Collecting area: New England

A manufacturing firm specializing in the production of onion skin paper, the Esleeck Manufacturing Company was established in 1898 as the Monadnock Paper Co. The principal owners, Augustine W. Esleeck and Alfred T. Judd, had worked together with the Valley Paper Mills of Holyoke, Mass., but when striking out on their own, moved to Turners Falls, believing the town to be the ideal location for a mil. Changing their name to Esleeck Manufacturing Co. in 1901, the firm sought to be a good neighbor, using local labor and products from local firms in their manufacturing. After more than 100 years of continuous operation, the company was purchased by Southworth Co. in 2006.

The collection consists chiefly of financial records, but also includes three minute books from 1898-1961 that capture the the company’s early history, as well as a memorial history of the company written by a long-term employee in 1954.

Joseph W. Estey was the owner of a farm in Greenwich, Massachusetts with a grist and sawmill. The account book (started in Springfield and Ludlow, Massachusetts with his business partner Abner Putnam) documents business dealings, hired male and female help, personal and farm expenses (hiring tanners and blacksmiths), and a deed.

Cheryl Evans singing at Medford High School, ca. 1962

A lifelong activist, performer, and educator, Cheryl Lorraine Evans was born in 1946 in west Medford, MA, the eldest of five. As a high school student, Evans attended the march on Washington in 1963, and was then the first in her family to attend college, in 1964 joining the largest class at UMass Amherst to date. She graduated four years later as a pivotal organizer of African American students across campus, the Five Colleges, and in the region – during the period when Black student groups, the Black Cultural Center, and the Black Studies department all had their origins at UMass. Evans was the first elected president of an African American student organization at UMass, and remains an organizer to this day, particularly as a key connector for Black alumni and through her UMass Black Pioneers Project.

Evans went on to work at UMass as an assistant area coordinator of Orchard Hill, an area housing the majority of the students of color and CCEBS students on campus at the time, and then for the Urban University Program at Rutgers University. She worked for over a decade in early childhood education, mostly in New Jersey and New York City, then while working for the State of Massachusetts received her MA in Communication from Emerson College, partially to help her public radio show, “Black Family Experience.” Evans was the first African American woman to run for City Council in Medford, and was appointed to the Massachusetts Area Planning Council by Governor Dukakis. She taught for five years at Northshore Community College, received her PhD from Old Dominion University in 1997, and ended her career at Bloomfield College, where she was a professor for 18 years until her retirement in 2016. A prolific singer as a child and young adult, Evans was, and continues to be, a performance artist, with several theater pieces focused on Black history, all in addition to her outreach, organizing, and workshops, many focused on increasing the number of Black graduate and doctoral students.

The Cheryl Evans Papers document over 60 years of the life of the educator and activist, including childhood report cards and essays, clippings from the civil rights movement she followed and joined as a high school student, undergraduate records and ephemera, documentation of Black UMass alumni events, and records from her careers in public advocacy, education, and the theater. Evan’s time at UMass is especially well documented, including schoolwork, numerous photographs of student life on campus, social and political organization records, including contact lists of and correspondence with Black students, and the original protest demands from the 1970 Mills House protest and march to Whitmore.

Owner of a livery stable in Great Barrington, Massachusetts. Includes lists of stabler activities, customers (individuals and businesses), and employed ostlers. Also contains method of payment (cash and services), and one labor account for Fred Berry, a nineteen year old Afro-American who was one of three ostlers living in Faber’s household at the time.

Members of the Fall River Loom Fixers Association included some of the most skilled workers in the New England textile industry. The association, on behalf of its members, sought to improve poor working conditions, to provide assistance for members affected by pay reductions or layoffs, and to intervene in conflicts between members and management. The union also served a social function, organizing parades, social gatherings, and excursions. In the 1910s it became affiliated with the United Textile Workers for America.

Records of the Loom Fixers Association include executive committee minutes (1900-1901 and 1911-1917), a treasurer’s book (1901-1905), and six dues books (1895-1907).

Part of the Society of Friends’ New England Yearly Meeting, Falmouth Quarterly Meeting was set off from Salem Quarter in 1794 and has subsequently given rise to quarterlies in Vassalboro (1813) and Parsonsfield (1888-1938).

With the majority of records for Falmouth Quarterly Meeting housed at the Maine Historical Society, SCUA maintains records that include only the minutes from 1988 to 1996, and records of Ministry and Counsel, 1965-1988, with a small gap near that end.

A businessman from Worcester, Mass., Daniel Farber (1906-1998) was among the best known photographers of early American gravestone art. Over the course of twenty years beginning in about 1970, he and his wife Jessie Lie Farber (a faculty member at Mount Holyoke College) took thousands of photographs of gravestones throughout New England and the eastern United States, eventually extending their work internationally. Interested in both the artistic and cultural value of gravestones, the Farbers were founding members of the Association for Gravestone Studies in 1976 and influenced a generation of fellow researchers in gravestone studies.

Printed in 1973, the Farber Collection includes 326 black and white prints (5×7″),mounted on rag board, of of colonial and early national gravestones in Massachusetts. The towns represented, most by multiple images, include Auburn, Billerica, Boylston, Brookfield, Cambridge, Charlestown, Chelmsford, Concord. Holden, Leicester, Lexington, Marlboro, Northboro, North Brookfield, Oxford, Paxton, Rutland, Shrewsbury, Sudbury, Watertown, Wayland, and Westboro.

After eight years as a Quaker worship group, Farmington Monthly Meeting was set off from Pondtown in 1991, becoming one of the newest members of Vassalboro Quarterly Meeting. Worship at Farmington is unprogammed.

Particularly for the early years, minutes for the Farmington Monthly Meeting were recorded (or preserved) somewhat irregularly, though continuously from 1984 to 2012. The collection also contains a set of state of the society reports. information on membership, and memorials.

Established in 1914 as one of a dozen federal reserve banks nationwide, the Boston Fed serves the six New England states. The collection consists of research reports issued by the Federal Reserve Bank of Boston in 1959 projecting economic conditions for New England in the year 1970 for manufacturing industries, banking, electronic industry, and population and labor force.

This small collection consists of an incomplete run of forecasts and research reviews of the New England economy in anticipation of the new decade, 1970.

Esma-Marie N’Doi Booth was born into a missionary family in the Belgian Congo in Dec. 1932, and attended school there until entering Boston University. She earned her degree in art and art history in 1954, the same year she married the philosopher Frederick Feree, and for much of the next four decades, she worked as an archivist at the colleges and universities where her husband found an academic home: Vanderbilt, Mount Holyoke, and Dickinson. After retiring to Northfield, Mass., in 2000, she became active in local history and historic preservation, including working as archivist for the Association for Gravestone Studies. She died in Greenfield, Mass., in 2016 at the age of 83.

The Ferre collection contains articles, news clippings, and notes on New England gravestones, along with several dozen images taken by Ferre in graveyards during the early 2000s, primarily in Massachusetts.