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A graduate of UMass Amherst (’71) and the son of a faculty member, Jim Ricci had a childhood encounter with a Locke Power Lawn Mower that led to lifelong fascination with reel lawn mowers. As an historian ofthe field, Ricci has written extensively on mowers and the industy, culminating in his book Hand, Horse, and Motor: The Development of the Lawn Mower Industry in the United States (2016). He and his wife Margaret McCarthy are also advanced collectors of vintage lawn mowers and associated paper and ephemera.

The Ricci and McCarthy collection cuts a wide swath through the subject of pre-World War II lawn mowers, and includes materials ranging from scarce catalogs, trade publications, and letters and documents, as well as Ricci’s extensive research files organized by manufacturer. The collection is rich in visual content, with early tradecards, advertisements, postcards, and photographs.

Labor educator Mark Starr first became interested in the potential of the constructed language, Esperanto, for promoting peace and international understanding while serving time in prison for conscientious objection during the First World War. A career in labor led him to immigrate to the United States in 1928, where he taught at a labor college in New York before becoming the educational director for the International Ladies Garment Workers Union. Long active in the Esperanto movement, he joined the Esperanto Information Center when it was founded by Bernard Stollman in 1962 and served as its chair from 1965 to 1972. As the New York Office of the Esperanto League of North America, the EIC played a key role in promoting the movement in the United States and sharing information among supporters and aspiring learners.

Meticulously maintained by Starr during his tenure as chair, the EIC records include a rich correspondence with local and regional Esperanto organizations and national and international affiliates, and particularly its parent body, the Esperanto League for North America. While much of the content consists of routine communications about membership, queries from learners, and organizational wrangling about meetings, conferences, and publications, the collection provides insight into the grassroots organizing and lobbying for the language and its roots in internationalism, peace, and social justice concerns. Written in both Esperanto and English, the collection includes letters (retained copies as well as received) and articles by Starr and other noted Esperantists, including Allan Boschen, Francis Hellmuth, and Humphrey Tonkin.

Simultaneously prolific and tragic, Cesare Pavese was a major figure in 20th century Italian letters. Born in the Piedmont region in 1908 and educated in Turin, Pavese was drawn to English-language literature as a student, writing his thesis on Walt Whitman (1930). Nearly overnight, he became well known as a translator of modern American and British fiction, from Melville, Faulkner, and Steinbeck to James Joyce and Gertrude Stein, and at the same time, he began to publish his own creative work beginning with Lavorare stanca, a book of poetry, in 1936. Although sentenced to three years of internal exile for his anti-fascist sympathies (1938-1941), he continued to write, capped by the appearance of his first two novels in 1941 and 1942. The war’s end saw Pavese blossom into an exceptionally creative period, however even as his renown grew, the effects of depression and a failed love affair with the American actress Constance Dowling led him to suicide in August 1950. Two months before he had been awarded the prestigious Strega Prize.

This collection of first and early editions by Cesare Pavese, donated by Lawrence G. Smith, includes first and early editions by Cesare Pavese, five of which are inscribed: three to Constance Dowling, one to his friend Leone Ginzburg (and later to Dowling), and the fifth to Doris and Harry. Smith also donated dozens of other volumes by and about Pavese to the Library’s general collection.

Although Quakers first worshipped in Boston in 1661, they were late in the game in organizing a formal meeting. A preparative meeting operated in the city for just over a hundred years (1707-1808) under the auspices of the Salem Monthly Meeting, and a second attempt at building a community began in 1870 with authorization of an indulged meeting in Roxbury. Set off formally as the Boston Monthly Meeting Friend in 1883, this meeting continued until 1944, when it merged with an independent meeting in neighboring Cambridge to create the current Friends Meeting at Cambridge.

The records in this collection offer thorough documentation of the Boston Monthly Meeting of Friends from its establishment as an indulged meeting in 1870 through to its merger in 1944 and change of name to the Friends Meeting at Cambridge. In addition to the meeting minutes, the collection includes substantial records of the monthly’s Friends Guild and Women’s Foreign Missionary Society.

A long-time leader in the Communist Party in Massachusetts, Otis A. Hood (1900-1983) was a frequent candidate for public office between the late 1930s and early 1950s. At a time of increasing repression, he stood openly for Communist principles, speaking regularly on the radio and at public forums. In 1954, he was one of several activists arrested for violating the state ban on the Communist Party, winning acquittal, and he was acquitted again after a second indictment in 1956 on charges of inciting the overthrow of the federal government.

