Archive

Charles (Moses) Porter Phelps established Phelps Farm in 1816, constructing the farmhouse across the road from Forty Acres; a farmstead that his grandparents founded more than 60 years prior. Over time, Phelps Farm became one of the most successful and profitable farms in Hadley. Now a part of the “Forty Acres and its Skirts” National Historic District, both Phelps Farm and Forty Acres represent the rich communal heritage existing among the descendants of Hadley’s first European settlers.

The Charles (Moses) Porter Phelps Farm Collection follows the intertwining lines of many families, but primarily traces the line that managed Forty Acres and Phelps Farm: the Porters, the Phelps, the Bulfinches, the Huntingtons, the Sessions, the Hacketts, and the Pierces. The collection as a whole provides numerous first-hand accounts of what life was like on Forty Acres and Phelps Farm over the generations. Materials include diaries, in particular the diaries of Elizabeth (Porter) Phelps, which span 54 years; financial records; photographs; genealogies; family items; and documents related to the farm.

Collection of posters and newspaper clippings documenting the work of activists throughout the Pioneer Valley. Although the bulk of the materials relate to protests against the war in Iraq, other issues include rallies and protests at UMass, revival of SDS, the Valley Anarchist Organization, and pro-union demonstrations.

The Porter-Phelps-Huntington Family Papers document the history of one extended family
over 270 years (or eight complete generations) and the family’s connection to its ancestral
home, “Forty Acres,” in Hadley, Massachusetts. Forty Acres was a working farm, its name not a
true description of the land under cultivation, which consisted of six hundred acres acquired
by its first owner, Moses Porter, and a significant growth in acreage under his son-in-law,
Charles Phelps. Subsequent generations produced a number of clergy, lawyers, a sea captain,
merchants, factory owners, army officers and doctors. There were artists, writers, publishers,
an actress, and numerous housewives, of necessity, multi-skilled.

The personal papers from these family members contribute valuable insights into our understanding of the evolution
of American society during the last 250 years. Letters and diaries reveal the significant
impact of major events in American history, beginning with the French and Indian War up
through the twentieth century. These writings provide scholars a glimpse into personal
perspectives on wars, political and economic upheavals, religious revivals, social
developments, family relationships, divisions of labor between men and women, as well as the
day-by-day domestic life of the family, their servants and enslaved people.

Related family collections include:

• Catharine Sargent Huntington Papers
• Gladys Parrish Huntington Papers
• Charles (Moses) Porter Phelps Farm Records

As an army captain teaching constitutional law at the U.S. Army Intelligence School in Fort Holabird, Maryland during the late 1960s, Christopher Pyle learned about the army’s domestic spying operation that targeted antiwar and civil rights protesters. Disclosing his knowledge about that surveillance in 1970 in two award-winning articles, Pyle led the fight to end the military’s domestic spying program by testifying before three Congressional committees. Currently a professor of politics at Mount Holyoke College, Pyle continues to write about civil liberties and rights to privacy focusing his attention now on the Patriot Act and the detention of aliens and citizens without trial.

Documenting Pyle’s investigation into the military domestic spying operation, the collection consists of court transcripts, telephone logs, surveillance binders, correspondence, research notes, and news clippings.

To meet the growing needs for potable water in the Boston metropolitan region, the Massachusetts state legislature ordered the evacuation of the relatively sparsely populated towns of Dana, Enfield, Greenwich, and Prescott, as well as portions of other adjoining towns such as New Salem, to make way for the construction of a massive reservoir. Over the course of almost two decades, the population of the towns was systematically relocated, the houses moved or razed, and bed of the future reservoir was stripped of trees and brush. The last remaining residents of the region were removed in 1938 and the four primary towns were officially disincorporated as the dam was completed and the waters began to rise.

The Quabbin Towns Local History Collection contains an assortment of materials that document the history of the Swift River Valley towns that were evacuated to make way for the Quabbin Reservoir, including Dana, Enfield, Greenwich, Millington (New Salem), and Prescott. The collection includes newspaper scrapbooks and photographs.

Quaker Miscellaneous Manuscripts is an artificial collection that brings together various single items or small groups of related materials relating to Quakers and Quakerism. The materials included within the collection are items that are not formally part of the New England Yearly Meeting records but may relate to or supplement that collection.

Born on August 5, 1951, in Lebanon, Pennsylvania to Herman F. and Clara I. Rahn, Mildred “Millie” Rahn graduated from the University of Maryland, Baltimore County (BA, American Studies) and Memorial University of Newfoundland (MA, Folklore). As a Boston-based folklorist and ethnographer, Rahn used her skills in foodways, oral histories, university teaching and public programs. A writer and reviewer on many topics related to folklife and traditional music, she developed projects and events involving living cultural traditions for cultural and educational organizations, government and economic development agencies and the tourism and heritage industries. For many years, Rahn directed the Foodways stage for the Lowell Folk Festival in Lowell, Massachusetts. She curated exhibits for many regional folk festivals, including the American Folk Festival in Bangor, Maine, the Boston Cultural Heritage Festival and the Working Waterfront Festival in New Bedford, MA. Rahn  was active in preserving the history of Club 47, a folk music coffeehouse in Cambridge, Massachusetts and performed fieldwork for the Northeast Archives of Folklore and Oral History, University of Maine.

