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Amelia Earhart’s Underground Flying Society logo

Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s) was a lesbian social club based out of Lebanon, N.H., serving the Upper Valley area of Vermont and New Hampshire, and beyond. Reachable via an unnamed post-office box, the club began in 1979 and provided members not only with much sought after social, leisure, and entertainment opportunities, but also a unique community of peers for discussion and activities around political, educational, health, and legal issues of importance to women and lesbians. Like their famous namesake, the Amelia’s did not shy away from risks in supporting women, the feminist movement, or actions promoting and educating about lesbians. The group often overlapped with feminist and lesbian print shop and publishing company, New Victoria Press, and the Amelia’s often used the New Vic building for their meetings.

The Amelia Earhart’s Underground Flying Society Records consist of over 25 issues of the “Amelia’s Newsletter” from 1986-2000; two clippings covering news related to the group, including the repeated vandalization of their “Upper Valley Lesbians” Adopt-A-Highway Program sign; a 1994 audiocassette of interviews for an oral history of the Amelia’s; and a VHS tape of a community event held in 2003 to reflect on the women’s movement in the Upper Valley in the 1970s and 1980s. The newsletter offers detailed documentation of the group and their concerns, including calendars of their social gatherings and other local, regional, and national events of interest, and recaps of relevant news to the lesbian community including updates about politics, legal issues, civil rights and benefits, marriage, discrimination cases, women’s health, education and school issues, and lesbian focused social and entertainment events.

Amherst Study Circles: Dialogues on Race and Class flier

The Amherst Study Circles: Dialogues on Race and Class were a series of dialogue and project action groups begun in 2002 to discuss and enact social change in the school districts and communities around Amherst, MA. They arose as a response by the Amherst Regional High School (ARHS) Parent Center to a question to their group: What were they going to do about racism in the Amherst Schools? The ARHS Parent Center Board suggested the study circle model, and a round of facilitated pilot groups were run in February 2003. The successful pilots stirred the organizers to seek additional support, and with funding from the Amherst Education Foundation and the Amherst Drugs Free Partnership, additional groups were organized each year, building awareness, trust, and power amongst those striving to improve the community’s schools for all students. Almost 200 people, including school administrators, teachers, staff, students, parents, and community members participated over the course of several years, and each group culminated in an action forum and set up action groups to propose and enact tangible steps towards specific goals. Action groups affected change in school climate, policies, and course offerings, and organized a standing committee of the ARHS Parent Center called RaDAR: Race and Discipline, Action, Rights.

The Amherst Study Circles: Dialogues on Race and Class Records consist of descriptive materials from the ARHS Parent Center; an organizer’s binder with sections on the origin in 2002, participants, action groups, finances, curriculum, and evaluations; and additional materials such as evaluations for study circle sessions and facilitators, newspaper clippings of articles about the group and their work, and documents for student study circles, such as advertisements, curriculum, and certificates.

Frederick William Brazier (1852-1936) began his railroad career in 1877 as a car builder in his hometown of Boston, before working his way up the railroad business in Fitchburg, MA, where he was also involved with politics, including elected positions such as acting mayor of the city in 1893. He and his family then moved in 1893 to Chicago, IL, while he worked for the Illinois Central Railroad, and then left in 1899 for Yonkers, NY, where Brazier had an office in Grand Central Station while working for the New York Central Railroad. He concluded his career as Superintendent of Rolling Stock for the New York Central Railroad.

Brazier kept scrapbooks about the railroad throughout his life, and this collection includes two small (8×10) scrapbooks filled with clippings about the Fitchburg Railroad (and the town of Fitchburg in general), with a few pages about the New York Central Railroad. In addition to clippings, there is a small amount of related ephemera as well as personal items such as correspondence, Christmas cards, a few family photographs, and a 1904 pin recognizing Brazier as president of the Master Car Builders Association. Some scrapbook pages are stuck together and therefore inaccessible. A short biography of Brazier as well as his own essay, “My Railroad Service,” were included by the donor, a great-granddaughter of Brazier’s.

Center for International Education

Temporarily stored offsite; contact SCUA to request materials from this collection.

The Center for International Education (CIE) was established in 1968 as a research and implementation organization within the Department of Educational Policy, Research, and Administration in the College of Education at the University of Massachusetts Amherst. In partnership with the academic program in International Education, CIE helps to foster a community of learning and practice on campus and in international development settings, offering opportunities in the areas of International Development Education, Education Policy and Leadership, Nonformal/Popular Adult Education, Basic Education and Literacy, and Internationalizing U.S. Education. The Center has a long and successful history of grant and contract management for projects designing, implementing, and evaluating educational initiatives internationally, and does additional work locally, including Massachusetts Global Education for teachers, and educational and leadership trainings for transitioning students and for immigrant and refugee communities. Additional material from CIE is available through the university’s institutional repository, ScholarWorks.

