Collections: G

In the academic year 1908-1909, Sybil C. Green was a high school senior, boarding at the Cushing Academy in Ashburnham, Mass. Born in Spencer, Mass., on August 22, 1889, to Charles H. and Ella M. Green, Green was enrolled in the college preparatory course at Cushing and apparently entered Smith College in the fall of that year. She died in 1984.

The Green scrapbook is a thick and typically chaotic record of a young woman in her senior year of high school in 1908-1909. The scrapbook consists of a bound volume stuffed (or over-stuffed) with tickets to basketball and baseball games, dance cards, invitations, notes, photographs, miscellaneous mementos and ephemera, and a few letters from family and friends.

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953), he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small but interesting batch of correspondence between Greenbie’s parents (1918-1919).

Formed in 1963, the Greenfield Peace Center viewed itself as an educational organization teaching about and advocating for world peace. Their activities included organizing peace marches, warning against the dangers of nuclear war, conducting teach-ins, campaigning against war toys, and counseling on the alternatives to the draft.

Correspondence, administrative documents, and news clippings relating to peace activism centered in Greenfield, Massachusetts and in the upper Pioneer Valley, especially by the Greenfield Community Peace Center, William Hefner, and Turn Toward Peace.

Greening Greenfield is a citizen group based in Greenfield, Massachusetts, focused on environmental action. The group has been active since 2008, when it was known as the Greenfield Energy Committee, before being called the Greening Greenfield Energy Committee. It has been known as Greening Greenfield since 2010. Members work with residents, businesses, and town government to promote sustainability on a local level. The group successfully propelled Greenfield toward being the first municipality in Massachusetts to be classified as a Green Community.

The collection consists of meeting minutes, newspaper clippings, planning documents for programming, and grant applications.

James C. Greenough was born in 1829 in Wendell, Massachusetts. After working as a schoolteacher in Heath, Massachusetts, from 1854 to 1856, Flint returned to the State Normal School at Westfield to become assistant principal, leaving there in 1871 to become principal of the Rhode Island Normal School. In 1883, Greenough came to the Massachusetts Agricultural College to become president, serving for three years. During his tenure, he was noted for raising academic standards, extending the course of study, and guiding a transition from a small vocational college to a more comprehensive institution supporting agriculture and extension services. Greenough saw the construction of the college chapel and the establishment of the Experiment Station before finishing his term in 1886.

The Greenough collection includes 3 letters (1885-1921); biographical materials; a published letter to alumni (1884); photocopy, and an Annual Report (1883).

Five organizers affiliated with the Communist Workers Party were murdered by Klansmen and Nazis in Greenboro, N.C., on Nov. 3, 1979. Although an all white jury acquitted the defendants of murder and a second jury acquitted them of civil rights violations, a civil suit filed by survivors of the assault resulted in eight Klansmen being found liable for wrongful death in 1985. First conceived in 1980 as an organization to support the survivors of the assault, the Greensboro Justice Fund grew to support grassroots organizations and activists working for civil rights, social change, and radical democracy in the South.

The records of the Greensboro Justice Fund offer dramatic testimony to the impact of the Greensboro Massacre of 1979, and the manner in which a community of survivors and supporters cooperated to establish an organization that supplied grants to support grassroots social justice initiatives throughout the South.

Microfilm town records of Greenwich, Massachusetts consisting primarily of warrants for and minutes of town meetings as well as transcripts of meetings for state and national elections, militia lists, voter lists, and pew lists.

Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town’s population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.

The records of Greenwich, Mass., offer a long perspective on the history of the region inundated to create the Quabbin Reservoir. The core of this collection consists of the records of town meetings and the Selectmen of Greenwich from the Proprietary period in the 1730s through disincorporation in 1938, but there is some documentation of the town’s Congregational Church, a local school, the library, and the Greenwich Improvement Society. This finding aid reflects both materials held by SCUA and materials digitized in partnership with the Swift River Valley Historical Society in New Salem, Mass.

A small group from Greenwich Monthly Meeting in East Greenwich, R.I., separated from the larger body during the Friends’ doctrinal controversies of the 1840s to form the Greenwich Monthly Meeting (Wilburite). Established under the aegis of Rhode Island Quarterly Meeting (Wilburite) in 1844, they were laid down just one year later and its members transferred to Kingstown Monthly Meeting (Wilburite).

These three slender volumes document the short-lived Greenwich Monthly Meeting (Wilburite). A thin notebook contains the surviving minutes of the Men’s meeting, while the Women’s minutes (and partial copy) were continued after the members transferred to the care of South Kingston Monthly Meeting in 1845.

Jean Bergantini Grillo was the Cambridge and Boston Phoenix’s Senior Editor from its first issue in 1969 through 1972. When the original staff of the Phoenix was let go after the paper’s sale in the summer of 1972, Grillo helped start The Real Paper with the rest of the fired staff. While at the Phoenix, Grillo was an art critic and covered feminist issues and activism. She graduated from Rhode Island College in 1966 with a degree in English and after working at the Phoenix, continued an active career as a journalist, art critic, television writer and playwright.

The Jean Bargantini Grillo Collection contains a complete run of the Phoenix from its first issue as the Cambridge Phoenix in 1969 until the original staff moved to the Real Paper in 1972. There are also several early issues of The Real Paper until Grillo left the paper in late 1972. There is also a small group of reporter’s notebooks used by Grillo in 1971 and 1972, index cards from her rolodex, and a proof for a political cartoon created for the Phoenix by William D. Steele.