Archive

A resident of Amherst, Massachusetts and member of the UMass class of 1965, Sheila Rainford has a strong interest in local history and is a staunch supporter of her local public library, the Jones Library. An area of particular interest is the role of agriculture in the Pioneer Valley. She is co-editor with Ruth Owen Jones of a book on local agricultural history, Harvesting History: Amherst Massachusetts Farms, 1750-2010 (Amherst, Mass., 2010).

The collection consists chiefly of subject files relating to farms and farming in Amherst and the Pioneer Valley. Topics include CISA, NOFA, area farms, local CSAs . Eight audiocassettes contain presentations or interviews ranging from Doris Abramson on the history of the Jones Library to personal recollections and sewing as a business.

Martha Ramsey is the author of Where I Stopped, a memoir of rape in adolescence, and Blood Stories, a book of poems. Ramsey grew up in Flemington, New Jersey, a farming community 65 miles southwest of New York City. She had unusually creative, bohemian-minded, arts-oriented parents; her father was a pioneering jazz historian; both became alcoholics. She was a precociously intelligent child and was skipped two grades at her local elementary school; she escaped from the resulting loneliness and social insecurity into books and nature. She was happier as a day student at Solebury School, a progressive high school nearby in Bucks County, Pennsylvania. On a summer day in 1968, at age 13, while she was walking her bike up a back road near her home, she was attacked and raped by a 28-year-old man, a stranger. She insisted that her parents call the police immediately, “so it won’t happen to anyone else.” Her parents soon heard from neighbors that before Martha, the rapist had “molested other girls.” She endured a confrontation with him at the police barracks and giving testimony at the trial that resulted in his conviction and sentence of 15 years. Five years later she also endured the shock of learning on a visit home from college that he had, while released on parole, sexually assaulted and murdered a 16-year-old girl near the girl’s family’s farm, on the anniversary of the rape. This time he was sentenced to life. Where I Stopped, written when Ramsey was in her thirties, tells this story in detail and follows her attempts to understand what had happened to her and how it was affecting her over the years as she grew into adulthood, pursued her calling as a poet, and married. The memoir also chronicles her decision to return to the place where she grew up to speak with people who remembered the crime and who had participated in the trial and to unearth the police and trial records—all part of her effort to come to terms with what she remembered.

A powerful collection documenting the writing of her memoir, Where I Stopped, Ramsey’s papers include audio recordings of statements she and others made to the police shortly after her rape; a transcript of the trial; Ramsey’s notes from interviews she conducted with individuals who remembered the crime; and drafts of her memoir, containing comments from early readers and material cut from the final version. Ramsey’s unpublished writings, journals, and correspondence document her intellectual and emotional life from her teenage years forward, including the drafts of all her published and unpublished poems. Family papers focus on the author’s father, Frederic Ramsey, a noted jazz historian; they include correspondence, photographs, and the unpublished autobiography of Ethel Ramsey (1884–1965)—textile designer, painter, and participant in the artists’ colony in New Hope, Pennsylvania—that contains acerbic discussion of the struggles of women artists in the late nineteenth century and later.

For more than fifty years, Jim Ricci collected both machine tools and the books,  catalogs, and manuals that relate to the machinery and the industry as a whole. A graduate of UMass Amherst (’71) and the son of a faculty member, Ricci is an historian of reel lawn mowers who has written extensively on the subject, publishing the book Hand, Horse, and Motor: The Development of the Lawn Mower Industry in the United States in 2016.

The collection represents more than 750 companies and includes brochures, catalogs, manuals, and parts lists from machine tool manufacturers. The majority of the companies represented are located in the United States; international companies are located in Austria, Belgium, Brazil, Canada, China, Czechoslovakia, Denmark, England, France, Germany, East Germany, West Germany, Hungary, India, Israel, Italy, Japan, Korea, Poland, Scotland, South Africa, Spain, Sweden, Switzerland, Taiwan and Turkey.

Machine tools are machines that make parts and pieces for end products or other machine tools. These tools range from lathes, range from lathes, milling machines, grinders, manual and hydraulic presses, drill presses and saws to drills, mills, grinding wheels and cutting tools as well as measuring tools, jigs and fixtures. The machine tool industry evolved dramatically throughout the 20th century with the introduction of multi-function workstations. Multi-axis machines with attached tools changers are driven by sophisticated computer-controlled programs. The evolution of the industry is reflected, in part, in this historical collection of printed materials.

Moved by a vision in which he saw himself as the head of a new religion, Frank Bruce Robinson established Psychiana soon after moving to Moscow, Idaho, in 1928-1929. Once established, word about the religion spread quickly, primarily through advertisements Robinson placed in newspapers and magazines. Within the first year more than 600,000 students in 67 countries were receiving his printed lessons. Robinson’s launching of Psychiana could not have been better timed. The Great Depression provided a ready-made audience eager to grasp onto his message of “health, wealth, and prosperity” achieved by positive affirmations and self help.

