The economic geographer Julie Graham (1945-2010) and her colleague Katherine Gibson have been influential in envisioning alternatives to capitalist economics and economic development. After studying at Smith College (BA, 1965) and Clark University (PhD, 1984), Graham joined the faculty at UMass Amherst where she helped shape the new graduate program in geography. From early in her career, she worked so closely with her Australian colleague Gibson that they often published jointly under the pen name J.K. Gibson-Graham, and Graham developed close working relationships across several departments at UMass. A prolific author and inspiring mentor for students, Graham’s academic work drew upon an innovative mix of political economy, poststructuralist theory, feminism, and community-based research. Among her more significant publications are the now-classic The End of Capitalism (As We Knew It): A Feminist Critique of Political Economy (1996), on representations of capitalism and their political effect, A Postcapitalist Politics (2006), which explores alternatives to capitalism, and two edited volumes, Class and Its Others (2000) and Re/Presenting Class (2001). Graham died in Nashville on April 4, 2010.
The Graham Papers offer a detailed perspective on the radical geographer Julie Graham. The collections documents Graham’s life and career beginning in her undergraduate years and extending through her last research projects in community economies. Through correspondence and writings, photographs, and research — closely intertwined with her colleague Katherine Gibson — the collection gives shape of Graham’s radical challenge to human geography tinged with an optimistic economic and social possibility. The collection also includes letters, photographs, and genealogical matter relating to Graham’s family, extending back to the time of the First World War.
University of Massachusetts Amherst--Faculty
University of Massachusetts Amherst. Department of Geosciences
Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town’s population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.
The records of Greenwich, Mass., offer a long perspective on the history of the region inundated to create the Quabbin Reservoir. The core of this collection consists of the records of town meetings and the Selectmen of Greenwich from the Proprietary period in the 1730s through disincorporation in 1938, but there is some documentation of the town’s Congregational Church, a local school, the library, and the Greenwich Improvement Society. This finding aid reflects both materials held by SCUA and materials digitized in partnership with the Swift River Valley Historical Society in New Salem, Mass.
Western Massachusetts political leader, publisher, and banker (1881-1960), Trustee of the University of Massachusetts (1940-1956), and founder, editor and publisher of the Greenfield Recorder newspaper (1912-1928); political positions included State Representative (1909-1913), State Senator (1913-1915, 1923-1927), and State Treasurer (1929-1930); in 1934, was Republican candidate for Lieutenant Governor, and in 1936, candidate for Governor.
The Haigis collection includes scrapbooks (1903-1936), chiefly of clippings, together with speeches (1936), posters, badges, campaign material, and photographs, mainly from Haigis’s unsuccessful campaigns for lieutenant governor (1934) and governor (1936); and tape of an interview (1974) with Leverett Saltonstall about Haigis, conducted by Craig Wallwork.
Massachusetts--Politics and government--1865-1950
Montague (Mass. : Town)--Politics and government--20th century
Political candidates--Massachusetts--History--20th century
Writer, editor, and educator, Anne Halley was born in Bremerhaven, Germany in 1928. A child during the Holocaust, she relocated with her family to Olean, New York during the late 1930s so that her father, who was Jewish, could resume his practice of medicine. Graduating from Wellesley and the University of Minnesota, Halley married a fellow writer and educator, Jules Chametzky, in 1958. Together they raised three sons in Amherst, Massachusetts where Chametzky was a professor of English at UMass and Halley taught and wrote. It was during the late 1960s through the 1970s that she produced the first two of her three published collections of poetry. The last was published in 2003 the year before she died from complications of multiple myeloma at the age of 75.
Drafts of published and unpublished short stories and poems comprise the bulk of this collection. Letters to and from Halley, in particular those that depict her education at Wellesley and her professional life during the 1960s-1980s, make up another significant portion of her papers. Publisher’s correspondence and a draft of Halley’s afterward document the Chametzkys effort to release a new edition of Mary Doyle Curran’s book, The Parish and the Hill, for which Halley and Chametzky oversaw the literary rights. Photographs of Halley’s childhood in Germany and New York as well as later photographs that illustrate the growth of her own family in Minnesota and Massachusetts offer a visual representation of her remarkable professional and pesonal life.
