The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo

Collecting area: Arts & literature

Rugendas, Johann Moritz, 1802-1858

Johann Moritz Rugendas Collection

1835-1845
1 box 0.5 linear feet
Call no.: MS 271

The painter Johann Moritz Rugendas was born in Augsburg, Germany, in 1802, and achieved fame for his depictions of the landscape, natural history, and cultural history of South American early in the era of independence. Beginning as a member of George Heinrich Langsdorff’s scientific expedition to Minas Gerais in 1821, and then on his own, Rugendas traveled widely in Brazil, Mexico, Argentina, Uruguay, Chile, and Peru. His best-known published work is the monumental four-volume set, Malerische Reise in Brasilien (1827-1835).

The Rugendas collection consists of 192 letters and 4 poems written to Rugendas by four of his South American artist friends who shared his passion for the country and culture of Argentina.

Gift of Robert Potash, 1988
Language(s): Spanish

Subjects

Argentina--Description and travelArgentina--Social life and customs--19th centuryPainters--South America

Contributors

Bustamante, José Javier y TomásEspinosa, Juan, 1804-1871Godoy, Juan Gualberto, 1793-1864Oro, Domingo de, 1800-1879

Types of material

Letters (Correspondence)Poems
Rural Massachusetts Imprints Collection

Rural Massachusetts Imprints Collection

1797-1897
48 items 3 linear feet
Call no.: RB 012
Depiction of John Metcalf
John Metcalf

Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living.

This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important gauge of the interests and tastes of New England’s smallest and often poorest communities.

Subjects

Children's books--MassachusettsPrinters--Massachusetts

Contributors

Howe, John, 1783-1845Howe, Solomon, 1750-1835Metcalf, John, 1788-1864Terry, Ezekiel, 1775-1829

Types of material

AlmanacsBroadsides
Russo, Carl

Carl Russo Collection

2005-2011
1 box 0.5 linear feet
Call no.: MS 970

An attorney from Northampton, Mass., Carl Russo was a co-founder of the Florence Poets Society in 2004 with his friend Tom “Twilite” Clark. Born in Watervliet, NY, Russo worked as a social worker for several years after graduating from the University of Buffalo in 1967. Moving to Massachusetts to take a position with the Veterans Administration, he left social work for the law, earning his degree at Western New England College and setting up practice in Northampton. Creative and community-minded, he was a member of the city’s Arts Council and produced shows for Northampton Community Television and co-hosted a radio show on Valley Free Radio, in addition to writing poetry and supporting other local writers. Russo passed away in October 2012 at the age of 63.

The Russo Collection consists of drafts of Russo’s poetry, his poetry notebooks, and scattered ephemera from the Florence Poets Society.

Gift of Rich Puchalsky, 2017

Subjects

Florence Poets SocietyPoets--Massachusetts
Saltonstall, Stephen L.

Stephen L. Saltonstall Collection

1962
60 items
Call no.: PH 014
Depiction of Civil rights demonstration, Cairo, Ill., 1962
Civil rights demonstration, Cairo, Ill., 1962

In the summer 1962, future Harvard student Steve Saltonstall became one of the early wave of white northerners who went into the Jim Crow south to work for civil rights. During that summer, he worked with SNCC to organize public accommodations in Cairo, Ill., and with an AFSC crew to help clear brush from a drainage ditch near Circle City, Missouri, encountering local resistance in both places. Saltonstall later became an attorney and currently practices in Vermont.

The Saltonstall collection consists of approximately sixty photographs taken by John Engel during his tour with an AFSC crew during the summer of 1962. While most of the images depict the crew’s work near Circle City, Missouri, six photos document a civil rights rally in Cairo, Ill. The images are available in digital form only.

Subjects

American Friends Service CommitteeCairo (Ill.)Circle City (Mo.)Civil rights demonstrations--Illinois--Photographs

Contributors

Engel, John PSaltonstall, Stephen L

Types of material

Photographs
Sawin-Young Family Papers

Sawin-Young Family Papers

1864-1924
1 box 0.25 linear feet
Call no.: MS 583
Depiction of Atop Mt. Tom
Atop Mt. Tom

At the turn of the twentieth century, Albert Sawin and his wife Elizabeth (nee Young) lived on Taylor Street in Holyoke, Massachusetts, with their three children, Allan, Ralph, and Alice. Elizabeth’s brother, also named Allan, traveled in the west during the 1880s, looking for work in Arizona, Utah, and Montana.

