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Collection area: Media (page 1 of 2)

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Bergman, Borah

Borah Bergman Papers
ca. 1970-2012
30 boxes (20 linear feet)
Call no.: MS 806
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Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.

The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.

Subjects
  • Free Jazz--United States
  • Jazz musicians--United States
Types of material
  • Scores
  • Sound recordings

Center for Community Access Television (Amherst, Mass.)

Center for Community Access Television Records
1973-1989
1 box (0.5 linear feet)
Call no.: MS 293

Group comprised of students from the University of Massachusetts and community members who sought to develop and promote cultural, literary, charitable, educational and public affairs television programming. Records include by-laws, articles of organization, organizational histories, annual reports, meeting minutes, correspondence, program schedules, subject files, brochures, handbills, news clippings, and materials relating to a proposed merger with University of Massachusetts Cable Vision. In 1989, CCATV was renamed Amherst Community Television (ACT).

Subjects
  • Amherst (Mass.)--Intellectual life--20th century
  • Cable television--Massachusetts--Amherst--History
  • Public-access television--Massachusetts--Amherst--History
  • Television programs--Massachusetts--Amherst--History
Contributors
  • Center for Community Access Television (Amherst, Mass.)
Types of material
  • Handbills

The Cosby, Bill, 1937-

The Bill Cosby Radio Program Collection
1968 Jan-Jul
12 phonograph records (.3 linear feet)
Call no.: MS 981

“The Bill Cosby Radio Program” was a daily syndicated radio series of roughly 5-minute comedy inserts by Cosby and produced by Frank Buxton (who also served as the show’s announcer and comedic “straight man”). Along with sound man Gene Twombly, Cosby and Buxton improvised the episodes, which were syndicated to more than 200 top-40 radio stations around the nation on transcription discs by The Coca-Cola Company and distributed by McCann-Erikson (Coke’s ad agency). The show marked the beginning of Cosby’s long association with Coca-Cola and was the debut of many characters from Cosby’s comedy.

This collection features twelve radio broadcast transcription discs (one 12-inch disc and eleven 16-inch discs) of “The Bill Cosby Radio Program” containing programs #21-130 (1968 Jan 29-Jun 24) and programs #141-145 (1968 Jul 15). The disc labels contain the original program description and art.

Gift of Jerry Reed, June 2017.
Subjects
  • African American comedians
  • Buxton, Frank
  • Coca-Cola Company
  • Cosby, Bill, 1937-
  • Radio comedies
  • Radio programs
Types of material
  • Phonograph records
Restrictions: SCUA does not currently have the appropriate media to play these records.

Freeman, James A., 1935-

James A. Freeman Broadcast Radio Collection
ca.1930-1955
18 boxes (27 linear feet)
Call no.: MS 759

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.

The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.

Subjects
  • Radio
Contributors
  • Freeman, James A., 1935-
Types of material
  • Audiocassettes

Kraner, Doug

Doug Kraner Collection
1978-2014
3 boxes, 7 tubes (4 linear feet)
Call no.: MS 942
Image of Doug Kraner (right)<br />Photo By <a href='http://www.mylesaronowitz.com/'>Myles Aronowitz</a>
Doug Kraner (right)
Photo By Myles Aronowitz

With an MFA in theater from UMass Amherst (1979), Doug Kraner built a career of thirty five years that grew from scenic design for the stage into production design for feature films and television. After his time in Amherst, Kraner taught at SUNY Stonybrook and worked on and off-Broadway, but by 1981, he moved to Hollywood and began a film career as set decorator for My Dinner With Andre (1981). Among dozens of credits as art director or production designer, Kraner worked on commercially successful films such as Uncle Buck, Lean on Me, Sleeping with the Enemy (which was the start of a long and productive working relationship with the director Danny Cannon), Extreme Measures, and I Still Know What You Did Last Summer. He received an Emmy nomination in 1983 for Little Gloria… Happy at Last, and in his work on the television show Gotham in 2014-2015 earned both Emmy and Art Directors Guild Award nominations. After a lengthy struggle with cancer, Kraner died on April 4, 2016.

Organized project by project, the Kraner collection includes a cross-section of work from a production designer in the film and television industries from the 1980s to 2010s. Although the depth of coverage and contents vary from film to film, the files may contain anything from rough concept sketches to finished designs, photographs of three-dimensional models, and schematics for the construction of sets, and in the aggregate, the work documents the transition from paper-based to purely digital production techniques. Kraner retained a small number of sketches from his time as a graduate student at UMass Amherst, two sketchbooks, and a portfolio of his work for film.

