Archive

Since 1989 the Arcadia Players have been performing Baroque music with the aim of providing an authentic experience both for the musicians and the audience by employing instruments and performance practices that draw from the seventeenth and eighteenth centuries. In residence at the Massachusetts Center for Renaissance Studies at UMass Amherst, the ensemble performs an annual series of concerts in several communities throughout western Massachusetts.

The collection consists of brochures, programs, photographs, videorecordings of performances, and financial and administrative records. Together the items provide a behind-the-scenes look at the operations of a small but successful professional ensemble of musicians.

This collection consists chiefly of published booklets and reports documenting land use and preservation in Massachusetts and across New England. As a member of the Rural Development Committee (RDC), Bob August was involved in improving the effectiveness of public and private rural development efforts. Correspondence, reports, and minutes for other groups, such as the Lower Pioneer Valley Reginal Planning Commission and the Committee on Development of Western Massachusetts, are also part of the collection.

Clairvoyant from youth, Elwood Babbitt developed his psychic abilities at the Edgar Cayce Institute, and by the mid-1960s, was well known in Western Massachusetts through his readings and lectures, often opening his home to other seekers. Charles Hapgood, a professor at Keene State College, worked closely with Babbitt studying the physical effects of the medium’s trance lectures, and by 1967, he began to take on the painstaking process of transcribing and copying them. With communications purporting to come from Jesus, Albert Einstein, Mark Twain, and the Hindu god Vishnu, among others, these lectures formed the basis for several books by Hapgood and Babbitt, including Voices of Spirit (1975) and The God Within (1982). In 1970 Babbitt became involved with the Brotherhood of the Spirit commune in Leydon, Massachusetts and was a “spiritual mentor” to Michael Metelica, the community leader there. He helped Metelica develop his psychic abilities, but they eventually had a falling out, along with others from the community, in the late 1970s. Babbitt ultimately established a non-profit, alternative school, the Opie Mountain Citadel, which was essentially run out of Babbitt’s home in Northfield. He continued to involve himself in spiritual groups up to his failing health and eventual death in the Veteran’s Administration Hospital in White River Junction, Vermont on April 25, 2001

The collection consists of proofs of publications, lectures, some correspondence, film reels, and transcripts of spiritual communications for which Babbitt was the medium.

Carol Barton is a popular educator and policy advocate. She co-founded Alternative Women in Development/New York in the 1990s, which was active at the UN Beijing 4th World Conference on Women and helped create the Economic Literacy Action Network (ELAN). Barton served on the economic literacy team of the International Gender and Trade Network, active in the 2000s. With elmira Nazombe, she led the Women’s International Coalition for Economic Justice (WICEJ) from 2000 through 2005. WICEJ was active in the UN Commission on the Status of Women, the World Conference Against Racism, and the Financing for Development Conference as well as the Feminist Dialogues linked to the World Social Forums in India (2004) and Brazil (2005). Currently, Barton is co-convener of the International Women in Migration Network.

elmira Nazombe has worked in the areas of popular education, social, economic and racial justice for over five decades. With a degree in urban planning, after graduation, Nazombe lived and worked for 10 years in east and southern Africa working as an urban planner and journalist. She also held positions with the All Africa Conference of Churches and the National Christian Council of Kenya. Nazombe has worked as a social justice educator for the past 25 years. She was an Executive Secretary for Racial Justice for United Methodist Women and served as the Human Rights Education Director for the Center for Women’s Global Leadership at Rutgers, The State University of New Jersey. Nazombe holds a doctorate in Education (Ed.D) from Rutgers. For the last 12 years, she has been teaching social justice courses at Rutgers, hoping to nurture a new generation of social justice activists.

The collection documents Barton’s and Nazombe’s involvement in a wide range of activist and advocacy engagement both nationally and internationally, in particular with the Women’s International Coalition for Economic Justice (WICEJ). At the heart of the collection is Barton’s contribution to a collaborative effort in feminist popular education. Together with Ying Ling Leung, elmira Nazombe, Pamela Sparr, and Mariama Williams, Barton organized and facilitated popular education programs in various movements to empower women worldwide.

In the early 1960s, Tom Barton (b. 1935) emerged as a leader in the Left-wing of the Young People’s Socialist League, the national youth affiliate of the Socialist Party. Deeply committed to the civil rights and antiwar struggles and to revolutionary organizing, Barton operated in Philadelphia, Chicago, and New York and was a delegate and National Secretary at the 1964 convention in which tensions within YPSL led to its dissolution.

A small, but rich collection, the Barton Papers provide a glimpse into the career of a long-time Socialist and activist. From Barton’s entry into the Young People’s Socialist League in the latest 1950s through his work with the Wildcat group in the early 1970s, the collection contains outstanding content on the civil rights and antiwar movements and the strategies for radical organizing. The collection is particularly rich on two periods of Barton’s career — his time in the YPSL and Student Peace Union (1960-1964) and in the Wildcat group (1968-1971) — and particularly for the events surrounding the dissolution of YPSL in 1964, following a heated debate over whether to support Lyndon Johnson for president. The collection includes correspondence with other young radicals such as Martin Oppenheimer, Lyndon Henry, Juan McIver, and Joe Weiner.