The bulk of this record group consists of files associated with CIE projects, organized by country and topic, including projects in Central Asia, South Asia, Central and South America, the Middle East, North America, and numerous projects in Africa. The records of CIE faculty member David R. Evans are heavily documented, particularly his work in Uganda. This material also includes multiple examples of “games” used by the Center in various teaching and training sessions to stimulate discussion and creativity. Additional records cover the administrative history of CIE, including founding materials and early files, reports and committee records, newsletters, photographs, and information about Center activities, celebrations, and visitors. A number of CIE publications, including their series, Technical Notes, are also available.

Maurice Elmer Cook: studio portrait, Massachusetts Agricultural College, 1895

Born in Marlborough in 1876, Maurice Elmer Cook moved to Shrewsbury at the age of two, when his father, Herbert, purchased property on Floral Street for his market gardening and greenhouse flower and vegetable business. Maurice Cook stayed in the family business, and joined the Massachusetts Agricultural College class of 1897 to further his education in agriculture and market gardening. He worked at the plant house while attending MAC, and often took trips with classmates to hike local fields and ranges in the Pioneer Valley area to collect specimens. Cook was a member of the College Shakespeare Club, the YMCA, the Natural History Society, the Washington Irving Literary Society, and Sergeant in Battalion Org, Company A on campus. He roomed with Harry T. Edwards, of Chesterfield, in South College his first year, and in North College with Charles Adams Peters, from Greendale, for his second and third years. Cook left college early, in November 1895, on account of rheumatism, and did not return. After a trip to Pasadena, CA for his health, Cook returned to Shrewsbury, where he would live and work for the rest of his life. He built a new property and greenhouses there after his 1906 marriage to Carrie Harrington. Both died in Shrewsbury in 1931, leaving behind their three daughters, Gertrude, Elizabeth (class of 1934), and Florence.

The Cook Papers present a detailed view into the daily life and activities of an early MAC student, as well as a look into the infrastructure and organization of the MAC campus. Cook wrote home regularly, and the over 80 letters from his two and half years at the college offer significant coverage of his classes and studies, his living arrangements and financial needs, activities on campus and in Amherst, natural and agricultural locales, travel logistics for students, and updates on MAC buildings. In addition to the rich set of correspondence, the collection includes a small but unique set of photographs of MAC grounds and students, additional photographs taken by Cook, several MAC produced postcards, and Cook’s 1894 College Shakespearean Club certificate.

“The Bill Cosby Radio Program” was a daily syndicated radio series of roughly 5-minute comedy inserts by Cosby and produced by Frank Buxton (who also served as the show’s announcer and comedic “straight man”). Along with sound man Gene Twombly, Cosby and Buxton improvised the episodes, which were syndicated to more than 200 top-40 radio stations around the nation on transcription discs by The Coca-Cola Company and distributed by McCann-Erikson (Coke’s ad agency). The show marked the beginning of Cosby’s long association with Coca-Cola and was the debut of many characters from Cosby’s comedy.

This collection features twelve radio broadcast transcription discs (one 12-inch disc and eleven 16-inch discs) of “The Bill Cosby Radio Program” containing programs #21-130 (1968 Jan 29-Jun 24) and programs #141-145 (1968 Jul 15). The disc labels contain the original program description and art.

War on Poverty cartoon from New Haven ERAP Newsletter, July 23, 1965

The Economic Research and Action Project (ERAP) was a community organizing project sponsored by the Students for a Democratic Society (SDS). It began in 1963, with SDS activists working in low-income urban neighborhoods to help residents come together to identify and agitate for shared needs. While practical goals included education and advocacy for welfare rights, youth programing such as free school lunches, and increasing minority participation in local politics, the program as a whole had grand aspirations of abolishing poverty and ending racial inequality through an interracial and community organized movement of the poor in America. The largest and longest lasting projects were located in Boston, Chicago, Cleveland, and Newark, but multiple cities had ERAP groups. While none achieved an ongoing interracial movement of the poor, all had lasting effects in bringing minority and urban resident voices to the SDS platform, in teaching the skills, obstacles, and possibilities of community organizing, and in encouraging individuals, both from SDS and local neighborhoods, to participate and engage with diverse people in seeking social change.

New Haven ERAP Records are a small but rich collection, mainly consisting of three summer of 1965 issues of the ERAP Newsletter from the New Haven Project. Additional materials include a clipping from the April 30, 1965, Life issue featuring photographs of New Haven ERAP members working in a “slum called The Hill”; two printed photographs from Life not used in the article; and a written report and supporting research interview on the failure of the New Haven corporation Community Progress, Inc., to provide good services and comply with the requirements of the Economic Opportunity Act and the Community Action Program Guide.

