Collecting area: Vietnam War

The Southeast Asia Collection highlights the regional wars from the 1970s to the 1980s, including a series on Southeast Asian refugees in America, along with materials on regional economic development, especially in the Mekong River Basin. The collection contains hundreds of reports on agricultural and industrial projects in the region, examining everything from the impact of electrification on village life in Thailand to a description of a Soviet-built hospital in Cambodia in 1961, to an assessment of herbicide in Vietnam in 1971.

Collected primarily by Joel Halpern and James Hafner, the collection includes background, field, and situation reports by U.S. Operations Missions and U.S. Agency for International Development; reports, publications, statistics, and background information from other U.S. government agencies, governments of Laos and Thailand, and the United Nations; correspondence, reports, and reference materials of nongovernmental organizations; reports and essays by individuals about Southeast Asia; news releases and newspapers; published and unpublished bibliographies; and interviews with U.S. military personnel. Most material comes from governmental and organizational sources, but there are papers by, and debriefs of, numerous individuals.

The photojournalist John Spragens spent the better part of a decade living in Southeast Asia from 1966-1974, working for a variety of relief and peace organizations.

Taken by John Spragens late in 1983, the black-and-white photographs in this collection document Cambodia shortly after the Vietnamese Army defeated Pol Pot’s Khmer Rouge and installed a new order.

Although the precise origins of UMass Peacemakers are murky, by 1982, the group was an active presence on the UMass Amherst campus organizing opposition to militarism and the nuclear arms race and providing support for the nuclear freeze movement. Organizing vigils, demonstrations, informational workshops, and providing civil disobedience training, the Peacemakers were the most visible pacifist group on the UMass Amherst campus in the 1980s.

The UMass Peacemakers Records focus on the activities of the student group between 1983 and 1990, documenting their role in confronting the aggressive international expansionism of the Reagan administration and its “Star Wars” program, while also engaging at the local and national level by organizing rallies, lectures, poetry readings, and film screenings. At UMass, Peacemakers was part of the larger Progressive Student Network, and worked alongside other student organizations including the Radical Student Union.

In the summer of 1967, members of University of Massachusetts Amherst campus groups, such as the Faculty Group on War and Peace and the Students for Political Action, joined with individuals from other area colleges and from the community at large to form the Valley Peace Center of Amherst for the purposes of opposing the Vietnam War, providing draft counseling, eliciting pledges from the government to avoid first use of nuclear and biological weapons, and reduction of the power of the “military-industrial complex”. The Center was active for more than five and a half years, drawing its financial support largely from the community and its human resources from student and community volunteers.

Correspondence, minutes, volunteer and membership lists, financial records, newsletters, questionnaires, notes, petitions, clippings, posters, circulars, pamphlets, periodicals, other printed matter, and memorabilia. Includes material relating to alternative service, boycotts, war tax resistance, prison reform, environmental quality, and political candidates.

On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston.

While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.

WBCN and the American Revolution collections include:

• Jeff Albertson Photograph Collection
• Tommy Hadges Collection
• Clif Garboden Collection
• Jean Bergantini Grillo Collection
• Donald Levy Papers
• Bill Lichtenstein Collection
• Peter Simon Collection

The 1960s and 1970s were decades rich with activist organizations intent on radically transforming U.S. politics and society as well as striving to end racial and gender inequality. One such group was Students for a Democratic Society (SDS). Launched in 1962, with the infamous Port Huron Statement, SDS helped the nascent anti-Vietnam war movement gain traction in 1965 by organizing the first national demonstration in Washington, D.C. Over the course of the next four years, the organization grew at a rapid pace, claiming over 300 chapters under its moniker. Arguments over tactics and strategy culminated during an eventful national convention in June of 1969 in which three factions, all claiming to represent “the true SDS”, split the organization apart.
               
The most notorious of these factions was the Weathermen, (later renamed the less patriarchal Weather Underground Organization [WUO]). The WUO aimed to spark revolution in the United States, initially, through the use of targeted political bombings, political communiques, and support of Black liberation movements. Following the March 1970 accidental self-bombing of three of its New York collective members, Ted Gold, Diana Oughton, and Terry Robbins in a New York townhouse owned by Cathy Wilkerson’s father, the organization opted to conduct more targeted bombings where no one would be hurt.
               
After two-to three-years of high-profile bombings, including the U.S. Capitol, Pentagon, corporate buildings, and law enforcement institutions, with minimal impact, the organization began to consider how to regain influence with the greater Left. This began WUO’s “inversion” phase which included the publication of a book/manifesto titled Prairie Fire, the establishment of the Prairie Fire Organizing Committee, and a periodical, Osawatomie. The WUO’s Central Committee believed that this inversion strategy would allow them to influence and lead the greater anti-war/anti-imperialist movement.

