Archive

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.
Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Howard Prussack at High Meadows Farm in Putney, VT

A farmer for over thirty years along the Connecticut River in Vermont, John Nopper came to photography later in life. Drawn to the challenge of capturing individuals and environments in his and surrounding communities, Nopper focuses on portraits and landscapes, and specializes in 11”x17” or larger printing, emphasizing the depth of tone in his black and white photography. His photograph projects often focus on the instruments and individuals of a specific industry or place, and frequently document subjects and vocations he feels warrant increased attention, either due to their methods, like his work documenting traditional maple sugaring and printing practices, or due to current events, such as a more recent project as an embedded photographer within a Vermont city police department.

The John Nopper Photograph Collection currently consists of twenty-five, 11”x17”, black and white prints from the exhibit “Plowing Old Ground: Vermont’s Organic Pioneers,” along with the descriptions from the project. In a collaborative effort with interviewer and writer Susan J. Harlow, Nopper photographed the subjects of Harlow’s interviews for an exhibit featuring interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection also includes digital photographs not printed, as well as digital versions of most of the prints.

Ruth and Abe Ozer celebrating their 90th birthdays in 2010.

Born five days apart in June 1920 in Manhattan, Abraham Jay Ozer (born Abraham Ozersky) and Ruth Sydell Ozer (born Ruth Sydell Newman) married in 1947 after Abe returned from his army service in Australia, New Guinea, and the Philippines. Abe received the Purple Heart after being wounded by shrapnel from a kamikaze attack on his ship after the Battle of Leyte Gulf in 1944. Returning to New York, Abe and Ruth began their romance, after being friends earlier as part of a Workmen Circle teen group, and lived almost the entirety of the rest of their lives in the Amalgamated Housing Cooperative in the Bronx, the country’s oldest nonprofit housing cooperative. The Ozers were involved in the social, cultural, and financial community of the cooperative, originally founded by Amalgamated Clothing Workers Union members, and decidedly Jewish and progressive in its early decades. Working for RKO Pictures Inc. and as a substitute teacher, Ruth also volunteered at the local Amalgamated nursery school, which her daughters Alison and Stephanie attended as children. Self-employed in the insurance business, Abe served on several of the community’s boards and societies, and later volunteered as a dispatcher for ambulances in the Amalgamated, and as a tour guide at the Bronx Zoo. The two were also able to pursue their passion for travel, beginning their adventures in 1969 with a trip to the United Kingdom. Over the next thirty-five years they would take more than fifty international and national trips.

The Ozer Family Papers primarily document the lives of Abe and Ruth Ozer, including their high school and college years, their correspondence and other records from Abe’s military service in the 311th and then 168th Ordnance Depot Company, additional war correspondence between Ruth and other parties, and extensive documentation of the couple’s many years of travel, including selected slides, photographs, travel planning documents, and Ruth’s detailed travel journals for each trip from 1969 through 2005. Additional materials cover the Amalgamated Housing Cooperative, RKO Pictures Inc., and other aspects of the Ozer’s lives, including numerous oral history interviews and home movies on formats ranging from 8mm film to digital. The greater Ozer family is also represented, from a family tree back to Abe’s grandparents from Belorussia, to content and interviews with his mother, Sadie Uretsky, and several folders of clippings about Abe’s brother, Bernard Ozer, an important figure in fashion, and former vice-president of Associated Merchandising Corporation. Additional content on the Ozer’s children, grandchildren, and extended family rounds out the collection. An additional two boxes of family photographs and albums, added to the collection later, remain unprocessed.

Mark Sommer, with Zetta, the first newborn goat at the Sommer homestead in northern CA, May 1985

Mark Sommer is an explorer, storyteller, and award-winning public radio and print journalist focused on advocacy and narratives of social, political, and environmental change and positive action. In Washington, D.C., Sommer found himself on hand for some of the 1960s pivotal moments, where he was involved with the Liberation News Service and the New Left think tank, the Institute for Policy Studies. Sommer moved to California in 1969 to explore the counterculture, spending several years journeying – spiritually, psychedelically, and physically between communes, farms, and wilderness homesteads along the western coast – before he and his wife built a self-reliant organic homestead in the deep woods of northern CA, where they lived from the 1970s to the 1990s. The resilience of nature deeply impacted Sommer’s outlook and work as a writer and journalist, driving his interest in the human capacity for overcoming adversity. Sommer founded and directed the Mainstream Media Project, a nonprofit media placement service scheduling leading edge thinkers and social innovators for extensive radio interviews, and Sommer served as host and executive producer of the internationally syndicated and award winning, one-hour weekly radio program, A World of Possibilities. Sommer is the author of three books (Beyond the Bomb, The Conquest of War, and Living in Freedom), and hundreds of op-eds in major newspapers worldwide. Current projects include short and movie length videos crafted from his photographs, films, interviews, and experiences.

