Collecting area: UMass history

A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

John Brooks Howard, Jr., known by his family as Brooks (and as J. B. or “Gibby” to his classmates), was a popular and vivid presence on the campus of Massachusetts Agricultural College from 1926 until 1929. Born in November 1908, he arrived from Reading, Mass., as part of the class of 1930; majored in biology; was elected editor-in-chief of the student newspaper the Collegian; was a member of the honor society and the rifle team; and loved wildlife and the outdoors, especially birds. Early one morning, in the spring of his junior year, he climbed to the high branches of a tree to collect specimens. His death at age 20, after falling from the tree, stunned the campus community and broke his mother’s heart, haunting his family for a long time after.

This collection provides glimpses into the life of a MAC student in the late 1920s, with some documentation of his observations of birds and nature and campus activities. It contains an assortment of Brooks’s own papers and possessions, as well as items kept by his family after his death: three diaries, correspondence, mementos and ephemera, photographs including three larger ones in frames, newspaper clippings, a pair of wooden shoes that was a gift from his Dutch friend Hans Van Leer ‘32, and a small field microscope apparently issued to Howard by the college.

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

The Irma McClaurin Black Feminist Archive (BFA) is an archival home for Black women and their allies. Founded by Dr. Irma McClaurin, Black feminist anthropologist, academic administrator, award-winning poet and author, past president of Shaw University and leader in higher education, the BFA seeks to identify Black women from all walks of life who are artists, activists, and academics but may not be well known, and document their wide array of contributions at many levels: community, state, national, and global. In addition to being an ongoing resource for academic and community researchers, the BFA also aims to be a training center, where Black archivists can actively participate in their own history and uplift and protect the endangered legacy of Black women. Articles about Dr. McClaurin and the BFA have appeared in the Massachusetts Daily Collegian, UMass Magazine and on the the Black Presence website. Her article, “Black Women, Visible and Heard,” published in UMass Magazine was highlighted when the publication received the Gold level CASE award in 2022.

The BFA is an umbrella collection, made up of a growing and diverse group of collections documenting Black women, allies, movements, and organizations. Highlights include the papers of renown anthropologists Sheila Walker and Carolyn Martin Shaw; Belizean writer Zee Edgell; activist and educator Cheryl Evans, who founded the Black Pioneers Project documenting the experience of Black students at UMass Amherst during the late 1960s; Lawrence (Larry) Paros, a UMass alum and forerunner of the Alternative Education movement in America, past director of the 1968 Yale Summer High School (YSHS); and the papers of Dr. Irma McClaurin, BFA founder, which include her photographs of iconic Black figures. The development of the BFA has been supported by two grants from the Wenner Gren Foundation: The Historical Archive Grant and The Global Initiative Grant (GIG) for “The Black Feminist Archive Pandemic Preservation Project of Black Women Practicing Anthropologists” project

Collections include:

• Zee Edgell Papers
• Cheryl Evans Papers
• Irma McClaurin Collection
• Lawrence Paros Papers
• Carolyn Martin Shaw Papers
• Audrey Smedley Papers
• Sheila Walker Papers
• Mae Upperman Collection

Beginning with his dissertation in theoretical astrophysics “Local irregularities in a universe satisfying the cosmological principle” (Harvard, 1961), William M. Irvine enjoyed a distinguished career as an astronomer and a role as one of the primary figures in developing astronomy at the Five Colleges. Arriving at UMass in 1966, Irvine helped build the graduate program in astronomy and beginning in 1969, he was a motive force in establishing the Five College Radio Astronomy Observatory. Focused largely on the chemistry of dense interstellar clouds and the physics and chemistry of comets, and with a broad interest in bioastronomy/astrobiology, Irvine has been a prolific contributor to his field, and has served as President of the Commission on Bioastronomy at the International Astronomical Union, Chair of the Division for Planetary Sciences at the American Astronomical Society, a Councillor of the International Society for the Study of the origin of Life, and a member of the Royal Astronomical Society.

The Irvine Papers offer a thorough record of the establishment of the Five College Radio Astronomy Observatory from 1969 through its dedication in Oct. 1976, along with insights into the growth of astronomy at UMass and the Five College Astronomy Department. Correspondence, memoranda, grant applications, and many dozens of photographs offer insight into the financial and political challenges of building the Observatory in the Quabbin watershed. The collection also includes notes for teaching Astronomy 101 and 223 (planetary science). His history of the department, Reflections on the Growth of Astronomy at the University of Massachusetts and the Five College Astronomy Department (2006), is filed with the Physics and Astronomy Department records and a copy is included in this collection. Irvine’s published works are listed in the Libraries’ ScholarWorks author gallery.

