Collecting area: Performing arts Page 6 of 8
Niedeck, Arthur E.

Arthur E. Niedeck Papers

ca.1875-1984
18 boxes 12 linear feet
Call no.: FS 029

A Professor of Speech in the English Department at UMass Amherst, Arthur Ellsworth Niedeck was born in Ithaca, N.Y., in 1910, and educated at Ithaca College (BS) and Cornell University (MA). He began his career teaching theater in Ithaca schools prior to the Second World War, and after a stint working with the USO, joined the Speech Department at UMass in about 1947. An advisor to the Roister Doisters, the UMass theatre troupe, Niedeck became Professor and Head of Speech Department by the late 1950s and was involved in producing and supporting theater on campus for nearly four decades. Niedeck died in Amherst in June 1984.

Joining a small quantity of memorabilia, handbills, and fliers, the Niedeck collection consists primarily of audio recordings of theatrical productions he oversaw at UMass Amherst. Copyright was retained by Niedeck.

Gift of Vincent Brann, May 1989 (89-018)

Subjects

  • Roister Doisters
  • Theater--Massachusetts--Amherst
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Speech Department

Types of material

  • Sound recordings
Restrictions: Copyright was retained by the donor.
Nineteenth Century Theatre

Nineteenth Century Theatre Records

1987-1996
4 boxes 6 linear feet
Call no.: MS 469

Established in 1983 and published twice a year at UMass Amherst with the support of Five Colleges, Inc., Nineteenth Century Theatre offered scholarly, critical, and documentary coverage of a broad range of subjects. Issues of the journal contained essays, documents, book reviews, bibliographical studies, and analyses of archival holdings.

The records of the journal include essays and reviews submitted for publication, correspondence, and published issues.

Subjects

  • Theater--History and criticism
  • Theater--History--19th century
  • Theater--Periodicals
Olevsky, Julian, 1926-1985

Julian Olevsky Score Collection

1898-1966
2 boxes 3 linear feet
Call no.: MS 438

Ranked amongst the great violinists of his generation, Julian Olevsky served as Professor of Violin at the University of Massachusetts Amherst from 1967-1985. The collection consists of annotated scores belonging to Julian Olevsky, the bulk of which contain parts for the violin and piano.

Gift of Estella Olevsky, 2002

Subjects

  • Music--18th century
  • Music--19th century
  • Music--20th century
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Music and Dance

Contributors

  • Olevsky, Estela
  • Olevsky, Julian, 1926-1985
Playgoers’ Club (London, England)

Playgoers' Club Records

1884-1892
1 box 0.25 linear feet
Call no.: MS 351

Founded by Heneage Mandell in 1884, the London Playgoers Club met regularly “to afford members facilities for Critical Theatrical Discussions… in the form of… debate[s].” Playgoers in Victorian England did not generally enjoy a favorable reputation, stereotyped as abrasive at best and dangerous at worst. Mandell and his colleagues sought to promote a more genteel image of playgoers while nurturing a relationship between the players and audience.

The core of the Playgoers Club collection consists of a series of meeting minutes from 1884 to 1892, a list of all members who ran in club elections, and a brief, handwritten history of the club.

Subjects

  • Theater audiences--England--London
  • Theater--England--London
  • Theater--Societies and clubs--Great Britain

Contributors

  • Playgoers’ Club (London, England)

Types of material

  • Minutes (Administrative records)
Plenzdorf, Ulrich, 1934-2007

Ulrich Plenzdorf Collection

1970-1979
1 box 0.25 linear feet
Call no.: MS 978

An East German screenwriter and playwright, Ulrich Plenzdorf was born into a Communist family in the working-class Kreuzberg district of Berlin in 1934, settling in East Germany after the war. Abandoning his undergraduate studies in philosophy at the University of Leipzig, Plenzdorf worked as a stagehand at the DEFA film studio while studying at the film academy in Babelsberg. His breakthrough as a writer came with the play Die neuen Leiden des jungen W (1972), which enjoyed enormous success internationally, selling more than four million copies in 30 languages. A year later, he followed up with the popular film, Die Legende von Paul und Paula (1973), and his popularity as a writer continued through unification. Plenzdorf died in Berlin on Aug. 9, 2007, at the age of 72.

This small collection includes research files on the screenwriter Ulrich Plenzdorf assembled by Albert R. Schmitt, a professor of German at Brown University. In addition to an early edition of Die neuen Leiden and a mimeograph copy of an English translation by Herbert Lederer, the collection includes a handful of letters and a few pieces of ephemera from early productions of Die neuen Leiden, along with reviews and scholarly articles of Plenzdorf’s work.

Gift of Barton Byg, June 2017
Language(s): German

Subjects

  • Dramatists--Germany (East)
  • Plenzdorf, Ulrich, 1934-2007. Neuen Leiden des jungen W.
  • Screenwriters--Germany (East)

Contributors

  • Schmitt, Albert R.

