Collecting area: New England

Dennis Magee has spent his life dedicated to the study of the natural world as a hunter, trapper, fisherman, environmental consultant, and scholar. He attended grad school at the University of Massachusetts Amherst in the 1970s and was a protege of Harry Ahles, a field botanist and Botany professor, who co-wrote books on the flora of Illinois and the Carolinas. Magee and Ahles became friends and spent many hours together, building Ahles’ log cabin located on Horse Mountain in Hatfield, MA, going to diners, and collecting plants for the UMass Herbarium. Ahles taught Magee how to think about classification and how to construct useful keys of genera and species. Following Ahles’ passing in March 1981, Magee petitioned the Botany Department and Ahles’ sister Marjorie Armstrong to take Ahles’ large file of distribution records of New England plant species and the keys he used for his teaching, and turn it into a book on the flora of New England. This turned into a 17 year undertaking in which Magee gathered lists of species, created species and genera keys, secured funding, worked with illustrator Abigail Rorer to create illustrations, and other assorted book-related tasks. Finally, the book was published by UMass Press in September of 1999. It was well received and sold out of its initial 2500 print run within the first five years of publication. It is still widely used by universities as a textbook and a reference book by botanists, consultants, and other professionals.

Magee’s collection consists of his original handwritten species and genera keys as well as the original handwritten manuscript of Flora of the Northeast. An article titled “How I Wrote the Flora of the Northeast: A Manual of the Vascular Flora of New England and Adjacent New York”, which was published in a 2018 issue of Phytoneuron, accompanies the collection.

Edwin S. Dethlefsen and his colleague James Deetz did pioneering work in the historical archaeology and material culture of seventeenth- and eighteenth-century gravestones in New England. Through a series of articles in the mid-1960s, based on intensive study of well documented sites in Massachusetts, Deetz and Dethlefsen developed a basic framework for understanding the stylistic evolution of gravestones. Their work was foundational for later studies in material culture and folk art, but also the broader study of death and bereavement and colonial culture.

The Dethlefsen Collection consists of nearly 2,900 negatives (black and white, 35m and 2×2″) of gravestones, primarily from eastern Massachusetts and Newport, R.I. Among the towns documented are Boston, Cambridge, Charlestown, Concord, Dorchester, Harvard, Lexington, Marblehead, Marshfield, Plymouth, Quincy, and Scituate.

An author and activist, Steve Diamond worked for the newly formed Liberation News Service in 1968 covering stories like the student strike at Columbia University. After more than a year of internal strife resulting from ideological differences, the alternative news service split into two factions, with Marshall Bloom and Raymond Mungo leading a new division of LNS in rural New England. Diamond, among those who left for New England, settled into life in a commune on old Ripley Farm in Montague, Massachusetts. His experiences during the first year on the farm are recorded in his book, What the Trees Said. Diamond later worked as a writer and consultant for Green Mountain Post Films, editor of the Valley Advocate and Boston Phoenix, and as a contributor for The Atlantic Monthly, San Francisco Chronicle, and the Village Voice.

This collection consists chiefly of Diamond’s correspondence and writing, including drafts of his book chapters, stories, and articles; research notes; and diary entries. The collection also contains printed articles by and about Diamond, digital images, and audio recordings.

Originally a member of the Massachusetts Agricultural College Class of 1876, Walter Mason Dickinson left after his junior year to enter the U.S. Military Academy at West Point. During his military career, Dickinson saw service in the southwest and as a military instructor at MAC (1891-1896). As a Captain and Quartermaster in the 17th Infantry, he was called to active duty during the Spanish-American War and was killed in action at the Battle of El Caney. He was the first man associated with MAC to die in military service.

This small collection of photographs and letters centers on the death and family of Walter M. Dickinson, the first person associated with Massachusetts Agricultural College to die in combat. In addition to two of the last letters he wrote as he was heading off to war in Cuba, the collection contains three formal portraits of Dickinson at different points in his military career, images of his wife and family, and two images of the scene of his death at El Caney and one of his temporary grave.

