Collections: B

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1970 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR. An inventory of the collection is available to view which includes dates, descriptions, program titles and tapes that have been digitized.

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

View the full Black collection in the library’s catalog.

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Temporarily stored offsite; contact SCUA to request materials from this collection.

The seat of seven generations of the Blanchard and Means families, Elm Hill Farm was established prior to 1797, when the joiner Amasa Blanchard began acquiring property in Brookfield, Mass., as he looked forward to his marriage. The success he enjoyed in farming was a spark for his family’s prosperity. Amasa’s son Albert Cheney Blanchard left Brookfield in the 1830s to pursue commercial opportunities out west as a partner in the Richmond Trading Co., in Richmond, Ind., and by the time he returned home to take over operations after his father’s death in 1857, Albert had earned a fortune. In the years after the Civil War, Elm Hill grew to 1,300 acres crowned by a mansion built in 1870 that became the center of a compound of eight buildings. Each subsequent generation at Elm Hill has left its own distinctive mark. Albert’s son Charles P. Blanchard, a minister and talented amateur photographer, developed a renowned herd of Morgan horses, and Charles’ daughter Abby and her husband, the minister Oliver W. Means, added a herd of Jersey cattle that included a prize-winning bull, Xenia’s Sultan, imported in 1923, and the cow, You’ll Do Lobelia, better known as the original, real-life Elsie the Cow. Abby’s daughter-in-law, Louise Rich Means, laid acres of spectacular gardens on the estate. Following Louise’s death in 2009, Elm Hill left family ownership.

Consisting of nearly two centuries of papers that accumulated on the Elm Hill estate, the Blanchard-Means collection stretches from a handful of documents from the late eighteenth century relating to landholdings and Amasa ‘s work Blanchard as a joiner, to a blossoming of correspondence, photographs, ephemera, and realia dating from the nineteenth and twentieth centuries. Well-educated, well-traveled, and well-informed, the Blanchards and Means were prolific letter writers, and their papers provide wonderful insights into the lives of a religiously-devoted family from the New England elite. Among the highlights of the collection are the extensive records from the Richmond Trading Company and from the farm’s livestock and gardening operations (both Morgans and Jerseys) and a remarkable photographic record that document the family, the evolving landscape of Elm Hill, and the town of Brookfield, as well as hundreds of images from C.P. Blanchard’s world tours in the 1890s.

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab; other Bleyman material is located in the records of the International Society of Protistologists at the University of Maryland Baltimore County Library.

Named for Elizabeth Gurley Flynn, the “Rebel Girl,” Elizabeth “Liz” Blum has worked to live up to her name through public activism, organizing, and community service in the civil rights, anti-war, women’s, anti-apartheid, co-op, and other movements. After graduating from Bennington College in 1964, Blum went south as a part of the Mississippi Freedom Vote, going door to door in northwestern Mississippi until her house in Tupelo was firebombed, forcing her to relocate to Columbus for the remainder of the registration drive. She continued her work and connections with the Student Non-Violent Coordinating Committee (SNCC) and Students for a Democratic Society (SDS) in New Haven as a worker for the Freedom School and the Economic Research and Action Program, and additionally lived in New York City and San Francisco before returning to Vermont in 1967 to live in a commune and teach French at Castleton University. There Blum organized an SDS chapter and women’s group before moving to Cambridge, Mass., joining the Boston Women’s Health Collective and helping to edit Our Bodies, Ourselves. A retired Occupational Therapist, Blum is currently county chair of the Vermont Progressive Party, serves on the Board of the Hanover Co-op Food Stores where she heads the Diversity, Equity and Inclusion Committee, and continues her diverse advocacy work through personal and community action.

Small in size, but generous in topic and form, the Blum Papers consist of correspondence and two newsletter portions with commentary on numerous events and activist groups during the first half of the 1960s. Personal experiences and reflections on national politics and trends, student and community organizing, and the anti-Vietnam War and civil rights movements, reveal how individuals negotiated and prioritized their thoughts and actions during such turbulent times. Correspondents include Henry M. Aronson, Ike Coleman, Vernon Grizzard, and Mike Miller, and updates from and to Blum are mostly from Mississippi, but also San Francisco, Cambridge, New Haven, and Selma.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

A native of Washington, D.C., and graduate of the University of Wisconsin (1970) and Loyola University of Chicago Law School (1973), Norman Blumenthal moved to La Jolla, Calif., in 1976 to accept a position as Chief Operating Officer and General Counsel for an oil and gas exploration company. After twelve years in the corporate sector, Blumenthal entered private practice, shifting focus to the protection of employees, consumers, and securities buyers from unfair business practices and pursuing both class action and individual cases. Among other notable cases, Blumenthal led a class action suit against the city of Escondido, Calif. (Coshow v. City of Escondido, 132 Cal. App. 4th 687), arguing that their decision to fluoridate the city water supply in 2001 amounted to “mass medicating the entire community” without consent using chemicals that were known to be carcinogenic. In 2005, the court upheld the City’s fluoridation plan.

The Blumenthal collection represents the extensive legal and research files employed by the plaintiffs in Coshow v. Escondido and the appeals that ensued, including correspondence, litigants’ files, depositions, exhibits, “expert documents,” research materials and drafts, “extras.”

Twenty-four page register kept by unnamed person, possibly from a Quabbin town, listing boarders by name, payment received, and employee accounts. Payments noted in detail from February to October, 1850. Boarders included several doctors and L.S. Hills, possibly Leonard S. Hills of the Amherst, Massachusetts hat factory. Employee accounts list many women with Irish surnames, including Ellen O’Leary, Ellen Callahan, and Margaret Murphy.

A member of of QTV fraternity, Charles Meade Boardman graduated from the Massachusetts Agricultural College in 1920 with a degree in landscape gardening.

Boardman’s Papers include two of his college yearbooks, a smattering of correspondence from the 1920s relating to landscape gardening, and approximately 30 photographs, apparently taken during or shortly after his time at MAC.