Collecting area: African American

Cheryl Evans singing at Medford High School, ca. 1962

A lifelong activist, performer, and educator, Cheryl Lorraine Evans was born in 1946 in west Medford, MA, the eldest of five. As a high school student, Evans attended the march on Washington in 1963, and was then the first in her family to attend college, in 1964 joining the largest class at UMass Amherst to date. She graduated four years later as a pivotal organizer of African American students across campus, the Five Colleges, and in the region – during the period when Black student groups, the Black Cultural Center, and the Black Studies department all had their origins at UMass. Evans was the first elected president of an African American student organization at UMass, and remains an organizer to this day, particularly as a key connector for Black alumni and through her UMass Black Pioneers Project.

Evans went on to work at UMass as an assistant area coordinator of Orchard Hill, an area housing the majority of the students of color and CCEBS students on campus at the time, and then for the Urban University Program at Rutgers University. She worked for over a decade in early childhood education, mostly in New Jersey and New York City, then while working for the State of Massachusetts received her MA in Communication from Emerson College, partially to help her public radio show, “Black Family Experience.” Evans was the first African American woman to run for City Council in Medford, and was appointed to the Massachusetts Area Planning Council by Governor Dukakis. She taught for five years at Northshore Community College, received her PhD from Old Dominion University in 1997, and ended her career at Bloomfield College, where she was a professor for 18 years until her retirement in 2016. A prolific singer as a child and young adult, Evans was, and continues to be, a performance artist, with several theater pieces focused on Black history, all in addition to her outreach, organizing, and workshops, many focused on increasing the number of Black graduate and doctoral students.

The Cheryl Evans Papers document over 60 years of the life of the educator and activist, including childhood report cards and essays, clippings from the civil rights movement she followed and joined as a high school student, undergraduate records and ephemera, documentation of Black UMass alumni events, and records from her careers in public advocacy, education, and the theater. Evan’s time at UMass is especially well documented, including schoolwork, numerous photographs of student life on campus, social and political organization records, including contact lists of and correspondence with Black students, and the original protest demands from the 1970 Mills House protest and march to Whitmore.

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

An activist and advocate for social and racial justice since he was a teenager, Bill Fletcher, Jr., born in New York in 1954, graduated from Harvard, and went to work as a welder in a Massachusetts shipyard. He soon became active in the labor movement, as a worker, an organizer, and a union staff member, and in electoral campaigns. Fletcher became a union staff person in Boston in 1986 with District 65-United Auto Workers.  In 1990, he and his family moved to Washington, D.C. where he held a series of positions with the National Postal Mail Handlers Union, the Service Employees International Union, and the national AFL-CIO. He has also held positions with the George Meany Center for Labor Studies/National Labor College and with TransAfrica Forum, for which he served as president and CEO. Fletcher is author of “They’re Bankrupting Us!” And Twenty Other Myths About Unions; he is coauthor of The Indispensable Ally: Black Workers and the Formation of the Congress of Industrial Organizations, 1934-1941 and Solidarity Divided: The Crisis in Organized Labor and a New Path Toward Social Justice. He has also published two murder/mystery novels, The Man Who Fell From the Sky and The Man Who Changed Colors.  He serves on the editorial board of BlackCommentator.com and has contributed to numerous publications. As a writer, scholar, speaker, and activist, as well as an organizational consultant and a mentor, Fletcher continues his advocacy work. He lives with his wife, Candice, in Maryland.

The Bill Fletcher, Jr., Papers document the activities and interests of a lifelong radical and includes speeches, correspondence, material on the Black Radical Congress, and materials from an array of left-wing organizations. In addition to materials directly connected to Fletcher’s work, there are also pamphlets and other publications that he collected.

Gretchen Gerzina, Paul Murray Kendall Chair in Biography and Professor of English at UMass Amherst, served as dean of Commonwealth Honors College for five years before joining the English department full-time. A native of Ann Arbor, Mich., who grew up in Springfield, Mass., Gerzina is the child of a white mother and Black father who, in her research and writing, has often engaged with issues of race and the lives of those affected by racial and other boundaries. She is known for her biographies, including those of Dora Carrington and Frances Hodgson Burnett; her work on Black Britain including Black England: A Forgotten Georgian History (a revised and reissued version of Black London: Life Before Emancipation); and the acclaimed Mr. and Mrs. Prince: How an Extraordinary Eighteenth-Century Family Moved Out of Slavery and Into Legend. Gerzina hosted public radio’s nationally syndicated program “The Book Show,” interviewing many of contemporary literature’s notable figures, from 1997 to 2012, and a ten-part BBC radio series, “Britain’s Black Past,” which aired in 2016. She has also taught at Vassar, Barnard, and Dartmouth, where she was the first Black woman to chair an Ivy League English department.

The Gerzina Papers consist of materials relating to some of Gerzina’s research and published books and include notes, correspondence, draft manuscripts, and publication-related material, as well as approximately 400 recordings on CD of “The Book Show.” Additions to the collection are expected.

Ann Gordon served as the editor of the Susan B. Anthony and Elizabeth Cady Stanton papers as a member of African American Studies department from 1982 until the project’s conclusion in 1989. While at the University, Gordon, along with John Bracey, Joyce Berkman, and Arlene Avakian planned a conference discussing the history of African American Women voting from the Cady Stanton’s meeting at Seneca Falls to the Voting Rights Act. The conference, called the African American Women and the Vote Conference, was held in 1988.