Gift of Ron Duby, Sept. 2016

Lichtenstein, Bill

Bill Lichtenstein Collection
1965-1976
2 boxes (3 linear feet)
Call no.: MS 790
Image of Bill Lichtenstein,1973. Photo by Don Sanford
Bill Lichtenstein,1973. Photo by Don Sanford

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.

Subjects
  • Alternative radio broadcasting--Massachusetts
  • Boston (Mass.)--History--20th century
  • Jamaica--History--1962-
  • WBCN (Radio station : Boston, Mass.)
Contributors
  • Schechter, Danny
Types of material
  • Photographs
  • Sound recordings
  • Videotapes

Lyons, Louis Martin

Louis Martin Lyons Papers
1918-1980
9 boxes (4.5 linear feet)
Call no.: RG 002/3 L96
Image of Louis M. Lyons
Louis M. Lyons

As a journalist with the Boston Globe, a news commentator on WGBH television, and Curator of the Nieman Foundation for Journalism at Harvard, Louis M. Lyons was an important public figure in the New England media for over fifty years. A 1918 graduate of Massachusetts Agricultural College and later trustee of UMass Amherst, Lyons was an vocal advocate for freedom of the press and a highly regarded commentator on the evolving role of media in American society.

The Lyons Papers contain a selection of correspondence, lectures, and transcripts of broadcasts relating primarily to Lyons’ career in television and radio. From the McCarthy era through the end of American involvement in Vietnam, Lyons addressed topics ranging from local news to international events, and the collection offers insight into transformations in American media following the onset of television and reaction both in the media and the public to events such as the assassinations of John F. Kennedy and Martin Luther King, the war in Vietnam, and the social and political turmoil of the 1960s.

Subjects
  • Boston Globe
  • Civil rights movements
  • Freedom of the Press
  • Frost, Robert, 1874-1963
  • Johnson, Lyndon B. (Lyndon Baines), 1908-1973
  • Journalistic ethics
  • Journalists--Massachusetts--Boston
  • Kennedy, John Fitzgerald, 1917-1963
  • King, Martin Luther, Jr., 1929-1968
  • Television
  • University of Massachusetts. Trustees
  • Vietnam War, 1961-1975
  • WGBH (Television station : Boston, Mass.)
  • World War, 1914-1918
Contributors
  • Lyons, Louis Martin, 1897-
Types of material
  • Letters (Correspondence)
  • Speeches

Mainstream Media Project

Mainstream Media Project Records
1995-2012
11 boxes (16 linear feet)
Call no.: MS 976

A World of Possibilities logo, ca. 1998

Founded in 1995, by founder and former executive director Mark Sommer, the Mainstream Media Project (MMP) was a nonprofit public education organization focused on print and broadcast media about creative approaches in achieving peace, security, and sustainability in an interdependent global community. Until its closing in early 2014, it was particularly involved with placing top policy analysts, social innovators, and on-the-ground organizers on radio and television stations across the country and globe. One such project, A World of Possibilities radio show, founded in 2001, was an award-winning one hour weekly show hosted by Sommer. A program “of spirited global conversations,” featuring interviews searching for understanding of, and solutions to, longstanding global public affairs challenges, A World of Possibilities was nationally and internationally syndicated until it ceased broadcasting in 2011.

The MMP Records contain over ten linear feet of CD and DVD masters of uncut interviews and produced radio shows. Shows, including Heart of the Matter and A World of Possibilities, explore promising new thinking and experimentation in fields ranging from energy, food, water, and wilderness to human rights, global security, and public health, and include interviews with leading experts and innovators, such as Studs Terkel, Pete Seeger, Laurie Garrett, Wangari Maathai, Frances Moore Lappe, Howard Gardner, Lily Yeh, Robert Reich, Majora Carter, Van Jones and many more. The collection also contains MMP business files, consisting of correspondence, reports, articles, grant information, and organizational materials.

Gift of Mark Sommer, May 2017
Subjects
  • Activists
  • Environmentalism
  • Globalization
  • Green movement
  • Peaceful change
  • Politics and culture
  • Reconciliation
  • Science--Social aspects
  • Sustainable living
  • Technology--Social aspects
Types of material
  • Interviews
  • Radio programs

National Arts Policy Archive & Library (NAPAAL)

National Arts Policy Archive and Library
1965-2013
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The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.

Constituent collections include:

Subjects
  • Art and state
  • Arts--Management
  • Government aid to the arts
Contributors
  • Americans for the Arts
  • National Asssembly of State Arts Agencies
  • National Endowment for the Arts

National Endowment for the Arts

National Endowment for the Arts Collection
1965-2016
5 boxes (7.5 linear feet)
Call no.: MS 686
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Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize publications on the arts and arts management since its inception. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts
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