The inversion strategy did not spark the all-encompassing revolution imagined by the WUO and members slowly began to surface, breaking apart the organization in the mid-late 1970s. While the WUO did not accomplish what they set out to do, their extreme tactics and notoriety with the FBI left lasting impressions on American society and the history of activism in the 1970s.
     
This small collection of materials donated by a member of the WUO includes books, pamphlets, manuscripts, notes, military manuals, maps of correctional facilities, and correspondence between members from 1973 to 1978, many of them coded through the use of letters replacing names. It also holds papers critical of  the WUO written by its own members between 1976 and 1978. This represents the period when Clayton Van Lydegaf gathered members in his “Cadre School”, to rigorously analyze and document how the organization fell apart, including a transcript from a recorded interview session in which Bernadine Dohrn repudiated all methods and practices of the WUO. These papers reflect the power struggle seen later within the WUO, as well as the contempt that many of its members grew to nurture for the organization as it strayed from its original purpose.

The collection also contains many political papers on subjects such as women and their place within the WUO, the anti-fascist movement, Black liberation movements, imperialism, and the origins of fascism. It also holds accounts of the WUO’s history, along with critiques, notes, and adaptations for their manifesto, Prairie Fire.

Growing up in Elmont, Long Island and Teaneck, New Jersey, Tom Weiner attended Trinity College before facing the draft in 1971. After failing the physical and mental examination, Weiner studied alternative education in England, Europe, and Israel on a Watson Fellowship. Upon his return in 1972, he began study at NYU law school, but soon left the city for Northampton, Massachusetts. A life-long social justice activist, Weiner has worked as a sixth grade teacher for the past twenty-five years.

With a lottery number of 117, Tom Weiner knew for certain that he would be drafted immediately upon graduation from Trinity College. Decades later, Weiner was inspired to collect the stories of the men and women who came of age during the Vietnam War era. This collection consists of the oral history interviews, recordings and transcripts, Weiner collected, thirty of which appear in his book Called to Serve: Stories of Men and Women Confronted by the Vietnam War Draft.

Temporarily stored offsite; contact SCUA to request materials from this collection.

The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.

The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children’s programming, news and current events, scholarly lectures, classical music, and jazz.

Charles Lewis Whipple was a noted journalist, editor, and the first ombudsperson for the Boston Globe. As a student at Harvard in the 1930s, Whipple joined the Young Communist League, carrying his radical politics with him when he joined the Globe’s staff in 1936 and became an active member of the American Newspaper Guild. Although classified as unfit for military duty due to the loss of vision in one eye, Whipple joined the Red Cross during the Second World War, and served with distinction with over thirty months of overseas service. After returning to civilian life and severing ties with the Communist Party, he resumed his position at the Globe, rising steadily to become editor of the opinion page in 1962 and ombudsperson in 1975. An editorial he wrote in 1967 is considered the first editorial in a major American newspaper to oppose the war in Vietnam. Although he formally retired from the Globe in 1979. Whipple worked an additional three years with the Xinhua News Agency in Beijing as editor of the Beijing Review and the China Daily, China’s first English-language daily. Whipple died in Northampton, Mass., in 1991, following complications from surgery.

A mixture of personal and professional correspondence, writing, and subject and clipping files, the Charles Whipple Papers document a long and exceptional career in journalism. The diverse roles that Whipple filled at the Boston Globe from the 1930s through 1970s resulted in rich documentation of his work as an organizer for the American Newspaper Guild on the eve of the Second World War; his writing and editorial work during the Vietnam War and as the Globe’s Ombudsman in the 1970s; and the three years he spent in China setting up an English-language newspaper during the late 1970s and early 1980s.

John Merrall Whitcomb was an architect, researcher, and life-long scholar. Born in New York City in July 1907, Whitcomb earned an undergraduate degree at Yale (1930) and a degree in architecture from the University of Pennsylvania (1934) and began working his way up the ranks of the architectural profession in Boston. After wartime service in the Air Force, he resumed his career, establishing his own firm in Cambridge, Johnson and Whitcomb. He died in 1998.

Part of a large collection of books amassed over a lifetime, this collection focuses largely on Whitcomb’s interest in “seditionist” literature, including works on Anglo-American Socialism and Communism, as well as topics ranging from American labor to political and social history, the rise of fascism in Europe, Soviet studies, the Vietnam War, and political theory. The bulk of the material dates from the 1930s through early 1960s.