Chronicling over five decades of creative and journalistic output of a life-long explorer and progressive advocate, the Mark Sommer Papers are an extensive collection, covering Sommer’s entire career and personal life from the late 1960s to the present. Writings include personal and multiple travel journals (including a unique trip to North Vietnam in 1968), correspondence, student essays, op-eds, articles, project and grant plans, memoirs, and book manuscripts. Additional journals exist in audio format, along with radio interviews where Sommer served as a guest. Slides, photographs, and movies cover Sommer’s family and home life to his wide-ranging travels and interests. Some main topics of coverage include foreign policy and international politics, progressivism, peace and conflict studies, the anti-nuclear and disarmament movements, wilderness and back-to-the-land experiences, and later in life fatherhood. Materials from Mainstream Media Project have been separated into the Mainstream Media Project Records.

Ann Stokes with Nanette the dog, 1972

Ann Richardson Stokes (1931-2016) was an activist, artist, and community builder across such issues as progressive politics, women’s and lesbian/gay rights, and the environmental and antinuclear movements. Stokes was born and educated in New Jersey, the daughter of Dr. Emlen Stokes and Lydia Babbott Stokes, and the great grand-daughter of Charles Pratt. A lifelong Quaker and longtime member of Putney Friends Meeting, Ann moved to Welcome Hill in West Chesterfield, NH in 1959. She helped build and run the studio retreat for women artists, Welcome Hill Studios, which has been inspiring and nurturing artists since the 1970s, and in 1985 Stokes published an account of the all-woman-built first studio in “A Studio Of One’s Own.” Ann purchased a large parcel of land in West Chesterfield with stone ruins left by Madame Sherri, a vaudeville costume designer known for her entertaining, and carried on her party tradition by hosting Nina Simone, Odetta, the Arthur Hall African-American Dance Troupe and many others. Ann eventually donated the parcel now known as the Madame Sherri Forest with many sites and trails, including the Ann Stokes Loop named in her honor. A talented writer and painter, Ann penned numerous thoughtful letters to editors across the country, but was happy to engage personally in social action as well, such as when she was jailed for two weeks for protesting the Seabrook Station nuclear power plant in 1977 or when she ran, unsuccessfully, for Sheriff in West Chesterfield.

The Ann R. Stokes Papers document Ann’s varied and passionate life of art, community building, Quakerism, and activism. The building and story of Welcome Hill Studios, as well as Ann’s famous parties, are well documented with scrapbooks, photographs, and posters. Her engagement with the Putney Friends Meeting is evident through numerous records and correspondence. Family photo albums and scrapbooks document the Stokes extended family history, and Ann’s own writing, photographs, and art (mostly original paintings and prints) make up a bulk of the collection. Ann’s collection of women/lesbian organization’s newsletters, mostly from the 1980s-2000s, with titles such as Lezzie Fair, Open Closet, Lesbian Connection, the Revolutionary & Radical Feminist Newsletter, show her engagement with local and national women’s issues.

Eleanor “Nina” Hathaway Swaim (1938-2015) was a feminist, environmental and antinuclear activist, antiwar organizer, and proponent of women’s collective enterprises globally. She was arrested for the final time just a month before her death, chained to the gates of a pipe yard in Williston, VT, protesting a fracked gas pipeline. Born into a conservative family in Sharon, MA, Swaim was radicalized during the mid-sixties by courses at the Free University on the Lower East Side and during the 1968 occupations at Columbia University, where she was an administrator. She joined the It’s All Right to be a Woman Theater in 1970 and toured the country with them before leaving New York City to work in a GI bookstore near a military base in Massachusetts, helping soldiers protesting the Vietnam War. Learning the printing trade, she moved to Vermont and co-founded the women’s collective press, New Victoria Press, worked as a mediation coordinator for the Vermont Supreme Court, and became a strong force in the antinuclear movement, helping found the Upper Valley Energy Coalition (UVCE), and co-authoring a book with Susan Koen, “A Handbook for Women on the Nuclear Mentality.” She met her husband, Douglas Smith, through UVEC, and the pair worked on numerous antinuclear, environmental, and other grassroots campaigns and protests together, including a project in Mozambique on water access, where Swaim worked as a cooperator with the revolutionary Organization of Mozambican Women. Other international work included picking cotton in Nicaragua, visiting Cuba under siege, and touring Gandhian centers in India to learn practical nonviolence and social change techniques. A practicing Buddhist, Swaim was an avid writer, gardener, beekeeper, and hiker, and in addition to her other causes, spearheaded numerous events related to the natural world, food security, and honeybees.