The collection is comprised of proposals, reports, meeting transcripts, and correspondence from Gordon’s work planning the 1988 African American Women and the Vote Conference. Also included is preliminary work by Gordon to organize the papers given at the conference into book form.

A radical political organizer, Frank “Parky” Grace was a founding member of the New Bedford chapter of the Black Panther Party. Radicalized during his tour of duty in Vietnam in 1967, Grace became involved in the antiwar movement upon his return and organized the local branch of the Black Panthers shortly before the New Bedford Rebellion of 1970. In 1972, he and his brother Ross were charged with the murder, receiving life sentences. Parky Grace contended all along that he had been framed by the police for his political activity and in 1982, Ross admitted that he had been responsible for the murder, backing up his brother’s contention that he was not present at the time. Parky Grace was released from prison in 1984 and lived subsequently in New Bedford and Boston. He died in Boston in October 2001.

The Grace Papers consist of a powerful series of letters written to Gloria Xifaras Clark while Grace was confined in Walpole State Penitentiary. Informed by his revolutionary politics, the letters offer insight into the conditions of imprisonment, his treatment by guards, and his relationships with fellow prisoners.

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

Everett Hoagland at the PAWA World Poetry Conference in Accra, Ghana, 1999.

Poet Everett Hoagland was born and raised in Philadelphia and attended and graduated from Lincoln University, and later Brown University on a full fellowship for pursuing his Masters of Arts. Hoagland’s poetry came of age during the civil rights struggles of the 1960s and the Black Arts Movement, and is often powerfully political. Driven by the history, music, rhythms, and both collective and individual stories from African and African American culture and experiences, Hoagland is one of the most significant African American poets of the late twentieth century. His second chapbook, Black Velvet, was published by the pioneering Broadside Press in 1970, and he has remained widely published and anthologized through to the present day, including his most recent anthology addition, a poem about the Black Lives Matter movement. In addition to his writing, Hoagland has given readings across the nation and globe, and also served as a teacher and mentor to many, primarily in his position as a Professor of English at the University of Massachusetts Dartmouth for over thirty years. He has won numerous awards and honors, including a 2023 American Book Award, the Award for Outstanding Achievement in Poetry from the American Literature Association’s Society for African American Literature and Culture, the Gwendolyn Brooks Award for Fiction, two state-wide poetry competitions for Massachusetts Artists Foundation fellowships, the Distinguished Service to University award from UMass Dartmouth, two MA Local Cultural Council grants for book publications, ForeWord Magazine’s Best Poetry Book award, and the 2015 Langston Hughes Society Award. Hoagland also served, from 1994 to 1998, as the inaugural poet laureate of his adopted hometown of New Bedford, MA.

The Everett Hoagland Papers include manuscript materials and over twenty books documenting Hoagland’s decades-long career as a poet and writer on racial politics and African American experiences. They consist of photographs; performance and presentation programs, reviews, and recordings; interviews and articles; and unpublished and published writings including copies of Hoagland’s column in the New Bedford The Standard Times, a draft of his Master’s thesis, short fiction stories, a scrapbook of unpublished poetry, and poetry in magazines, periodicals, Hoagland’s authored poetry books, and numerous anthologies.

Between 1957 and 1968, the Southern Student Project of the American Friends Service Committee brought academically gifted African American high school students from the south to live and study in the north. Working initially through its New York office, the AFSC announced its desire to bring “to promising young people, thwarted by the doctrine of the separation of the races, the fullest development of their gifts” while providing northern whites with “an experience which will increase our understanding and deepen our involvement with the human community.”

A dense and nearly comprehensive record of participation in the Southern Student Project of the American Friends Service Committee, the Holmes collection documents a Quaker response to the civil rights crisis of the late 1950s and 1960s. Holmes carefully filed nearly every relevant piece of paper associated with his participation, from the fliers that introduced him to the project to listings of eligible students, his lengthy letter of inquiry and application, and his numerous exchanges with his support committee, the local high school, and the American Friends Service Committee. Perhaps more important, he kept both sides of an extensive and often lengthy correspondence with the Craig family, describing Deborah’s adjustment and progress in Amherst and the response of the local community. The collection also includes Holmes’ report of the Friends Conference on Race Relations and some correspondence between Holmes and Craig during her time in college, when Holmes attempted to provide counsel and financial support to help Craig continue her education.

An advertising man from Brooklyn, and a neighbor and friend of W.E.B. Du Bois, James E. Howard was an active supporter of the Committee for the Negro in the Arts during its brief period of activity. Organized in 1947 with Communist Party support, the Committee was an arts-focused civil rights organization, opposing degregation and promoting the employment of African Americans in the performing and visual arts. Criticized by the House Un-American Activities Committee as a Communist front, the Committee was also criticized by the intellectual Harold Cruse, a former member, as a “sad flop,” a patronizing and opportunistic endeavor of white radical that was so constrained by the desire to appeal to white audiences that it was incapable of exploring work of deeper significance to African American audiences.

This small collection contains printed materials from the Committee for the Negro in the Arts (CNA), a politically progressive interracial cultural organization. The collection includes CNA newsletters, event programs, invitations, and an assortment of mailings and other items used in publicity and public relations.