Collecting area: Social change

Robert and Waldemar Schultze were brothers from Buffalo, New York, held in disciplinary army barracks because of their status as conscientious objectors during the Second World War. Both Robert and Waldemar wrote to their mother, Jennie Schultze, frequently, and she to them. The collection contains roughly 120 letters, almost all of them dated, spanning mainly from 1943 to 1944. Robert, the younger of the two Schultze boys, also wrote to his fiancee Helen Anne Rosen.

The letters concern everything from the family dog to the family business. Due to strictly enforced censorship, the brother’s were cautious in the official letters home to their mother. Waldemar and Robert were able to sneak a handful of letters out of prison to their mother, however, and in those letters they wrote honestly about the conditions they encountered. In one such letter, Waldemar wrote his mother and told her about the threat of postponing his good behavior release date if he should slip up and write something that had to be censored, or even if she wrote something to him that needed to be censored. A small amount of correspondence exists that is addressed to Jennie from Attorneys J. Barnsdall and J. Cornell, regarding Robert and Waldemar’s case.

At the height of the antiwar struggle in the late 1960s, a group of scientists and engineers based in Cambridge, Mass., began to turn a critical eye on the role of their fields in the larger political culture. Calling themselves Scientists and Engineers for Social and Political Action (SESPA), the group took the slogan “Science for the People,” which in turn became the name of their organization. With a collective membership that spread nation-wide, Science for the People was a voice for radical science and an active presence framing several of the scientific debates of the day. Through its vigorous publications, SftP explored issues ranging from the impact of military and corporate control of research to scientific rationalization of racism, sexism, and other forms of inequality; and they contributed to the discussions of recombinant DNA, sociobiology, IQ and biological determinism, women’s health care, nuclear power, and the rise of biotechnology. Many members were engaged in supporting anti-imperialist resistance in Central America and Asia during the 1980s. The organization gradually waned in the 1980s and published the last issue of its magazine in 1989.
Donated by several members of the organization, the Science for the People collection provides a window into the organization and operation of a collective devoted to radical science. In addition to meeting minutes and notes, and some correspondence, the collection includes a nearly complete run of the Science for the People magazine, and a substantial representation of the national and Nicaragua newsletters and topical publications. Photographs from the group’s trip to China and other areas abroad in 1978 are available online, along with videos of the talks and sessions from a 2014 conference on the history and legacy of SftP.

David Seager’s 1995 PhD history thesis, “Repression in Academia: New Left and Antiwar College Teachers and Political Dissent in the Vietnam War era, 1964-1975” is one of the few in-depth studies of academic repression during the Vietnam era. Besides Ellen Schrecker, who has written extensively on academic freedom and repression in higher education, there has been a dearth of material written about the personal and career consequences faced by American college and university teachers who spoke out against the Vietnam War. For his thesis, Seager did extensive primary and secondary source research and directly interviewed 35 instructors and corresponded with 38 additional ones throughout 1993 and 1994.
               
The project was fully self-funded by Seager who had very little financial support. Early in the research project, his advisor passed away unexpectedly of a heart attack. He worked with a competent replacement, but they were not involved with the original concept and Seager was, in a sense, orphaned. Seager planned to expand the thesis with additional post-graduate work, but he was instead caught in a desperate financial bind with no help from a true mentor, a growing pile of job rejections, and a need for income, so the project ended with the thesis.

Concerned women in upstate New York joined together in the summer 1983 to form the Seneca Women’s Encampment for a Future of Peace and Justice, occupying a site near the Seneca Army Depot in Romulus, N.Y., where nuclear weaponry was stored. Taking a radical stance against militarism, violence, and oppression and modeling their approach after the women’s encampment at Greenham Common in England, the Seneca Encampment drew participants from a large number of women’s peace groups. In 1994, the Encampment transitioned into the Women’s Peace Land, remaining an active center of resistance to militarism and nuclear power for several years.

Maintained by attorney Alaine T. Espenscheid, the collection consists primarily of legal records relating to the Seneca Encampament, including filings documenting health and saftey, sanitation, water, and finances and materials relating to the arrest of several women for civil disobedience in 1985. Also included is a folder of ephemera and clippings on the Encampment from local media.