The Nina Swaim Papers offer an intimate look into the life of an indomitable and inspiring grassroots activist focused on both local Vermont issues and global concerns. Unpublished writings, clippings, and correspondence, as well as photographs, tapes, and scrapbooks reflect her international travels and work, as well as her community and concerns in the antinuclear and environmental movements based out of Vermont. Detailed writings, reflections, short stories, travel notes, and a comprehensive set of journals dating from the late sixties make up a large part of the collection. They are full of the musings of an activist pondering the meaning of women’s consciousness raising and conflict settlement, of worker collectives and other community building, of struggles and misunderstandings between lesbian and straight women, of power in organizations like Clamshell Alliance and the Upper Valley Energy Coalition, of motherhood and aging, and of the relationship between action for social change and spiritual practice.

UMass Amherst Black Pioneers T-Shirt logo, 2016

Moved to action after a successful and illuminating 2016 reunion of Black alumni of the University of Massachusetts Amherst, alumna Dr. Cheryl L. Evans (1968) decided to take on the critical project identified by the group, collecting and documenting the stories of the Black alumni who attended the University between 1960 and 1970. Dubbing these students “Black Pioneers,” given the dearth, and then growth, of Black students on campus during the decade, Evans used her connections with alumni and her history as a Black student leader to reach out about recording experiences for preservation and research purposes. In collaboration with Special Collections and University Archives, Evans began the “UMass Black Pioneers Project,” and sent an online questionnaire to around 85 alumni in September 2018. The survey addresses alumni’s backgrounds, academic and social experiences on campus, occasions of racial discrimination and activism, and current perceptions of the University and advice for students. Participation was voluntary, and is ongoing.

The UMass Black Pioneers Project Records contain some planning materials and correspondence for the project, and primarily consist of written answers made in response to the “UMass Black Pioneers Survey.” In addition to the questionnaire, participants were able to send in physical materials, or upload digital content, such as resumes, or videos of their responses, and the collection contains a few of these. Several participants willing to be interviewed were also connected with UMass Public History graduate students for oral histories in the Fall 2018 semester. These videos are a part of the record group, and there are plans to conduct additional interviews.

Charmaine Wijeyesinghe, ca. 2023

Charmaine Wijeyesinghe has studied, consulted, and written in the area of social justice education and organizational change for almost 40 years. She earned her bachelor’s in psychology (’80), a master’s in education (’85) and her EdD (’92) from the University of Massachusetts Amherst (UMass), and while a grad student worked as an administrator at UMass, including serving as Staff Associate to the Vice Chancellor of Student Affairs, Assistant Dean of Students, and Assistant University Ombudsperson. After defending her dissertation she became Dean of Student at Mount Holyoke College, and later turned to career as a consultant. She was National Program Consultant for the National Conference for Community and Justice, where she developed social justice programs and trainings, and is now an independent consultant and author who addresses the areas of organizational development, identity development, and social justice, working primarily with colleges and universities around the country. Her doctoral work on Multiracial adults, completed in 1992, yielded one of the first models of Multiracial identity development which was adopted into the anti-bias curriculum of the Anti Defamation League. Dr. Wijeyesinghe has published articles, book chapters, and edited multiple volumes on Multiracial identity, racial identity and conflict resolution practice, the evolution of social identity models, and intersectionality. Wijeyesinghe received the (inaugural) NCORE Award for Scholarship in 2017 and (with Johnston-Guerrero) the Multiracial Network of ACPA’s Innovation Award in 2021. She was inducted into the ACPA Diamond Honoree Program in 2024.

The Charmaine Wijeyesinghe Papers document two branches of Wijeyesinghe’s scholarly and public engagements in the fields of social identity, Multiracial issues, and the application of intersectionality to higher education. Wijeyesinghe’s work and output related to her doctoral degree and 1992 dissertation, Towards a Theory of Bi-Racial Identity Development: A Review of the Literature on Black Identity Development, White Identity Development, and Bi-Racial Identity Issues, are well documented, including coded transcripts from interviews and Wijeyesinghe’s work log. Wijeyesinghe’s extensive engagement at professional conferences and as a workshop trainer frames the remaining materials, which include training workbooks and presentation agendas, programs, and handouts.