The Millie Rahn Collection contains her thesis on the history of Club 47, a report she prepared as a cultural consultant entitled, Newfoundland and Labrador & “The Boston States,” and audiovisual materials including GIRO Studio of Video, ASCAP Foundation Celebrates Eric Von Schmidt, Don’t Look Back Tapes, Passim 50th Anniversary.

A resident of Amherst, Massachusetts and member of the UMass class of 1965, Sheila Rainford has a strong interest in local history and is a staunch supporter of her local public library, the Jones Library. An area of particular interest is the role of agriculture in the Pioneer Valley. She is co-editor with Ruth Owen Jones of a book on local agricultural history, Harvesting History: Amherst Massachusetts Farms, 1750-2010 (Amherst, Mass., 2010).

The collection consists chiefly of subject files relating to farms and farming in Amherst and the Pioneer Valley. Topics include CISA, NOFA, area farms, local CSAs . Eight audiocassettes contain presentations or interviews ranging from Doris Abramson on the history of the Jones Library to personal recollections and sewing as a business.

Martha Ramsey is the author of Where I Stopped, a memoir of rape in adolescence, and Blood Stories, a book of poems. Ramsey grew up in Flemington, New Jersey, a farming community 65 miles southwest of New York City. She had unusually creative, bohemian-minded, arts-oriented parents; her father was a pioneering jazz historian; both became alcoholics. She was a precociously intelligent child and was skipped two grades at her local elementary school; she escaped from the resulting loneliness and social insecurity into books and nature. She was happier as a day student at Solebury School, a progressive high school nearby in Bucks County, Pennsylvania. On a summer day in 1968, at age 13, while she was walking her bike up a back road near her home, she was attacked and raped by a 28-year-old man, a stranger. She insisted that her parents call the police immediately, “so it won’t happen to anyone else.” Her parents soon heard from neighbors that before Martha, the rapist had “molested other girls.” She endured a confrontation with him at the police barracks and giving testimony at the trial that resulted in his conviction and sentence of 15 years. Five years later she also endured the shock of learning on a visit home from college that he had, while released on parole, sexually assaulted and murdered a 16-year-old girl near the girl’s family’s farm, on the anniversary of the rape. This time he was sentenced to life. Where I Stopped, written when Ramsey was in her thirties, tells this story in detail and follows her attempts to understand what had happened to her and how it was affecting her over the years as she grew into adulthood, pursued her calling as a poet, and married. The memoir also chronicles her decision to return to the place where she grew up to speak with people who remembered the crime and who had participated in the trial and to unearth the police and trial records—all part of her effort to come to terms with what she remembered.

A powerful collection documenting the writing of her memoir, Where I Stopped, Ramsey’s papers include audio recordings of statements she and others made to the police shortly after her rape; a transcript of the trial; Ramsey’s notes from interviews she conducted with individuals who remembered the crime; and drafts of her memoir, containing comments from early readers and material cut from the final version. Ramsey’s unpublished writings, journals, and correspondence document her intellectual and emotional life from her teenage years forward, including the drafts of all her published and unpublished poems. Family papers focus on the author’s father, Frederic Ramsey, a noted jazz historian; they include correspondence, photographs, and the unpublished autobiography of Ethel Ramsey (1884–1965)—textile designer, painter, and participant in the artists’ colony in New Hope, Pennsylvania—that contains acerbic discussion of the struggles of women artists in the late nineteenth century and later.

For more than fifty years, Jim Ricci collected both machine tools and the books,  catalogs, and manuals that relate to the machinery and the industry as a whole. A graduate of UMass Amherst (’71) and the son of a faculty member, Ricci is an historian of reel lawn mowers who has written extensively on the subject, publishing the book Hand, Horse, and Motor: The Development of the Lawn Mower Industry in the United States in 2016.

The collection represents more than 750 companies and includes brochures, catalogs, manuals, and parts lists from machine tool manufacturers. The majority of the companies represented are located in the United States; international companies are located in Austria, Belgium, Brazil, Canada, China, Czechoslovakia, Denmark, England, France, Germany, East Germany, West Germany, Hungary, India, Israel, Italy, Japan, Korea, Poland, Scotland, South Africa, Spain, Sweden, Switzerland, Taiwan and Turkey.

Machine tools are machines that make parts and pieces for end products or other machine tools. These tools range from lathes, range from lathes, milling machines, grinders, manual and hydraulic presses, drill presses and saws to drills, mills, grinding wheels and cutting tools as well as measuring tools, jigs and fixtures. The machine tool industry evolved dramatically throughout the 20th century with the introduction of multi-function workstations. Multi-axis machines with attached tools changers are driven by sophisticated computer-controlled programs. The evolution of the industry is reflected, in part, in this historical collection of printed materials.