The Hood papers are a slender reflection of Communist politics during the height of McCarthy-era repression. The collection centers around Otis Hood’s public espousal of Communist ideals as a candidate for public office in Boston, and particularly his runs for the city School Board in 1943 through 1949, but it includes fliers, handbills, and other materials relating to Communist-led campaigns relating to the war, housing, public transportation, and education, but most importantly, transcripts of radio broadcasts made by Hood during his political campaigns and relating to a variety of social issues.

Spread out across the early national landscape, the Beach and Cooke families were bound by the ties of family, friendship, and business. The brothers-in-law Samuel Beach, from Branford, Conn., and Samuel G. Cooke, from Mendon, Illinois, both served in the Civil War. As a corporal in the 27th Connecticut Infantry, Beach saw action at the battles of Fredericksburg and Chancellorsville, while Cooke served in the west with the 50th Illinois before taking a captain’s commission in the 44th U.S. Colored Troops. Farmers and fruit growers, the two settled in Branford after the war, with Beach establishing Pawson Park, a day resort and picnic grounds that prospered in the 1880s.

The paper of Samuel and Harriett Beach contain family correspondence from two generations of Connecticut family in the mid-nineteenth century. Of particular note are 31 war-date letters and a post-war memoir of the battle of Fredericksburg from Samuel Beach, and three war-date letters from Samuel G. Cooke. The collection also includes an interesting, though scattered series of letters relating to the creation and operation of the day resort, Pawson Park.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Beloved for her essays on New England life and for a long-running column in Yankee Magazine, Edie Clark was born in northern New Jersey in 1948 and raised near Morristown. A graduate of Beaver College, Clark cut short a career as editor for the Chilton Company in 1973 when she and her husband, inspired by Scott Nearing, moved to Vermont to pursue a simpler, more self-sufficient life. Drawing on the skills honed at Chilton, Clark developed a successful editorial business, which led her to approach Yankee Magazine in 1978 with the idea of writing an article on Abby Rockefeller and composting toilets, beginning an association that would last nearly twenty years. In 1990, Clark began writing a regular column on country life for Yankee, and in the years since, she has written dozens of essays and seven books, including The place he made (2008), a memoir about her second husband’s struggle with cancer; States of grace (2010), containing essays on “real Yankees;” and What there was not to tell (2013), an account of Clark’s search to uncover her parents’ experiences during the Second World War. Following a lengthy period of ill health, Clark retired from writing in 2017.

The record of a popular writer known for her depictions of contemporary New England, the Edie Clark Papers contain drafts and printed copies of nearly all of Clark’s work. An assiduous researcher, she gathered background materials on topics ranging from Lyme disease to the New England-Canadian border region to psychics and Spiritualists, and she corresponded or conducted interviews with dozens of people who featured in her work, including the author Carolyn Chute (author of The Beans of Egypt, Maine) and her husband Michael, then leaders in the so-called Second Maine Militia. Even more voluminous are some remarkable Clark family materials, including dozens of essays and letters by Clark’s grandmother Eleanor Sterling Clark and over 2,000 letters from her parents. Luther and Dorothy Clark, written during the Second World War while they were serving in the Army Air Corps and Marine Corps, respectively. These letters formed the basis for Clark’s remarkable book, What there was not to tell.

The “Peasant Bard” of Gill, Mass., Josiah D. Canning, published five books of poetry between 1838 and 1892 extolling the spiritual virtues of nature and the agrarian life. The son of a minister, Canning worked as a printer for several years before settling down to farming life, churning out poetry that reflected his reverence for the land.

This small collection consists of a printed copy of Josiah Canning’s fourth book, The Shad-Fishers, published by R.C. Graves in Greenfield, Mass., in 1854, along with a manuscript copy of the same work bound in workmanlike leather over boards. Although it is not possible to determine with certainty, the manuscript may be Canning’s own.

Fred “Lil” Kerslake was proprietor of one of the premier performing animal acts of the turn of the twentieth century, featuring a porcine troupe that did “everything but talk.” From about 1891 through the 1930s, Kerslake’s Pigs rolled barrels and jumped ropes, climbed ladders, played see saw, and drew carriages to the delight of audiences across the United States and Europe. With his wife Mary and, after 1913, his son Fred by his side, Kerslake’s Pigs toured with Carl Hagenbeck, Walter L. Main, and Ringling Brothers. Fred and Mary retired to Gill, Mass., in 1930 where they ran a dog kennel. Fred Kerslake died at home in Sept. 1949, with Mary following in 1954.

Assembled by Fred and Mary Kerslakes, the four scrapbooks in this remarkable collection are packed with photographs and ephemera documenting their far flung travels between the 1890s and 1920s, along with promotional and candid shots of their beloved pigs, donkeys, and horses. Interspersed in the volumes are photographs of clowns and other circus performers, brochures, fliers, and posters advertising Kerslake’s Pigs and the circuses that employed them.

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.