Collecting area: Arts & literature

The founder of the firm Rheingold, Giuffra, Ruffo, and Plotkin LLP, attorney Paul Rheingold is a graduate of Oberlin College and Harvard Law School. In practice since 1958, he is known for taking a leadership role in mass tort litigation. He is a member of the bar in New York, Massachusetts, and D.C., as well as the U.S. Federal Court.

Outside of his legal work, Paul Rheingold was an avid collector of historic photographs. His collection of nearly 55,000 items consists primarily of images mounted on heavy card stock and dating primarily from the 1860s to the 1930s. The exceptional range of subject matter and location is reflected in Rheingold’s extensive classification scheme, which SCUA has retained, and offers an important perspective on U.S. cultural history and the history of photography.

A graduate of UMass Amherst (’71) and the son of a faculty member, Jim Ricci had a childhood encounter with a Locke Power Lawn Mower that led to lifelong fascination with reel lawn mowers. As an historian ofthe field, Ricci has written extensively on mowers and the industy, culminating in his book Hand, Horse, and Motor: The Development of the Lawn Mower Industry in the United States (2016). He and his wife Margaret McCarthy are also advanced collectors of vintage lawn mowers and associated paper and ephemera.

The Ricci and McCarthy collection cuts a wide swath through the subject of pre-World War II lawn mowers, and includes materials ranging from scarce catalogs, trade publications, and letters and documents, as well as Ricci’s extensive research files organized by manufacturer. The collection is rich in visual content, with early tradecards, advertisements, postcards, and photographs.

Maida Leonard Riggs, class of 1936, taught women’s physical education at UMass before shifting to teacher preparation. Riggs was a beloved member of the UMass faculty for 28 years before her retirement. An adventurous spirit took Riggs around the globe: to Europe with the Red Cross during World War II; as a bicycling tour leader after the war; on a trek across Nepal at age 62; to Russia, China, Japan, Australia, New Zealand, and Uzbekistan. After retiring, Riggs, a self-described compulsive traveler, embarked on a more personal journey to explore her roots. Riggs transcribed more than 250 letters by her pioneer great-grandmother, Mary Ann Clark Longley, and published them under the title A Small Bit of Bread and Butter: Letters from the Dakota Territory, 1832-1869, an absorbing and sometimes heartbreaking account of life on the frontier. An avid photographer, Riggs took advantage of any opportunity to use her camera. These images, particularly from World War II, tell as many stories as do her correspondence. Her memoir, Dancing in Paratrooper Boots, contains typed copies of her letters from her days as a Red Cross volunteer during the war.

The Riggs Papers are a rich documentary history of the World War II era, both in America and Europe, as well as an engrossing study (in transcripts) of the American frontier. Included with extensive correspondence and photographs are published and unpublished prose, and Lovingly, Lucy: Vignettes of a Pioneer Woman’s Life, an essay on Riggs’s paternal grandmother, Lucy Dodge Riggs. Additional items in the collection include handwritten journals, one detailing a trip to China and Japan in 1982, and Riggs’s photographs of young children at play taken for her book on child development, Jump to Joy: Helping Children Grow Through Active Play. Riggs also took her genealogical research seriously, meticulously charting her family’s 1638 immigration from England to Massachusetts. With camera in hand, she later traveled to England in search of more evidence of the Longleys’ English roots.

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

The protistologist Hope T. Ritter (1919-2007) is recognized for his important research on the evolution of mitosis. A native of Allentown, Pa., Ritter received his doctorate at Lehigh University in 1955 for a study of the gut fauna in a subterranean termite. Building on this research during the 1950s, he became the first scientist to successfully culture Barbulanympha, a hindgut flagellate symbiont of the wood-eating cockroach Cryptocercus, which has since become a model organism for study of the evolution of mitosis. After teaching at Harvard (1957-1961) and SUNY Buffalo, Ritter moved to the University of Georgia in 1966, where he remained until his retirement from teaching in 1987.

The Ritter Papers contain valuable professional correspondence, lab notebooks, and a large number of electron micrographs documenting his research.

Rob Okun, in his office.

