Collecting area: Vietnam War

Born in the coal mining town of Blossburg, Pa., in 1913, Laura Ross (nee Kaplowitz) grew up in poverty as one of seven children of Lithuanian immigrants. In about 1932, Ross married Harry Naddell, a wine merchant, and settled into a comfortable life Brooklyn, N.Y., raising a son and daughter. During the Second World War, however, she became intensely politicized through her work with Russian War Relief, joining the Communist Party and eventually divorcing her les radical husband. Moving to the Boston area, she married Max Ross in 1963, an attorney for the Massachusetts Bay Transportation Authority, and became a noted presence in a wide range of political activities, working for civil rights, the antiwar movement, and for many years, helping to run the Center for Marxist Education in Central Square , Cambridge. Perhaps most notably, between 1974 and 1984, Ross ran for Congress three times on the Communist Party ticket, taking on the powerful incumbent Tip O’Neill and winning almost a quarter of the vote. An activist to the end, Ross died in Cambridge on August 5, 2007.

The Ross papers are the legacy of a highly visible activist, organizer, educator, and member of the Communist Party USA. Heavily concentrated in the period 1967-1990, the collection includes material relating to her affiliation with CPUSA and her work with the Center for Marxist Education in Cambridge, Mass., including information on party membership, platforms, and conventions, minutes from various district committee meetings, material relating to the People’s Daily World, and course information and syllabi. Scattered throughout the collection are materials pertaining to contemporary political issues and elections, particularly the policies associated with Ronald Reagan. Ross was a vocal and persistent opponent of Reaganomics and the nuclear arms race that Reagan accelerated.

The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program.

Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.

One of the most frequently published photographers in Life magazine during the late 1960s, Rowland Scherman is noted for an iconic portfolio that documents the worlds of politics, culture, and the rock music scene. Born in New York in 1937, Scherman attended Oberlin College and began his career in the darkroom at Life before winning an assignment as the first official photographer for the Peace Corps in 1961. His work blossomed after becoming a free-lancer two years later, with assignments that included the civil rights March on Washington and the presidential campaign of Lyndon Baines Johnson. He covered the Newport Folk Festival when Bob Dylan broke on the national scene, the Beatles’ first concert in the U.S., Robert Kennedy’s campaign for the presidency, and Woodstock, and he went along on a memorable tour with Judy Collins. His work has appeared in dozens of magazines and books, including Life, Look, Time, National Geographic, Playboy, and Paris Match, earning wide acclaim, including a Grammy Award in 1968 for the portrait that appears on the cover of Dylan’s greatest hits album. Scherman relocated to London in 1970, then to Birmingham, Ala., in the 1980s, and finally to Cape Cod on 2000. He continues to shoot portraits, photo essays, and abstract work.

This rich collection consists of nearly the entire body of work from Rowland Scherman’s long career in photography, including negatives and transparencies with a small selection of prints. Negatives from the March on Washington and the Peace Corps are in the collections of the Library of Congress.

Born in Richmond, Va., in 1946, Ronald Wayne Schrum served as a corporal in the 9th Engineer Battalion, US Marine Corps, during the Vietnam War. Based in Chu Lai, on the coast 56 miles southeast of Da Nang, the 9th Engineers were responsible for the maintenance of bridges and roads, and perhaps most importantly mine sweeping. Schrum was wounded in action in August 1967, returning to duty after a short recuperation. While on leave in May 1968, Schrum married his fiancee Carolyn Ann Garrett, and the two settled in Virginia after the end of his time in service. Schrum died in Glen Allen, Va., on June 20, 1995.

A compact record of one marine’s service in Vietnam, this collection contains letters written by Ronald Schrum to his fiancee describing his duties as a combat engineer near Chu Lai. Covering only the months from Jan. 1967 to Nov. 1968, they include accounts of mine sweeping, fire fights with the Viet Cong (including one in which he was wounded in action), the Tet Offensive, and life on base, and increasingly as the couple approach their marriage, the letters are marked by a longing for his wife and home and a literal counting down of days remaining in service.