In October 1978 a group of clerical workers at Tufts united in an effort to organize their coworkers with Local 925, S.E.I.U. Isolated and scattered across campus, the clerical employees at the university greeted this call to unionize with support, hoping it would mean an improvement in salaries and in grievance procedures. By the summer of the following year, 60% of eligible employees signed authorization cards, more than required to vote on the issue, and an election early that fall was expected. Tufts administration, however, delayed the election by disputing the composition of the bargaining unit. Formal hearings took place from September through the end of the year, but instead of resolving the case, the Boston Labor Board referred it to Washington on January 25, 1980. Nine months later the election was finally held, but the results were not what were anticipated more than a year earlier. Rather than an easy victory to unionize, the majority of clerical staff at Tufts voted not to make Local 925 their exclusive bargaining representative. The administration’s anti-union campaign waged throughout 1979 and 1980 had a tremendous impact on the employees at the university, and a number of concessions made on wages, health insurance, and vacations further eroded support for organizing with Local 925.

The collection documents the efforts of Tufts clerical workers to unionize during 1978-1980. The group’s biweekly newsletter, Inside Tufts, written by the university’s employees and published by Local 925, offers an important behind-the-scenes look on two fronts: the issues and grievances of the clerical staff at Tufts and the reasons behind their decision to unionize. Materials relating to the efforts of other Boston-area institutions, in particular colleges and universities, are also included.

Historian, author, Professor of Russian and Soviet Jewish History at Rutgers University, who helped arrange the escape of Jews from Europe during World War II and was active in several organizations concerned with the emigration of Soviet and Eastern European Jews to Palestine. Papers include biographical materials, correspondence, legal documents, writings, lecture and research materials, statistical data in the world Jewish population before and after World War II, oral history transcripts, pamphlets, newspaper clippings, and four photographs.

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

Founded in September 1978, Sirius is an intentional community in Shutesbury, Mass., built on four foundational pillars: spiritual, ecological, communitarian, and educational. Established by former members of the Scottish Findhorn Community, Sirius is rooted in a non-sectarian spirituality and practices consensus in the community governance process and in their shared vision of an ecologically sustainable future.

The Sirius collection contains a nearly complete run of the commune newsletter along with a selection of fliers and brochures about the community, and a small number of newsclippings and photographs.

A member of the Post War World Council, an ardent pacifist, and anti-imperialist, Stephen Siteman was a long-time member of the Socialist Party of America, serving for seventeen years as secretary to the party’s leader Norman Thomas. In his late teens, Siteman was imprisoned as a conscientious objector during World War II. Although he was later pardoned, his time as a prisoner led him into active involvement in prison reform and the peace movement.

During his long involvement in the Socialist Party, Siteman collected a large quantity of material relating to important socialist issues, including Socialist Reform, the peace movement, conscientious objection, and prison reform. The collection also includes a small selection of Siteman’s personal correspondence with Frank Zeidler, former Socialist mayor of Milwaukee, and the novelist Mark Harris.

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The Sleeveless Theatre Company was an innovative political theater company with a strong feminist slant. Founded in 1989 by UMass Amherst alumnae Lisa Channer, Maureen Futtner, K. D. Halpin, and Kate Nugent, and Smith alumna, Terianne Falcone, Sleeveless was an actor-centered, highly collaborative ensemble company that wielded humor in staging original, socially- and politically-charged theater. Based in Northampton, Mass., the company toured nationally and internationally, presenting sometimes controversial works on themes ranging from reproductive rights to the Gulf War. As they evolved, they refined their mission to focus on telling stories about the lives and perspectives of women, but under the strains of growing within their collaborative model, they made the decision to disband in 1997.

In addition to minutes for the company’s formative years (1989-1992), the records of Sleeveless Theater Company include a small selection of production notes, background research, fliers, reviews and newsclippings, and a handful of publicity photos. Among the plays represtened are Womb for Rent (1989), War: The Comedy (1991), The F Word (1992), Emily Unplugged (1995), and Mill America (1996).