Types of material

  • Ephemera
  • Posters
Pollock, Robert J.

Robert J. Pollock Souvenir Collection

1904-1954
1 box 0.5 linear feet
Call no.: MS 388

Brought together by Robert J. Pollock, this collection of souvenirs consists chiefly of playbills from New England and New York productions, and includes programs from ice skating shows, circuses, and musical revues.

Subjects

  • Theater--History--20th century

Contributors

  • Pollock, Robert J

Types of material

  • Playbills
Primus, Pearl

Pearl Primus Collection

1995-2006
3 boxes 1.25 linear feet
Call no.: MS 912

A pioneer of African dance in the United States and a vital scholarly voice, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Trinidad in 1919 and raised in New York City, Primus was introduced to performance through the National Youth Administration and the New Dance Group. Her interest in the dance cultures of Africa and the African diaspora formed the conceptual center of her work throughout her career, drawing upon her deep scholarly research. In addition to her creative work, Primus earned a doctorate in anthropology from NYU and taught at a number of universities, including the Five Colleges. She died in New Rochelle, N.Y., in October 1994.

Conducted with Pearl Primus’ fellow dancers, musicians, friends, and collaborators between 1995 and 2005, the interviews comprising this collection were recorded by Peggy and Murray Schwartz for use in their book, The Dance Claimed Me: A Biography of Pearl Primus (New Haven, 2011). The oral histories provide insights into Primus’s sometimes controversial life career, her performances, teaching, and legacy.

Gift of Peggy and Murray Schwartz, Dec. 2013

Subjects

  • Choreographers
  • Dance--Africa
  • Dancers

Contributors

  • Nash, Joe, 1919-2005
  • Washington, Donald

Types of material

  • Audiocassettes
  • Betacam-SP
  • Videotapes
Rand, Frank Prentice, 1889-

Frank Prentice Rand Papers

1905-1976
5 boxes 2.5 linear feet
Call no.: FS 083
Image of Frank Prentice Rand
Frank Prentice Rand

Playwright, poet, historian, student theater director and professor of English, University of Massachusetts.

Correspondence, speeches, lectures, drafts of writings, reviews, publicity material, programs and playbills, scrapbooks, grade books (1917-1959), newsclippings, memorabilia, and other papers, relating to Rand’s teaching career, his writing of poetry, plays, and history, and his activities, as a dramatic coach and director. Includes material relating to the dedication of Rand Theater.

Connect to another siteListen to oral history with Rand's wife:
Oral history, part 1
Oral history, part 2

Subjects

  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of History

Contributors

  • Rand, Frank Prentice, 1889-

Types of material

  • Oral histories
  • Scrapbooks
Ring, Hans Joachim

Hans Joachim Ring Collection of East German Cinema

1945-1990
10 boxes 4.75 linear feet
Call no.: MS 566
Image of Bummi
Bummi

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

Acquired from Ann Langevin, May 2008
Language(s): German

Subjects

  • Children's films--Germany, East
  • Motion pictures--Germany, East

Contributors

  • Deutsche Film Aktiengesellschaft
  • Progress Film-Vertrieb
  • Ring, Hans Joachim

Types of material

  • Fliers (Printed matter)
  • Handbills
  • Programs
Rooney, Jim, 1938-

Jim Rooney Collection

1960-2014
5 boxes 6.5 linear feet
Call no.: MS 1016
Part of: Folk New England Collection

A producer, performer, writer, and pioneer in Americana music, Jim Rooney was born in Boston on January 28, 1938 and raised in Dedham. Inspired to take up music by the sounds of Hank Williams and Leadbelly he heard on the radio, he began performing at the Hillbilly Ranch at just 16 years old, taking to music full time after an undergraduate degree in classics at Amherst College and an MA at Harvard. As manager of Club 47, Rooney was at the epicenter of the folk revival in Boston, becoming director and talent coordinator for the Newport Folk Festival beginning in 1963, a tour manager for jazz musicians in the late 1960s, and by 1970, a producer. After managing Bearsville Sound Studios in Woodstock, NY, for Albert Grossman, he moved to Nashville, where he has produced projects by Hal Ketchum, Townes Van Zandt, Iris DeMent, John Prine and Bonnie Raitt, among others, winning a Grammy award in 1993 for his work with Nanci Griffith.

Documenting a varied career in American music, the Rooney collection contains material from two of Rooney’s books on the history of American music, Bossmen: Bill Monroe and Muddy Waters (1971) and Baby, Let Me Follow You Down (1979), his autobiography In It For the Long Run (2014). In addition to correspondence and other content relating to his collaborations with key Americana musicians and his record production career in Nashville, the collection includes valuable interview notes, photographs, recordings, and news clippings.

Gift of Jim Rooney through Folk New England, Mar. 2018

Subjects

  • Club 47 (Cambridge, Mass.)
  • Folk music--Massachusetts--Boston
  • Producers and directors

Types of material

  • Photographs