The bulk of the Sawin-Young Family Papers consists of letters exchanged between Elizabeth “Lizzie” Sawin, her sisters, and Jennie Young of nearby Easthampton. Later letters were addressed to Beatrice Sawin at Wheaton College from her father Walter E. Sawin, who contributed to the design for the Holyoke dam. The photograph album (1901) kept by Alice E. Sawin features images of the interior and exterior of the family’s home, as well as candid shots of family and friends and photographs of excursions to nearby Mt. Tom and the grounds of Northfield School.

Subjects

Holyoke (Mass.)--Social life and customsMontana--Description and travelSawin familyUtah--Description and travelYoung family

Contributors

Sawin, Alice E.Sawin, BeatriceYoung, AllanYoung, Elizabeth

Types of material

Letters (Correspondence)Photographs
Scherman, Rowland

Rowland Scherman Collection

ca.1955-2018
20 boxes, 7 portfolios
Call no.: PH 084
Depiction of Mississippi John Hurt, ca.1965
Mississippi John Hurt, ca.1965

One of the most frequently published photographers in Life magazine during the late 1960s, Rowland Scherman is noted for an iconic portfolio that documents the worlds of politics, culture, and the rock music scene. Born in New York in 1937, Scherman attended Oberlin College and began his career in the darkroom at Life before winning an assignment as the first official photographer for the Peace Corps in 1961. His work blossomed after becoming a free-lancer two years later, with assignments that included the civil rights March on Washington and the presidential campaign of Lyndon Baines Johnson. He covered the Newport Folk Festival when Bob Dylan broke on the national scene, the Beatles’ first concert in the U.S., Robert Kennedy’s campaign for the presidency, and Woodstock, and he went along on a memorable tour with Judy Collins. His work has appeared in dozens of magazines and books, including Life, Look, Time, National Geographic, Playboy, and Paris Match, earning wide acclaim, including a Grammy Award in 1968 for the portrait that appears on the cover of Dylan’s greatest hits album. Scherman relocated to London in 1970, then to Birmingham, Ala., in the 1980s, and finally to Cape Cod on 2000. He continues to shoot portraits, photo essays, and abstract work.

This rich collection consists of nearly the entire body of work from Rowland Scherman’s long career in photography, including negatives and transparencies with a small selection of prints. Negatives from the March on Washington and the Peace Corps are in the collections of the Library of Congress.

Acquired from Rowland Scherman, Dec. 2018

Subjects

Dylan, Bob, 1941---PhotographsJohnson, Lyndon B. (Lyndon Baines), 1908-1973Kennedy, John F. (John Fitzgerald), 1917-1963Kennedy, Robert F., 1925-1968Newport Folk Festival (1963 : Newport, R.I.)--PhotographsPeace movements--PhotographsRock musicians--PhotographsVietnam War, 1961-1975--Protest movements--PhotographsWoodstock Festival (1969 : Bethel, N.Y.)--Photographs

Types of material

Photographs
Restrictions: Copyright for commercial purposes retained by Scherman
Science Fiction Society

Science Fiction Society Collection

1934-2003 Bulk: 1947-1990
ca.3,000 items 120 linear feet
Call no.: RB 010
Depiction of Astounding Science Fiction, Sept. 1954
Astounding Science Fiction, Sept. 1954

Temporarily stored offsite; contact SCUA to request materials from this collection.

Founded in 1964, the Science Fiction Society at UMass Amherst is one of the oldest university based clubs of its kind in the United States. From the beginning, the members of the Society built a library to share books and periodicals, eventually amassing one of the largest circulating science fiction collections on the east coast, and they encouraged members to write their own fiction, at various points publishing their own magazine.

The Science Fiction Society Collection contains thousands of issues of science fiction periodicals from the golden age of the 1940s through the late 1990s. The collection includes essentially complete runs of major titles such as Galaxy and Analog, as well as minor and more ephemeral magazines.

Subjects

Pulp literatureScience fiction
Shattuck, Louise F.

Louise F. Shattuck Papers

1881-2006
34 boxes 24 linear feet
Call no.: MS 563
Depiction of Louise Shattuck
Louise Shattuck

A life-long resident of Lake Pleasant, Massachusetts, and a third-generation Spiritualist, Louise Shattuck was an artist, teacher, and noted breeder of English cocker spaniels.

