviving records of the Friends Monthly Meeting in North Berwick, Maine, contain the minutes of men’s, women’s, and joint meetings from throughout 1802, when it was set off from Dover Monthly Meeting, until it was laid down in 1952. The collection also contains records of births, deaths, and marriages under auspices of the meeting from the first worship in North Berwick in 1750 into the mid-nineteenth century.

The Friends’ Monthly Meeting at Berwick, Maine, divided during the Wilburite split of 1845, with the smaller Wilburite Meeting organized under the Wilburite Dover Quarterly Meeting (1845-1851) and then under the combined Salem and Dover Quarterly. Berwick was laid down on April 28, 1881, with its last recorded meeting on May 26, 1881. Its members joined Dartmouth Monthly Meeting (Wilburite).

Surviving records of this short-lived Wilburite Friends meeting include one volume each of minutes from the Men’s and Women’s meetings.

An important figure in building a network of antifluoridation activists, Martha Bevis was born in North Carolina in 1927 and lived most of her adult life in Houston, Texas. She worked on the staff of Senator Lyndon Johnson beginning in the early 1950s, remaining with him through his period as Vice President. Always energetic, she was involved in a number of political and civic organizations, including those promoting natural childbirth and breastfeeding, but from the mid-1970s, she was especially associated with the antifluoridation movement. A founder of the Safe Water Foundation of Texas, she became a key litigant in a case seeking to block fluoridation of the water supply in Houston, and although the court ruled in 1980 that fluoride was harmful, it permitted the city council to proceed with fluoridation. From that point forward, she played a key role regionally and nationally as an organizer, researcher, propagandist, and funding source for the antifluoridation movement. Bevis died in Houston on April 22, 2007.

This massive archive stems from Martha Bevis’s role as a connector and mediator of information for the antifluoridation movement. Beginning in the 1970s, Bevis gathered, copied, and distributed huge quantities of information on the health effects of fluoride, legal strategies and cases opposing fluoridation of public water supplies, and the antifluoridation movement generally. Bevis maintained a regular correspondence with other activists and antifluoride organizations and played an important role in gathering and preserving the papers of other activists.