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Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.

Carl Walz was a high school teacher in the town of Montague, Mass., in May 1942 when his status as a conscientious objector cost him his career. Although the School Committee claimed that Walz had been dismissed due to a “marked decrease” in demand for German, a non-required subject, and that his other courses were simply assigned to “higher priority” teachers, the key factor in his dismissal appears to have been his decision to register as a conscientious objector. With support from the Massachusetts Civil Liberties Union, Walz sued the Montague School Committee for wrongful dismissal. He was unsuccessful.

Walz’s suit against the Montague School District over his firing for being a conscientious objector was argued in the Superior Court held in Greenfield in 1943. The typescript is a verbatim transcript of testimony given, including direct and cross-examination of members of the School Board, and re-direct and re-cross examination.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

A scholar of Yeats and long-time professor of English at UMass Amherst, David Ridgley Clark was born in Seymour, Conn., in Sept. 1920, the son of a school superintendent. A convinced Quaker, Clark was part of a pacifist Ashram in Harlem in 1941 and became a conscientious objector during the Second World War, working as an orderly at a mental hospital in Concord, N.H., and as a forest fire fighter in Oregon as part of his alternative service. When he returned to civilian life, he worked his way through Wesleyan University, receiving his BA in 1947, before earning a MA at Yale in 1950 and doctorate in 1955 for a study of William Butler Yeats and the Theatre of desolate reality. Beginning at UMass while still in graduate school, Clark quickly became a key member of a rising contingent in the humanities. Along with Sidney Kaplan, Jules Chametzky, and Leon Stein, he was instrumental in founding the University of Massachusetts Press, as well as the Massachusetts Review, and he was credited with starting a program with the National Association of Educational Broadcasting that brought major poets to read their work on the radio. In the late 1970s, he served as chair of the English Department and helped to organize the Five College Irish Studies Program. After his retirement from UMass in 1985, Clark taught briefly at Williams College and served as chair of English at St. Mary’s College from 1985-87. He settled in Sequim, Wash., after his full retirement, where he died on Jan. 11, 2010.

The Clark Papers document the research and professional life of an influential member of the English faculty at UMass Amherst. The collection contains a particularly rich assemblage of Clark’s notes and writings on W.B. Yeats, but includes materials relating to his efforts in building the English program and, to a lesser degree, the UMass Press and Massachusetts Review.

A long-time faculty member at UMass Amherst, Dean Albertson was an historian of the twentieth century United States with a specialty in oral history. A veteran of the Second World War, Albertson received his BA from University of California Berkeley (1942) and doctorate from Columbia (1955), joining the Department of History at UMass in 1965 after several years at Brooklyn College. The author of books on Dwight Eisenhower, Claude Wickard (Franklin Roosevelt’s Secretary of Agriculture), and the student movements of the 1960s, Albertson was interested throughout his career in new methods in research and teaching history. He died at his home in Longmeadow, Mass., on March 31, 1989, at the age of 68.

Dean Albertson’s History 384 class at UMass Amherst, required students to conduct oral histories relating to a theme in contemporary U.S. history chosen each year. Between 1975 and 1977, Albertson’s students interviewed social activists of the 1960s and early 1970s, participants and observers in the North End riots of 1975 in Springfield, Massachusetts, and war and nuclear power resisters. The collection includes transcripts of 15 interviews conducted during this period, as well as the students’ papers, which put the transcripts into context.

The Keystone View Company was founded in Meadville, Penn., by Pennsylvania native B. L. Singley (1864-1938), who had been a salesman for the stereographic producer and distributor Underwood & Underwood. The first prints sold under the Keystone name were Singley’s own photographs of the 1892 French Creek flood. Incorporated in 1905, Keystone opened its Educational Department, creating products designed for classroom use, with an emphasis on social studies, geography, and the sciences. As the company grew, with branch offices in several major cities and staff photographers all over the world, it acquired the stereographic inventories of several of its competitors, including Underwood & Underwood, becoming the largest company of its kind in the world. In 1932, Keystone launched its Stereophthalmic Department, which included stereoscopic vision tests and products for correcting vision problems. Singley retired as Keystone’s president in 1936 or 1937, and Keystone was bought by Mast Development Company in 1963.