Shattuck’s work as a teacher, writer, artist, and dog breeder are documented in this collection through decades of correspondence and diaries, artwork, publications, and newspaper clippings. Of particular note are the materials associated with the Spiritualist history of Lake Pleasant, including three turn of the century spirit slates, samples of Louise’s automatic writing, a ouija board and dowsing rods, and an excellent photograph album with associated realia for the Independent Order of Scalpers, a Lake Pleasant.

Subjects

Dogs--BreedingEnglish Cocker spanielsLake Pleasant (Mass.)--HistoryMediums--MassachusettsMontague (Mass.)--HistorySpiritualism

Contributors

Shattuck, Louise FShattuck, Sarah Bickford

Types of material

DiariesPhotograph albumsPhotographsSpirit slatesSpirit writing
Shaw, Carolyn Martin, 1944-

Carolyn Martin Shaw Papers

1962-2017 Bulk: 1972-2010
10 boxes 12.5 linear feet
Call no.: MS 974
Part of: Irma McClaurin Black Feminist Archive
Depiction of Carolyn Martin Shaw in Kenya, ca.1972
Carolyn Martin Shaw in Kenya, ca.1972

From a childhood spent in a tenement in Norfolk, Va., Carolyn Martin Shaw went on to enjoy a distinguished career as a pioneer in Black Feminist anthropology. Educated in segregated schools, she was an outstanding student, winning scholarship funding to Michigan State University, where she received both her BS (1966) and PhD (1975). Shaw’s dissertation on Kikuyu kinship morality marked several themes that she developed through subsequent research projects in Kenya and Zimbabwe. Based in the Department of Anthropology at UC Santa Cruz throughout her career, she was a productive scholar, publishing dozens of articles and chapters, and two important monographs, Colonial Inscriptions: Race, Class and Sex in Kenya (1995) and Women and Power in Zimbabwe: Promises of Feminism (2015), and she filled a variety of administrative posts, including department chair, Provost of the Kresge residential college, and Chair of the UC system-wide Committee on Privilege and Tenure. She has received numerous awards in her career, including a Fulbright Fellowship to the University of Zimbabwe in 1983-1984, a Danforth Award for Excellence in Undergraduate Teaching, and a McHenry Award for Service to the Academic Senate at UCSC. Shaw retired from UCSC in 2010.

Documenting her work in Black feminist anthropology, the Carolyn Martin Shaw collection includes published and unpublished writing, correspondence, and a wealth of information on her research in Kenya and Zimbabwe. Along with her fieldnotes, research data, and photographs, the collection also includes records of her faculty service at USCS, and awards received for teaching and university service.

Gift of Carolyn Martin Shaw, May 2017

Subjects

Anthropologists--CaliforniaEthnology--KenyaEthnology--ZimbabweFeminismUniversity of California Santa Cruz--FacultyWomen--Africa
Shultis, Newton

Newton Shultis Papers

ca.1880-1938 Bulk: 1893-1896
10 boxes 10 linear feet
Call no.: RG 050/6 1896 S58
Depiction of Football game by Old Chapel, ca.1894
Football game by Old Chapel, ca.1894

Born on New Year’s Day 1876 to Mark and Katie Shultis, Newton Shultis became a member of the Massachusetts Agricultural College Class of 1896. A resident of Medford, Mass., at the start of his college career, Shultis was described by his classmates in the yearbook as “the only man in the class who has not an enemy in college.” An avid fan of the baseball and football teams, the former of which he was manger, Shultis was also a member of the Washington Irving Literary Society, DGK fraternity, and the YMCA, and he was known to have brought a Hawkeye camera with him to campus. After graduation, Shultis joined his father in the family grain shipping business in Boston where for many years he was a member of the Chamber of Commerce. Shultis died in Hopkinton, N.H. in 1956.

The Shultis papers include a selection of correspondence from Shultis to his parents during his college years, along with a remarkable array of ephemera, including his cadet’s uniform with hat, belt, and bayonet scabbard; his graduation robes; a three-volume herbarium; three volumes of class notes and essays; 16 dry plate glass negatives; a Class of 1896 photograph album; and miscellaneous photographs, school books, and ephemera.

Gift of Sally Harris, June 2018

Subjects

Massachusetts Agricultural College--AlumniMassachusetts Agricultural College--Students

Types of material

HerbariaMilitary uniformsPhotographs