William E. Harding Collection, 1972-2003 (Bulk: 1972-1981).
2 boxes (1 linear feet). Call no.: MS 843
As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.
Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.
An inventor, entrepreneur, and corporate executive, Carl C. Harris was the third of four generations of his family to help manage the Rodney Hunt Company, a major manufacturer of waterwheels, turbines, and textile machinery based in Orange, Mass. While still in high school in 1898, Harris already displayed a sharp business and technical eye, establishing the first telephone company in Orange, and he began his career after graduation from Worcester Polytechnical Institute, working as a draftsman for GE and then as a superintendent at Rodney Hunt. After a brief stint at the Simplex Time Recorder Company in Gardner, Harris returned to Rodney Hunt for good in 1912. After acquiring a controlling interest in 1917, he remained with the company in several capacities through the Depression and Second World War, serving as general manager, vice president, and treasurer, and from 1938-1947, as president. Throughout his career, Harris remained active in developing or improving a variety of new products and processes, registering a total of 99 patents, and he regularly used his offices at Rodney Hunt to launch other, smaller enterprises, including the Slencil Company,which manufactured mechanical pencils; Riveto, which produced toys and a paper fastening device; and Speed-Mo, a manufacturer of a moistening pad system. Harris retired in 1956 and died four years later in Orange at the age of 79.
The Harris Papers are centered closely on the entrepreneurial activity of Carl C. Harris, and include a particularly thick set of business records for the Slencil Company (ca.1935-1960) and the Riveto Company (1930s-1940s), and the slender record book of the Home Telephone Company. In addition to these, the collection includes many dozen slencils, including prototypes, speciality models, presentation sets, store displays, and marketing designs; examples of Riveto toys, Simplex inventions, flotation devices, and other oddities invented by Harris, along with the associated patents.
A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.
The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.
Abbaye (Nightclub : Paris, France)
African American actors--France--Paris--History
African American singers--France--Paris--History
African Americans in the performing arts--History
African-American theater--History--20th century
Baldwin, James, 1924-
Dodson, Owen, 1914-
Hughes, Langston, 1902-1967
Paris (France)--Intellectual life--20th century
Rive gauche (Paris, France)--Intellectual life--20th century
Studio Theater of Paris
Theater--Production and direction--France--Paris--History
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.
Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.
Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.
The self-styled “insane architect” Aurin F. Hill (b. 1853) was a free thinking carpenter and architect in Boston who waged a concerted campaign for his vision of social reform at the turn of the twentieth century. A Spiritualist, social radical, and union man, Hill carried the torch for issues ranging from the nationalization of railroads and corporations to civil rights and women’s rights, and joined in opposition to vaccination, Comstockery and censorship, capital punishment, and lynching. A writing medium, married to the Spiritual evangelist Izetta Sears-Hill, he became President of the National Spiritual Alliance in 1915, a Spiritualist organization based in Lake Pleasant, Mass.
Esoteric, rambling, and often difficult to follow, the Hill papers provide profound insight into the eclectic mind of an important Boston Spiritualist and labor activist at the turn of the twentieth century. Whether written as a diary or scattered notes, a scrapbook, essays, or letters to the editor, Hill’s writings cover a wide range of topics, from spirit influence to labor law, from his confinements for insanity to police strikes, hypnotism, reincarnation, and housing. More than just a reflection of one man’s psychology, the collection reveals much about broader social attitudes toward gender and race, sexuality, urban life, politics, and religion, and the collection is a particularly important resource for the history of the American Spiritualist movement between 1890 and 1920.
Lake Pleasant (Mass.)--History
National Spiritual Alliance
United Brotherhood of Carpenters and Joiners of America