This 1923 boxed set, World War Through the Stereoscope, part of the “Stereographic Library” and housed in a box imitating the look of a two-volume set of books, contains 100 images of World War I and just after, taken ca. 1917-1921. The stereographic prints are pasted onto Keystone’s distinctive grey curved mounts, with extensive descriptive information on the reverse of each mount. Prints are numbered with identifiers—those beginning with “V” were originally Underwood photographs—as well as numbers indicating the order in which they are to be viewed. The stereographs are accompanied by a viewer, also manufactured by Keystone.

Born in the Quabbin town of Enfield, Mass., Bob Wilder (1933-2015) rose from a life of poverty to a successful career in the Marine Corps and the aerospace industry. Becoming an avid local historian in his retirement, he drew upon his rural childhood while working later as an interpreter at Old Sturbridge Village and became a popular lecturer on topics in regional history.

This small collection consists of materials relating to Wilder’s family and his research into the history of the Swift River Valley and the Quabbin Reservoir. In addition to some Wilder family photographs, the collection includes hand-drawn maps, newspaper clippings, town reports, magazine articles, oral histories, and poems about the towns of the Swift River Valley. Of particular note are several video recordings of Wilder’s lectures and an extensive series of oral histories with Wilder recorded by Marc Peloquin.

A member of the English and Folklore faculty at Western Oregon University, Richard E. Meyer studied at Northwestern University and the Universities of Washington and Oregon. A prolific author, he has published on topics ranging from British and American literature to American folklore, but particularly on the culture and history of the American cemetery and gravemarkers. A founder of the Cemeteries and Gravemarkers section of the American Culture Association (1986) and longtime member of the Association for Gravestone Studies, serving as editor of its journal, Markers, for twelve years, Meyer has delivered dozens of talks on the subject, is co-author (with Peggy McDowell) of The Revival Styles in American Memorial Art (1994), and editor of Cemeteries and Gravemarkers: Voices of American Culture (1989) and Ethnicity and the American Cemetery (1993).

During the course of his extensive research in cemeteries throughout the United States and Europe, Meyer documented over 20,000 grave monuments. His collection consists of over 16,000 color slides and 200 black and white photographs, all meticulously well-identified, of gravestones and cemeteries. Meyer also collected ephemera and realia relating to the Tomb of the Unknown Soldier and to commemoration of the dead of the First World War.

Advances in color printing technologies combined with decreasing costs of publication led to a flowering of illustrated sheet music between 1890 and the 1920s.

This small collection is comprised of illustrated sheet music dating primarily from the first quarter of the twentieth century. Representing a cross-section of popular music at the time from minstrel tunes to patriotic marches, most of the songs were selected either for their representation of African Americans (usually in stereotypical and racist caricature) or as examples of pro-war propaganda during the First World War.

Joseph Langland with his wife, Judith

The poet Joseph Langland was raised on the family farm in northeastern Iowa, and earned both a BA (1940) and MA (1941) from the famed writing program at the University of Iowa, before being inducted into the military service during the Second World War. While still in Germany serving with the Allied military government, Langland had printed for his family his first book of poetry, a chapbook titled For Harold (1945), for his younger brother who had been killed in action in the Philippines. Returning home, he taught part-time at Iowa, then joined the faculty at the University of Wyoming (1948-1959), and finally UMass Amherst. Part of a wave of energetic young writers and scholars to arrive on campus, Langland became active in the early years of the Massachusetts Review and became founder the university’s MFA Program for Poets and Writers. A prolific writer, he contributed regularly to literary magazines and was author of The Green Town (1956), The Wheel of Summer (1963), The Sacrifice Poems (1975), Any Body’s Song (1980), and Selected Poems (1991). Langland was recipient of the National Council of the Arts Award, the Melville Cane Award, the Amy Lowell Traveling Poetry Fellowship, and a Ford Faculty Fellowship, among other honors. After his retirement from UMass in 1979, he served as emeritus until his death in 2007.

The Langland Papers include a substantial number of original manuscripts of poetry, many unpublished, correspondence with major poets, and an extensive run of Langland’s letters written home to his wife and family during the war. Other Langland Papers are housed at Luther College in Iowa.

Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.

The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant’s distance.