Hanif Shabazz Bey is one of the “Virgin Island Five” accused and convicted of murdering eight tourists at a golf course in the U.S. Virgin Islands on September 6, 1972. The murders occurred during a turbulent period of rebellion on the Islands, a time when a movement to resist colonial rule was growing in the U.S. occupied Virgin Islands and elsewhere. The reaction to the crime, which was rapidly characterized as racially and politically motivated, from the authorities was both swift and revealing: over a hundred Black activists were picked up for interrogation and the island of St. Croix was put under martial law. Beaumont Gereau (Hanif Shabazz Bey) was one of five men apprehended and charged with the attack; each of the men accused was a known supporter of the Virgin Island independence movement. Detained and subjected to torture, the five men ultimately confessed to the crime and were tried for murder. Despite the many indications that the subsequent trial was profoundly flawed, the men were found guilty and sentenced to eight consecutive life terms.

“The Beginning of Hell” is a typed memoir by Hanif Shabazz Bey, a prisoner from the Virgin Islands held in the U.S. Written sometime after 1985, the memoir provides a personal account of Bey’s childhood in the Virgin Islands, his service in the U.S. Army in Vietnam, and the social and political conditions of the Islands during the early 1970s that led up to his arrest and conviction for the murder of eight tourists in 1972. Bey details the torture and other harsh interrogation tactics employed by prosecutors, the trial, and its aftermath, including his confinement to prisons first in Puerto Rico and then the U.S. In prison, Bey chronicles inhumane treatment and conditions, his conversion to Islam, and his efforts to seek assistance to reduce his sentence.

A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood’s golden age. Selections include military sheet music, “Good-Bye, Little Girl, Good-Bye” (1904) and music from Hollywood films, such as “Daddy Long Legs” dedicated to Mary Pickford (1919), and “By a Waterfall” from Footlight Parade (1933).

Ella Dot Martin was born in Waterloo, Quebec, on Dec. 22, 1889, the daughter of Carmi Arad Martin and Candace Amelia (Beach). In about 1912, she married a local farmer, Sydney Thomas Blake, in an Anglican ceremony, and together they raised two sons. For several years after the turn of the twentieth century, Carmi Martin worked as a painter in Woonsocket, though he returned to Waterloo in about 1909, and Ella and Sydney followed in about 1927, settling in Blackstone, Worcester County, Mass., where Sydney worked at different points as a painter and farmer. Sydney died in 1955 and Ella in Milton Village, Mass., in 1987.

The collection consists of Blake’s diaries and two cookbooks along with dozens of recipe clippings. Related collection is the Ella Dot Martin Blake Sheet Music Collection.

Diane Bonder made experimental film and videos, using Super 8 and 16mm. Her poetic semi-narrative and autobiographical films explore themes of identity, landscape, memory and loss. Growing up in Northampton, Massachusetts, she graduated with her BA from UMass Amherst and studied photography at the Photographic Resource Center in Boston. She received her MFA from Rutgers University in 1993. In 1996, Bonder moved to Brooklyn, making it her home. Bonder was an artist in residence at UCross (Wyoming) and Squeaky Wheel (Buffalo, N.Y.) and received grants from NYFA and NYSCA. She maintained a longstanding relationship with Millennium Film Workshop, where she taught herself the optical printing techniques, which became part of her signature visual style. Bonder’s award-winning films have been screened at the Whitney Museum of Art, Brooklyn Museum of Art, Anthology Film Archives, NY, SF Cinematheque, Mix NYC and at many international film festivals, universities and curated screenings. Her work continues to be screened around the world. Retrospective screenings of her work have been held at MOMA, Hallwalls (Buffalo, N.Y.) and Millennium Film Workshop (New York).

The Diana Bonder Papers provides insight into her creative process as a filmmaker and photographer. The collection features film reels, U-Matic, Hi8, VHS, DVDs, and audio, which include Closer to Heaven, You Are Not From Here, The Physics of Love, Dear Mom, Tongue in Chic, Parole, Dangerous When Wet; film notebooks; slides, negatives, contacts sheets, which include portraits, landscapes, family photographs, Rutgers (installation, film, other project studies/prep), “Blood and Veins,” and others; photographic prints; and two large lightboxes and several small lightboxes.

Born on February 12, 1936, to John and Jenny Bos of Tonawanda, New York, John Henry Bos graduated from Carnegie Tech with a B.A. in drama. His career in the arts began with a job in technical support in summer theaters and included work at major theaters, such as the Theatre of the Living Arts in Philadelphia, and Deputy Director of the performing arts division for the New York State Council on the Arts. Bos served as Director of Performance Programs for National Public Radio during the 1980s where he earned a Peabody Award. Following his time at NPR, he hosted Arts America, a weekly cultural television program produced by the United States Information Agency. In the 1990s, Bos relocated to Shelburne Falls, Massachusetts, where he provided arts consulting and was involved in the revival of Memorial Hall, one of the many locations in which he hosted musical performances as a part of Rural Renaissance. It was during this time that Bos began writing, first as a member of the writing group, Spirit of the Written Word, at the CancerConnection during his first bout with cancer, and later as a bi-weekly columnist for the Greenfield Recorder. In his column, “Connecting the Dots,” Bos advocated for climate change and political life. He died of December 11, 2024, at the age of 88.

The John Bos Collection consists of an array of materials related to his career in the arts including theater programs, photographs, documents from the Theatre of the Living Arts in Philadelphia, as well as copies of his articles printed in the Greenfield Recorder and other publications.