Woodbury, Walter B. (Walter Bentley), 1834-1885

Walter Bentley Woodbury was born in Manchester, England, in 1834 and was raised by his maternal grandfather. In 1857, still in his early twenties, Woodbury traveled to Java where he founded a busy photographic firm with James Page, and between them, they took the majority of the known photographs of Batavia (present day Jakarta) from the latter part of the 19th century. The two men, accompanied by Walter’s brother, Henry James Woodbury, traveled extensively through Central and Eastern Java in 1860, relatively soon after which the photographers went their separate ways. Woodbury remained in Batavia.

In 1863, Woodbury and Page offered a list of sixteen topographical photographs of the city for sale in albumen format. These images are considered the first of their sort from Batavia, which was originally established in 1619 as a colonial supply station for the VOC (Vereenigde Oost-Indische Compagnie), or the Dutch East Indies Trading Company. Prospering during the 17th and 18th centuries as part of the spice trade, Batavia was a regional center for commerce and colonial administration, but particularly after a wall was erected around the city for security, it gained a reputation as “the Graveyard of Europeans,” due to the poor sanitation and the stagnation of the canal system.

Although Woodbury worked initially with the wet-plate collodion negatives and albumen positive prints, he was an avid experimenter in photography, trying his hand at photoceramics, stereoscopic photography, stereoscopic projection, balloon photography, and electromagnetic shutters. He is perhaps most widely known for the photomechanical process he developed in 1866, the Woodburytype. Woodbury died in England in 1885.

The Woodbury Collection consists of 42 medium-format albumen topographical photographs of Java produced by the firm of Woodbury and Page during the 1860s. The majority of photographs were taken in Batavia (modern day Jakarta), with a few from Surabaya and Buitenzorg (modern day Bogor). While Woodbury focused primarily on landscape, several photographs — particularly those from Batavia — depict members of the European community, their homes, clubs, and meeting places. Among the sites represented in the collection are the Harmonie Club House, Monlenvliet canal, Michiels Monument, Welsevreden Palace, Willems Church, the residence of Martinus Petrus Pels, and the Governor’s palace at Buitzenborg. Photographs of the Tanah Abang house are annotated as “our” house by a person with the initials S.H.W., and who also locates the house in relation to other landmarks and homes in the area.

The photographs are arranged in alphabetical order by title, as supplied by S.H.W. or (perhaps) the photographer.

• John Thomson Photograph Collection (PH 2)
• Felice Beato Photograph Collection (PH 4)