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Novelist Jodi Picoult is known for taking on compelling social and ethical issues and weaving them into the works of fiction that have won her a devoted readership. From her first novel, Songs of the Humpback Whale (1992), to her recent bestseller The Storyteller (2013), Picoult has grappled with a range of topics: fractured families, eugenics, school violence, teen suicide, spouse abuse, a child’s legal rights, childhood cancer, gay rights, the death penalty, war criminals, vengeance, justice, faith, the value of life. To Picoult, a passionate researcher, no issue is simple. Through her characters and her stories she engages the complications, considering provocative questions from different angles. Born in 1966, Picoult graduated from Princeton, where she majored in creative writing, and Harvard, where she earned her M.Ed. She and her husband have three grown children and live in Hanover, N.H.

The Jodi Picoult Papers, richly documenting the author’s work process, include research files for Picoult’s novels—correspondence, notes, manuscript pages, and other background material—as well as some drafts, editorial correspondence, clippings, publicity material, early stories, and student material. Also in Special Collections is a comprehensive collection of Picoult’s publications, including the novels in American and foreign-language editions.

Aldin Grout was among the first American missionaries to the Zulus. Experiencing a religious conversion in his early twenties, Grout dedicated his life to the ministry, studying at Amherst College (1831) and Andover Theological Seminary (1834) before accepting an overseas appointment through the American Board of Christian and Foreign Missions. In Nov. 1835, Grout and his new wife Hannah (Davis) sailed for South Africa, destined with two other missionary couples for the Natal Province. Even after Hannah died of a lingering illness following the birth of a daughter in December 1835, Grout pressed onward in the cause, not returning home until the end of 1837. Placing his daughter under the care of family, and remarrying to Charlotte (Bailey), he wasted little time in returning to South Africa, remaining there from June 1840 until retiring in 1870, primarily at Umvoti station. In his latter years in Springfield, Grout was active in ABCFM efforts to translate the Bible into Zulu (1883) and he wrote occasionally about his missionary experiences. Aldin Grout died in Springfield on 1894, followed by Charlotte in 1896.

The roughly 195 letters in the Grout collection provided a remarkable commentary on American missionary activities in colonial South Africa, Grout’s personal religious convictions, and the lives of the Zulus to whom he ministered. The collection also includes a handful of fragmentary autobiographical and historical sketches written after Grout’s retirement, a wealth of letters from Grout’s wives and fellow missionary workers, Hannah and Charlotte.

While serving with the U.S. Navy in the Philippines during World War II, the teenaged Bob Perske became aware of the vulnerable and disabled in society and turned his life toward advocacy on their behalf. Studying for the ministry after returning to civilian life, Perske was appointed chaplain at the Kansas Neurological Institute, serving children with intellectual disabilities for 11 years, after which he became a full-time street, court, and prison worker — a citizen advocate — laboring in the cause of deinstitutionalization and civil rights of persons with disabilities, particularly those caught in the legal system. After Bob married his wife Martha in 1971, the two became partners in work, with Martha often illustrating Bob’s numerous books and articles. In 2002, Perske was recognized by the American Bar Association as the only non-lawyer to ever receive the Paul Hearne Award for Services to Persons with Disabilities.

The Perske Papers contains a fifty year record of published and unpublished writings by Bob Perske on issues surrounding persons with disabilities, along with correspondence, photographs, and other materials relating to the Perskes’ activism. The correspondence includes a particularly rich set of letters with a fellow advocate for persons with disabilities, Robert R. Williams.

Since almost the time of first arrival of students at Massachusetts Agricultural College in 1867, the college’s students have taken an active role in publishing items for their own consumption. Beginning with the appearance of the first yearbook, put together by the pioneer class during their junior year in 1870 and followed by publication of the first, short-lived newspaper, The College Monthly in 1887, students have been responsible for dozens of publications from literature to humor to a range of politically- and socially-oriented periodicals.
This series consists of the collected student publications from Massachusetts Agricultural College, Massachusetts State College, and UMass Amherst, including student newspapers, magazines, newsletters, inserts, yearbooks, and songbooks. Publications range from official publications emanating from the student body to unofficial works by student interest groups or academic departments. Links to digitized versions of the periodicals are supplied when available.

An Italian poet, journalist, novelist, and dramatist, Gabriele D’Annunzio enjoyed a flamboyant career in international affairs after the First World War when he raised a small army and seized the port of Fiume (now Rijeka, Croatia). Failing in his attempts to annex his territory to Italy, D’Annunzio reigned as Duce over the micro-state for over a year before being forced to relinquish control.

The fifteen imprints comprising this collection of scarce broadsides, all printed in the short-lived Free State of Fiume. During the brief period of his reign in Fiume, D’Annunzio issued propagandistic broadsides, proclamations, and leaflets almost daily, often distributing them by airplane drop over the city. Included is a rare first edition of D’Annunzio’s most famous piece from the Fiume period, Italia e vita.

A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.

Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.

During the revolutionary era of 1789-1848, Belgium was ensnared in power politics on a continental scale, with all the drama and turbulence entailed. From the conquest of the region by French Republican forces under Napoleon in 1794 through the dissolution of French control in 1814, modern-day Belgium was divided into nine administrative departments, including the centrally-located Département de la Dyle, which included the key cities of Brussels, Louvain, and Nivelles.

Collected by Maurice Emmanuel Hippolyte Binet, this small collection of manuscripts is relatively tightly focused on the years of French Republican domination of Belgium (1794-1814), with a particular focus on the Département de la Dyle. The majority of the collection consists of letters received by the Central Administration in the Dyle, including letters to and from Napoleonic generals and French military hierarchy, civic authorities, administrators, and police. Many of the letters concern the challenges of asserting control over a subject population and the political fallout of the French Revolution, but the collection also reflects the greater tensions within a complex society changing rapidly during an age of revolution.

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

A leader in the English Arts and Crafts movement, William Morris translated the ancient French romance, Amis and Amile, in 1894, one of a number of romances he published in his literary efforts to restore the middle ages.

This holograph copy of Morris’s short story was prepared for the Kelmscott Press in 1894 and printed in a run of 500. The first American edition appeared later that year, published by Thomas Bird Mosher.

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.