Cheryl Evans singing at Medford High School, ca. 1962

A lifelong activist, performer, and educator, Cheryl Lorraine Evans was born in 1946 in west Medford, MA, the eldest of five. As a high school student, Evans attended the march on Washington in 1963, and was then the first in her family to attend college, in 1964 joining the largest class at UMass Amherst to date. She graduated four years later as a pivotal organizer of African American students across campus, the Five Colleges, and in the region – during the period when Black student groups, the Black Cultural Center, and the Black Studies department all had their origins at UMass. Evans was the first elected president of an African American student organization at UMass, and remains an organizer to this day, particularly as a key connector for Black alumni and through her UMass Black Pioneers Project.

Evans went on to work at UMass as an assistant area coordinator of Orchard Hill, an area housing the majority of the students of color and CCEBS students on campus at the time, and then for the Urban University Program at Rutgers University. She worked for over a decade in early childhood education, mostly in New Jersey and New York City, then while working for the State of Massachusetts received her MA in Communication from Emerson College, partially to help her public radio show, “Black Family Experience.” Evans was the first African American woman to run for City Council in Medford, and was appointed to the Massachusetts Area Planning Council by Governor Dukakis. She taught for five years at Northshore Community College, received her PhD from Old Dominion University in 1997, and ended her career at Bloomfield College, where she was a professor for 18 years until her retirement in 2016. A prolific singer as a child and young adult, Evans was, and continues to be, a performance artist, with several theater pieces focused on Black history, all in addition to her outreach, organizing, and workshops, many focused on increasing the number of Black graduate and doctoral students.

The Cheryl Evans Papers document over 60 years of the life of the educator and activist, including childhood report cards and essays, clippings from the civil rights movement she followed and joined as a high school student, undergraduate records and ephemera, documentation of Black UMass alumni events, and records from her careers in public advocacy, education, and the theater. Evan’s time at UMass is especially well documented, including schoolwork, numerous photographs of student life on campus, social and political organization records, including contact lists of and correspondence with Black students, and the original protest demands from the 1970 Mills House protest and march to Whitmore.

Corn sample, Herbarium of Walt C. Galinat, 1971

Born in 1923 in Manchester, Connecticut, Walton Clarence Galinat was a corn enthusiast for almost his entire life. He worked with various aspects of corn in high school, as an undergraduate student assistant at the Connecticut Agricultural Experiment Station, in graduate school at the University of Wisconsin, as a research associate at Harvard University, and finally, as a professor at the University of Massachusetts Amherst, where he worked at the Waltham Field Station as a plant geneticist from 1964 until his retirement in 1990. A contributing author to more than 300 published papers, Galinat spent significant parts of his research career in Mexico studying ancient maize, but was also deeply embedded in New England farming and corn production and sustainability. In addition to his world-renowned research on corn evolution, morphology, and diversity, he is credited with the development of many varieties of corn, including Candy Stick, “airplane corn,” and a red, white, and blue kernel variety. His skill as an artist was also recognized across his field and beyond, with his articles often accompanied by beautifully detailed illustrations of corn samples, his widely distributed and used teaching illustrations, and with a few of his hand-drawn corn diagrams permanently displayed in the National Academies Building in Washington D.C. The Waltham Experiment Station building retains several of Galinat’s oversized 3D art models of corn plant migrations and lifecycles to this day. Amongst many honors, Galinat was awarded the prestigious Distinguished Economic Botanist Award from the Society for Economic Botany in 1994.

The Walton C. Galinat Papers document Galinat’s academic, service, research, and artistic work during his time at the Waltham Experiment Station while employed as a professor at the University of Massachusetts Amherst. Roughly half the collection is administrative and professional materials, including correspondence; research files and journals, with numerous detailed hand-drawn illustrations; Experiment Station and Hatch annual reports and grants; UMass administrative memos, reports, and files; and photographs of corn samples as well as individuals from Experiment Station, Home Economics, and 4H clubs. The other half of the collection consists of three-dimensional corn display samples and pressed corn and grass from Galinat’s personal herbarium.

Barbara Gittings and her life partner Kay Tobin Lahusen were pioneers in the gay rights movement. After coming out during her freshman year at Northwestern University, Gittings became keenly aware of the difficulty of finding material to help her understand her gay identity. An inveterate organizer, she helped found the New York chapter of the early Lesbian organization, the Daughters of Bilitis (DOB) in 1957, and she became well known in the 1960s for organizing the first gay rights demonstrations at the White House and Independence Hall. Gittings later worked with organizations from the American Library Association to the American Psychiatric Association to address systematic forms of anti-gay discrimination.
The Gittings-Lahusen Gay Book Collection contains nearly 1,000 books on the gay experience in America collected by Gittings and Lahusen throughout their career. The contents range from a long run of The Ladder, the DOB magazine co-edited by the couple, to works on the psychology and sociology of homosexuality, works on religious and political issues, novels and histories by gay authors, and examples of the pulp fiction of the 1950s and 1960s.

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