At the height of the antiwar struggle in the late 1960s, a group of scientists and engineers based in Cambridge, Mass., began to turn a critical eye on the role of their fields in the larger political culture. Calling themselves Scientists and Engineers for Social and Political Action (SESPA), the group took the slogan “Science for the People,” which in turn became the name of their organization. With a collective membership that spread nation-wide, Science for the People was a voice for radical science and an active presence framing several of the scientific debates of the day. Through its vigorous publications, SftP explored issues ranging from the impact of military and corporate control of research to scientific rationalization of racism, sexism, and other forms of inequality; and they contributed to the discussions of recombinant DNA, sociobiology, IQ and biological determinism, women’s health care, nuclear power, and the rise of biotechnology. Many members were engaged in supporting anti-imperialist resistance in Central America and Asia during the 1980s. The organization gradually waned in the 1980s and published the last issue of its magazine in 1989.
Donated by several members of the organization, the Science for the People collection provides a window into the organization and operation of a collective devoted to radical science. In addition to meeting minutes and notes, and some correspondence, the collection includes a nearly complete run of the Science for the People magazine, and a substantial representation of the national and Nicaragua newsletters and topical publications. Photographs from the group’s trip to China and other areas abroad in 1978 are available online, along with videos of the talks and sessions from a 2014 conference on the history and legacy of SftP.

David Seager’s 1995 PhD history thesis, “Repression in Academia: New Left and Antiwar College Teachers and Political Dissent in the Vietnam War era, 1964-1975” is one of the few in-depth studies of academic repression during the Vietnam era. Besides Ellen Schrecker, who has written extensively on academic freedom and repression in higher education, there has been a dearth of material written about the personal and career consequences faced by American college and university teachers who spoke out against the Vietnam War. For his thesis, Seager did extensive primary and secondary source research and directly interviewed 35 instructors and corresponded with 38 additional ones throughout 1993 and 1994.
               
The project was fully self-funded by Seager who had very little financial support. Early in the research project, his advisor passed away unexpectedly of a heart attack. He worked with a competent replacement, but they were not involved with the original concept and Seager was, in a sense, orphaned. Seager planned to expand the thesis with additional post-graduate work, but he was instead caught in a desperate financial bind with no help from a true mentor, a growing pile of job rejections, and a need for income, so the project ended with the thesis.

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Colonel William Smith speaking at podium before a group of people from Argentina

Colonel William “Billy” Mitchell Smith Jr. was born in 1918 in Carpenter, Mississippi to William M. Smith Sr. and Fay Smith (neé Craig). The family later moved to Alabama and lived in Birmingham and Auburn, where Smith graduated from Auburn High School in 1936, then Auburn University in 1940 with high honors. After college, he enlisted in the military, and served with the 19th Artillery attached to General Sharp’s staff in France during World War II. In 1944, he was awarded a Bronze Medal for “meritorious service and gallantry in action”. Following the war, he was stationed in Frankfurt, Germany where he oversaw post-war reconstruction there, and later, Japan. He also served in the Korean War. In 1962, he commanded a ring of missile units of the Army Air Defense Command in Homestead, Florida during the Cuban Missile Crisis. He served as a Colonel in Vietnam in 1964-1966. Smith died in late 1970 when he took his own life.

The bulk of this small collection consists of correspondence between Smith and his wife to be, Eloise Lennard, during their courtship in 1939-1940. In addition, there are letters written during Smith’s time serving in Vietnam from 1965-1966 where he discusses the tone of the war and the degree to which the war weighed on him as a commanding officer. The collection also contains clippings, military documents and ephemera related to each of his duty stations, as well as a photographic memory book from his deployment at a base in Homestead, FL during the Cuban Missile Crisis with the 13th Artillery Group. There is also correspondence from friends and family following Smith’s death.

The term social change is used in SCUA to refer to individuals and organizations who actively seek to better the world around them, as well as to individuals experiencing shifts in economic, cultural, and social life. Few movements for change exist in isolation. Following W.E.B. Du Bois, we recognize that seemingly disparate issues in social justice are often intrinsically and deeply interconnected, so that to create change in one area requires close attention to others. It is the flow of ideas, people, and organizations that constitutes the warp and weft of social change in the twentieth century.

Created to collocate small groups of manuscripts, documents, letters, and other unpublished materials relating to the history and experience of social change, the Social Change Collection is focused largely on movements of the 1960s and after. While entirely miscellaneous, the collection includes interesting material relating to the peace and antiwar movements during the 1960s, Students for a Democratic Society (SDS), the conflict in Vietnam, antiimperialist movements in Central and South America, and a small number of items relating to sexuality, gender, and feminism.

Assembled to bring together short and broken runs of periodicals produced by activists and movements for social justice, the Social Change Periodicals Collection touches on a wide variety of topics. Much of the original collection came from subscriptions held by the Everywoman’s Center at UMass Amherst, however the collection has grown to include materials supplied by many other donors. The bulk of periodicals come from the period 1965-1990 and the subjects covered range from feminism to gay rights, and political radicalism, to peace, prison, labor, antiracism, and the counterculture more generally. The collection has been organized thematically into 19 series.