Born in Boston on March 26, 1934, Dena Dincauze earned her doctorate in archaeology from Harvard University (1967) for research on cremation cemeteries in Eastern Massachusetts. Employed briefly as a Lecturer at Harvard, Dincauze joined the faculty at UMass Amherst in 1967, where she taught until her retirement. Dincauze has conducted field surveys and excavations in Illinois, South Dakota, and England, and for many years, she has specialized on the prehistoric archaeology of eastern and central New England. In 1989, Dincauze traveled to Russia as part of a research exchange to visit Upper Paleolithic sites, and four years later she toured the Pedra Furada sites in Sao Raimundo Nonato, Brazil. Dincauze was named Distinguished Faculty Lecturer and was awarded the Chancellor’s Medal from the University of Massachusetts in 1989, and in 1997 the Society for American Archaeology presented her with the Distinguished Service Award.

The Dincauze Papers include professional correspondence, slides from archaeological digs, travel journals and field notes, as well as notes for teaching and research. Among other items of interest in the collection are a travel journal with corresponding slides and notes documenting her somewhat controversial visit to Russia, and correspondence with a member of the UMass faculty questioning her ability to carry a full course load while simultaneously attending to the demands of motherhood.

Deeply involved in the Polish community in Boston, Elaine (Proborszcz) Dobrowski (1923-2009) was the wife of attorney Francis R. Dobrowksi and mother of two children. She was a resident of Dorchester and Milton, Mass., and a long-time member of Our Lady of Czestochowa Church in South Boston.

Compiled by Elaine Dobrowski, this collection of photographs, printed materials, and news clippings documents the Polish community in Boston from the 1930s through the 1990s. The collection includes photographs of the Kosciusko Monument in the Boston Public Gardens, a children’s dance festival, and a Polish Women’s circle outing at Blinstrub’s Village as well as images of parades, receptions, and conventions.

Maurice A. Donahue was elected to the Massachusetts House of Representatives in 1948 as part of its first Democratic majority. In 1950, he was elected to the Massachusetts Senate, became Senate Majority Leader in 1958, and in 1964, became Senate President, a position he held until 1971 when he took the position of Professor of Political Science and Director of the Institute for Governmental Services at the University of Massachusetts. Legislation he sponsored while in the Senate established the Willis-Harrington Commission on Education, the University of Massachusetts Boston campus and Medical School, state scholarships for needy students, commissions to improve vocational education, study problems of urban school systems, and extend educational facilities in Massachusetts.

Correspondence, speeches, press releases, appointment books, constituent courtesy files, memorabilia, scrapbooks of clippings, audio recordings of radio talks and speeches, and photographs pertaining to Donahue’s activities and functions as state legislator of Massachusetts.

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

The Friends Meeting at Dover, New Hampshire, is one of the oldest in British North America, with worship held there as early as 1662 when three Quaker women missionaries arrived on Dover Neck. Originally called Piscataqua, the meeting emerged as Dover Monthly Meeting by the latter decades of the seventeenth century and became the hub of a thriving Quaker community and the font from which several other New Hampshire meetings derived. In addition to overseeing a number of worship groups and preparatory meetings, Dover became the mother of monthlies and Berwick and Sandwich, which were set off in 1802, and Gonic in 1981.

The records of Dover Monthly Meeting offer extensive documentation of one of the oldest Quaker meetings in northern New England. Although most of the earliest records have not survived, the collection includes a nearly unbroken set of minutes from the turn of the eighteen century to 1981; extensive records of births, deaths, and marriages; spotty records for Ministry and Oversight and finance, and an array of recent newsletters. Minutes for the Women’s Meeting for the years 1783-1814 are not present and presumed lost.

The Society of Friends’ Quarterly Meeting in Dover, N.H., was formed from Salem Quarterly Meeting in 1815. It has coordinaed four active monthly meetings: Concord (since 1967), Dover (1815), Gonic (1891), and Weare (1958), plus two that have been laid down: Sandwich (1815-1888) and Berwick (1815-1952).

In addition to a comprehensive set of minutes for Dover Quarterly since its establishment in 1815, the collection includes extensive records for Ministers and Elders and a small quantity of material on meeting history.