Rob Okun is a progressive social activist, writer, and editor who has worked for equality between men and women for over 50 years. Following his awakening to the preponderance of men in leadership roles throughout the anti-Vietnam War movement, he became interested in feminism, masculinity, and gender inequality. He began to work towards promoting healthy ideas of masculinity and challenging harmful stereotypes about men through his work with Steven Botkin and the Men’s Resource Center (MRC), which was founded by Botkin in Amherst, Mass in 1982. Okun was the editor of Voice Male, the newsletter of the MRC, and also served as Executive Director. Following Voice Male’s transition to an independent magazine, he remained its editor. In addition to his work with the MRC and Voice Male, he edited the book Voice Male – The Untold Story of the Profeminist Men’s Movement which was released in 2017 and has written op-eds and commentaries in newspapers and on websites. His writing is syndicated by Peace Voice and has appeared in The San Diego Union Tribune, The Daily Hampshire Gazette, Boston Globe, Albany Times Union, Alternet, Ms., Counterpunch, Women’s eNews and more.

In addition to his work with the MRC and Voice Male, Okun served as Director of the nearly decade-long traveling art exhibition, book, and documentary film project known as Unknown Secrets – Art & the Rosenberg Era. The project dealt with the origins of the Cold War through the story of the arrest, trial, and execution of Julius and Ethel Rosenberg. The Rosenbergs were convicted of conspiring to pass atom bomb secrets to the Soviet Union and were both electrocuted in June of 1953. The tragedy was examined in the exhibit via the images and words of dozens of artists such as Picasso, Sue Coe, Arthur Miller, David Wojnarowicz, Adrienne Rich, and many others. Okun coordinated showings of the exhibit, fundraised, was the editor of the book about the exhibit, and was a co-producer/director of a 30 minute documentary film, produced by Green Mountain Post Films. A Zoom celebration of Rob’s career at the Men’s Resource Center and as editor of Voice Male magazine was held in January of 2024 and is available via You Tube.

Okun’s papers document his extensive efforts related to the Rosenberg era art exhibit through correspondence with galleries, project members, universities, donors, artists, advisory board members, and funding agencies, as well as grant proposals, posters, photographs, drafts, clippings, press releases, pamphlets, and more. The collection also includes copies of the Rosenberg anthology.

Okun’s work with the Men’s Resource Center and Voice Male is represented through clippings, correspondence, photographs, pamphlets, writings, drafts, and more. Copies of the magazine—from its newsletter days up through its redesign as a four-color magazine, and copies of the Voice Male anthology—are also part of the collection.

A producer, performer, writer, and pioneer in Americana music, Jim Rooney was born in Boston on January 28, 1938 and raised in Dedham. Inspired to take up music by the sounds of Hank Williams and Leadbelly he heard on the radio, he began performing at the Hillbilly Ranch at just 16 years old, taking to music full time after an undergraduate degree in classics at Amherst College and an MA at Harvard. As manager of Club 47, Rooney was at the epicenter of the folk revival in Boston, becoming director and talent coordinator for the Newport Folk Festival beginning in 1963, a tour manager for jazz musicians in the late 1960s, and by 1970, a producer. After managing Bearsville Sound Studios in Woodstock, NY, for Albert Grossman, he moved to Nashville, where he has produced projects by Hal Ketchum, Townes Van Zandt, Iris DeMent, John Prine and Bonnie Raitt, among others, winning a Grammy award in 1993 for his work with Nanci Griffith.
Documenting a varied career in American music, the Rooney collection contains material from two of Rooney’s books on the history of American music, Bossmen: Bill Monroe and Muddy Waters (1971) and Baby, Let Me Follow You Down (1979), his autobiography In It For the Long Run (2014). In addition to correspondence and other content relating to his collaborations with key Americana musicians and his record production career in Nashville, the collection includes valuable interview notes, photographs, recordings, and news clippings.

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

The painter Johann Moritz Rugendas was born in Augsburg, Germany, in 1802, and achieved fame for his depictions of the landscape, natural history, and cultural history of South American early in the era of independence. Beginning as a member of George Heinrich Langsdorff’s scientific expedition to Minas Gerais in 1821, and then on his own, Rugendas traveled widely in Brazil, Mexico, Argentina, Uruguay, Chile, and Peru. His best-known published work is the monumental four-volume set, Malerische Reise in Brasilien (1827-1835).

The Rugendas collection consists of 192 letters and 4 poems written to Rugendas by four of his South American artist friends who shared his passion for the country and culture of Argentina.