An historian of economics specializing in American agriculture, Lorian Pamela Jefferson was one of the first women in the field and became an expert on New England agricultural industry. Born in 1871 near Necedah, Wisconsin, Jefferson earned her B.L. from Lawrence University in 1892 and her M.A. from the University of Wisconsin in 1907, continuing on to study towards her PhD though she never finished her research. Jefferson began working at the University in 1912 as an expert in the Division of Rural Social Science and became a professor of Agricultural Economics in 1915. Known as “Miss J”, Jefferson was a dedicated teacher and published extensively on various aspects of agricultural industry and marketing, including the McIntosh apple market and the agricultural labor movement. Illness forced Jefferson’s retirement from the University in 1935 and she died shortly thereafter.

Industry reports, farm and community market assessments, and many of her published articles make up the majority of the collection. There is also a bound volume of correspondence and pamphlets by Jefferson from 1914 titled “Letters Relating to economic Entomology in the United States.” Among the published work is a copy of the magazine Farm and Garden from April, 1924.

Frederick Painter Jeffrey was born in the coal mining town of Trauger, Pennsylvania in February 1911. Jeffrey received a BA in poultry husbandry at Pennsylvania State College in 1932 and then an MS in poultry genetics at Massachusetts State College in 1934. Jeffrey became a professor of Poultry Science at Rutgers University from 1935-1944; after leaving Rutgers, Jeffrey became a professor in the Poultry Science Department at the University of Massachusetts, a department he later headed. In 1954 he became the Dean of the Stockbridge School of Agriculture, a position he held until his retirement in 1971. Frederick Painter Jeffrey died in September 1997.

The Frederick Painter Jeffrey Papers include materials about his work with Bantam chickens and document his tenure at the University of Massachusetts Amherst. There are also limited materials related to his family and schooling.

John Edward Higginson retired from the Department of History, University of Massachusetts Amherst in 2024, where he taught since 1989. Higginson received a B.A. in Journalism from Northwestern in Chicago, where he was also a student activist alongside John Bracey (UMass W.E.B. Du Bois Department of African American Studies) in 1968. He went on to receive his Ph.D. in History from the University of Michigan, with research focusing on the history of Southern Africa and comparative labor history. His publications include The Hidden Cost of Industrialization: State Violence and the Economic Transformation of Southern Africa, 1900-1980 (forthcoming), Collective Violence and the Agrarian Origins of South African Apartheid, 1900-1948 (Cambridge University Press, 2014), and A Working Class in the Making: The Union Miniere du Haut-Katanga and the African Mineworkers, 1907-1949 (University of Wisconsin Press, 1989). In 1993-94, he was the recipient of the Research and Writing Fellowship from the MacArthur Foundation.

The John Higginson Papers include documents collected from the South African National Archives, the Historical Papers of the University of Witwatersrand, the Sterling Library at Yale University, Archives africaine in Brussels, Belgium, and Arquivó Historico Ultramarino in Lisbon, Portugal. The papers also include published articles by Professor Higginson and the manuscript versions of his monographs A Working Class in the Making: Belgian Colonial Labor Policy, Private Enterprise and the African Worker, 1900-1947 (Madison, Wisconsin: University of Wisconsin Press, 1989) and Collective Violence and the Agrarian Origins of South African Apartheid, 1900-1948 (Cambridge and New York: Cambridge University Press, 2015). It includes correspondence, class material, readings, lecture notes, course syllabi and materials for his teaching in the History Department, copies of research materials from South African and Congo archives, journal articles on South Africa and Katanga, WPA slave narratives, and minutes and notes from Goodwin AME Zion Church 1993-2005. It also contains William Burr’s dissertation on the Cold War and the Marshall Plan in Europe. These papers were a gift of John Higginson, 2024.

Known among his peers for his wit, “Gerry” Jones was an active presence on campus as Secretary and Treasurer for the class of 1903, and as a member of the QTV Fraternity, the staff of the Index, and the class football and baseball teams. Jones went on to become a well-respected figure in the Amherst community, serving on the board of investment for the Amherst Savings Bank during the mid-1930s and as a representative to the General Court from Hampshire County.

The papers of Gerry Jones contain a mix of ephemera dating from his days as one an active member of the MAC Class of 1903. Beginning with a fine record book documenting meetings of the class from their freshman year through graduation, the collection includes menus, programs, and dance cards related to class events. Of particular interest is a menu from the first football banquet in 1902, celebrating one of the most successful teams of the MAC era, the one-loss team of 1901.

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.