Collecting area: African American

From a childhood spent in a tenement in Norfolk, Va., Carolyn Martin Shaw went on to enjoy a distinguished career as a pioneer in Black Feminist anthropology. Educated in segregated schools, she was an outstanding student, winning scholarship funding to Michigan State University, where she received both her BS (1966) and PhD (1975). Shaw’s dissertation on Kikuyu kinship morality marked several themes that she developed through subsequent research projects in Kenya and Zimbabwe. Based in the Department of Anthropology at UC Santa Cruz throughout her career, she was a productive scholar, publishing dozens of articles and chapters, and two important monographs, Colonial Inscriptions: Race, Class and Sex in Kenya (1995) and Women and Power in Zimbabwe: Promises of Feminism (2015), and she filled a variety of administrative posts, including department chair, Provost of the Kresge residential college, and Chair of the UC system-wide Committee on Privilege and Tenure. She has received numerous awards in her career, including a Fulbright Fellowship to the University of Zimbabwe in 1983-1984, a Danforth Award for Excellence in Undergraduate Teaching, and a McHenry Award for Service to the Academic Senate at UCSC. Shaw retired from UCSC in 2010.

Documenting her work in Black feminist anthropology, the Carolyn Martin Shaw collection includes published and unpublished writing, correspondence, and a wealth of information on her research in Kenya and Zimbabwe. Along with her fieldnotes, research data, and photographs, the collection also includes records of her faculty service at USCS, and awards received for teaching and university service.

Gilbert Smith was a shoemaker and doctor from New Marlborough, Massachusetts, and his son Gilbert Jr. was a prosperous farmer from Sheffield, Massachusetts. Includes merchandise sales, labor accounts, lists of boarders, and documentation of the sale of homemade butter and cheese to local merchants, as well as trade with the substantial rural black community of the region.

Assembled to bring together short and broken runs of periodicals produced by activists and movements for social justice, the Social Change Periodicals Collection touches on a wide variety of topics. Much of the original collection came from subscriptions held by the Everywoman’s Center at UMass Amherst, however the collection has grown to include materials supplied by many other donors. The bulk of periodicals come from the period 1965-1990 and the subjects covered range from feminism to gay rights, and political radicalism, to peace, prison, labor, antiracism, and the counterculture more generally. The collection has been organized thematically into 19 series.

From 1987 through early 1988, Daniel and Joyce Stokes published Into the Night, “a newsletter for freedom for political prisoners held in the United States.” Based in Brooklyn, N.Y., this simply-produced publication offered updates and commentary on Americans imprisoned for politically-motivated acts. Reflecting both the legacy of 1960s radicalism and the resurgent activism associated with U.S. imperialism in Central America, Into the Night offered news on the Ohio 7 sedition trial, the MOVE organization, and the fate of Plowshares war resisters.

The Stokes collection contains correspondence from subscribers and supporters of Into the Night, fleshing out their political philosophy and the conditions of imprisonment. Drawn from groups including the MOVE organization, the United Freedom Front, Black Liberation Army, and Plowshares, the correspondents include Ramona Africa, Alberto Aranda, Philip Berrigan, Marilyn Buck, Carl Kabat, Ray Luc Levasseur, Ruchell Cinque Magee, and Carol Manning. The collection also includes copies of other radical publications and a complete run of Into the Night itself.

A native of Boston and graduate of Boston Latin School and Harvard, Bill Strickland was a scholar, activist, and longtime member of the Department of Afro-American Studies at UMass Amherst. After fulfilling his service with the Marine Corps, Strickland became active in civil rights and Black liberation work, serving as Executive Director of the Northern Student Movement, working in Mississippi for the Mississippi Freedom Democratic Party and then as Northern Coordinator of the Party’s Congressional Challenge. He was a founding member of Malcolm X’s Organization of Afro-American Unity in 1964 and in 1969, was also a founding member of the Institute of the Black World in Atlanta. An exacting scholar, Strickland was a key member of the faculty in Afro-American Studies at UMass Amherst teaching history and politics and held a number of important roles, including acting as Director of the W. E. B. Du Bois Papers. He retired in 2013.

The Strickland Papers contain materials from two of Strickland’s many commitments during his time at UMass: the presidential campaign of Jesse Jackson and the Rainbow People’s Party in 1988 and an initiative to commemorate the complex life and legacy of Jackie Robinson in 1996-1997. Additional materials for Strickland are included in the records of the Department of Afro-American Studies.

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Five generations of an African-American family that achieved commercial success and wealth through the restaurant and catering business as well as extensive real estate investments at the turn of the 20th century in New York City, Brooklyn, and Sea Cliff, Long Island, New York. Includes letters, public and church records, news clippings, ephemera, a videotape, and 87 photographs.

Over five generations, the African-American Trent worked toward commercial success and wealth through the restaurant and catering business as well as extensive real estate investments at the turn of the 20th century in New York City, Brooklyn, and Sea Cliff, Long Island, New York.

Focused primarily on family and genealogy, the Trent family collection contains letters, public and church records, news clippings, ephemera, a videotape, and 87 photographs

UMass Amherst Black Pioneers T-Shirt logo, 2016

Moved to action after a successful and illuminating 2016 reunion of Black alumni of the University of Massachusetts Amherst, alumna Dr. Cheryl L. Evans (1968) decided to take on the critical project identified by the group, collecting and documenting the stories of the Black alumni who attended the University between 1960 and 1970. Dubbing these students “Black Pioneers,” given the dearth, and then growth, of Black students on campus during the decade, Evans used her connections with alumni and her history as a Black student leader to reach out about recording experiences for preservation and research purposes. In collaboration with Special Collections and University Archives, Evans began the “UMass Black Pioneers Project,” and sent an online questionnaire to around 85 alumni in September 2018. The survey addresses alumni’s backgrounds, academic and social experiences on campus, occasions of racial discrimination and activism, and current perceptions of the University and advice for students. Participation was voluntary, and is ongoing.

The UMass Black Pioneers Project Records contain some planning materials and correspondence for the project, and primarily consist of written answers made in response to the “UMass Black Pioneers Survey.” In addition to the questionnaire, participants were able to send in physical materials, or upload digital content, such as resumes, or videos of their responses, and the collection contains a few of these. Several participants willing to be interviewed were also connected with UMass Public History graduate students for oral histories in the Fall 2018 semester. These videos are a part of the record group, and there are plans to conduct additional interviews.