This collection consists of 16 lessons in the Psychiana Advanced Course printed in 1932.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Graduating from the University of Massachusetts Amherst in 1977, Stan Rosenberg began his career in politics as an aide to state Senator John Olver from 1980-1983. By 1986 he was elected to the Massachusetts House of Representatives where he served until 1991 when he was elected to the state Senate, a seat vacated by U.S. Congressmen John Olver. The Democratic Senator has served in the Senate ever since, assuming a number of leadership positions from chair of the Senate Committee on Ways and Means to President Pro Tem of the Massachusetts Senate. Representing towns in Hampshire and Franklin counties, Senator Rosenberg was a moving force behind a campaign finance reform bill that reduced the role of private money in the state’s political system.

Although the collection continues to grow, it currently consists of correspondence, publications, and subject files relating to particular initiatives led by Rosenberg.

Founded as a Unitarian camp in 1924 for high school students and later adding a junior high component in 1947, the Rowe Camp and Conference Center now offers retreat programs in a variety of areas, including health care, exploration of rituals and dreams, astronomy, and workshops for families, couples, men and women.

This collection consists of newspaper clippings and the Rowe Conference Center and camp annual bulletin.

Rural Lives was a 13 part audio documentary series that aired on WFCR in the early 1980s and focused on rural communities throughout Western Massachusetts. Sponsored by the UMass Cooperative Extension Service, each episode focused on various aspects of rural life such as local business, jobs, the country fair, farming, the impact of development, etc. Some episodes featured local towns such as Hadley or the lost towns of the Quabbin Reservoir. The show was produced by Pat Lewis Zachary, Robbie Leppzer, and Gail Fuhrer.

Tom Rush began his musical career in the early 1960s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet, and he was soon holding down a weekly spot there, learning from the legendary artists who came to play, honing his skills and growing into his talent. He released two albums by the time he graduated. In the early 1970s, folk turned to folk-rock, and Rush, ever adaptable, saw more room to stretch out. Recording now for Columbia, he toured tirelessly with a five-man band, playing concerts across the country. Endless promotional tours, interviews, television appearances, and recording sessions added up to five very successful but exhausting years, after which Tom decided to take a break and “recharge” his creative side at his New Hampshire farm. Rush returned with a splash in 1981, selling out Boston’s prestigious Symphony Hall in advance. Coming out of this success, Rush set out to create a musical forum – like the Club 47 of the early 1960s – to allow established artists and newcomers to share the same stage. In 1982, he tried it out at Symphony Hall. The show was such a hit it became an annual event, growing to fill two, then three nights and the Club 47 series was born. Rush’s impact on the American music scene has been profound. He helped shape the folk revival in the 1960s and the renaissance of the 1980s and 1990s, his music having left its stamp on generations of artists. Rush continues to write and perform music.

The Tom Rush Papers include recordings, tour materials, records of his production company Maple Hill Productions and other projects, press materials and photographs documenting Rush’s six decades in music, with a focus on his career during the last several decades.

Jerry Russo is a documentary filmmaker and photographer based in Boston, Massachusetts. Educated at Tufts University and The School of the Museum of Fine Arts Boston, Russo’s photographs have been exhibited at a variety of galleries in the Boston area and New York City. In 2023, he completed artist residencies in Cape Ann and Provincetown, Massachusetts. When Russo describes his intention as a photographer, he identifies his primary goal as being “as sincere and empathetic as possible … [to be]  a kind observer of the world around me. I’ve always lived my life intensely soaking up the environment with a non-judgmental (but truthful) eye and using my images as a reflection of that.” 

In March of 2020 at the start of the COVID-19 pandemic, Russo began working on an oral history project to interview visual artists and creatives all over the world. During the next two years, he completed 249 interviews via Zoom. In the interviews he captures the artists’ thoughts on wide range of topics and themes including living and working during the pandemic with its enforced solitude and lockdown; the ways in which the pandemic has had an impact on their creative process, shifts in narratives, and use of materials; and whether the work they created referenced the pandemic, the Black Lives movement, or politics in the U.S.  

While serving a life sentence in a Pennsylvania prison, Tiyo Attallah Salah-El transformed himself into an activist, scholar, and advocate for the abolition of prisons. An accomplished jazz musician, Salah-El has distinguished himself for educational and scholarly work, his musical career, his close relationship with activists and educators, and for the non-profit organization he founded, The Coalition for the Abolition of Prisons (CAP).

The Papers of Tiyo Attallah Salah-El document his experience in the State Correctional Institution in Dallas, Pennsylvania, from 1977 until his death in 2018 at the age of 85, providing information on his education, teaching, and activism. The bulk of the collection consists of his extensive correspondence with educators, musicians, and activists. Other highlights include a manuscript copy of his autobiography and the founding documents of the The Coalition for the Abolition of Prisons.