Borah Bergman Papers, ca. 1970-2012.
30 boxes (20 linear feet).
Call no.: MS 806
Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.
The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.
- Free Jazz--United States
- Jazz musicians--United States
Types of material
Center for Community Access Television Records, 1973-1989.
1 box (0.5 linear feet).
Call no.: MS 293
Group comprised of students from the University of Massachusetts and community members who sought to develop and promote cultural, literary, charitable, educational and public affairs television programming. Records include by-laws, articles of organization, organizational histories, annual reports, meeting minutes, correspondence, program schedules, subject files, brochures, handbills, news clippings, and materials relating to a proposed merger with University of Massachusetts Cable Vision. In 1989, CCATV was renamed Amherst Community Television (ACT).
- Amherst (Mass.)--Intellectual life--20th century
- Cable television--Massachusetts--Amherst--History
- Public-access television--Massachusetts--Amherst--History
- Television programs--Massachusetts--Amherst--History
- Center for Community Access Television (Amherst, Mass.)
Types of material
James A. Freeman Broadcast Radio Collection, ca.1930-1955.
18 boxes (27 linear feet).
Call no.: MS 759
A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.
The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.
Types of material
Bill Lichtenstein Collection, 1965-1976.
2 boxes (3 linear feet).
Call no.: MS 790
In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.
The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.
- Alternative radio broadcasting--Massachusetts
- Boston (Mass.)--History--20th century
- WBCN (Radio station : Boston, Mass.)
Types of material
- Sound recordings
Louis Martin Lyons Papers, 1918-1980.
(4.5 linear feet).
Call no.: RG 002/3 L96
As a journalist with the Boston Globe, a news commentator on WGBH television, and Curator of the Nieman Foundation for Journalism at Harvard, Louis M. Lyons was an important public figure in the New England media for over fifty years. A 1918 graduate of Massachusetts Agricultural College and later trustee of UMass Amherst, Lyons was an vocal advocate for freedom of the press and a highly regarded commentator on the evolving role of media in American society.
The Lyons Papers contain a selection of correspondence, lectures, and transcripts of broadcasts relating primarily to Lyons’ career in television and radio. From the McCarthy era through the end of American involvement in Vietnam, Lyons addressed topics ranging from local news to international events, and the collection offers insight into transformations in American media following the onset of television and reaction both in the media and the public to events such as the assassinations of John F. Kennedy and Martin Luther King, the war in Vietnam, and the social and political turmoil of the 1960s.
- Boston Globe
- Civil rights movements
- Freedom of the Press
- Frost, Robert, 1874-1963
- Johnson, Lyndon B. (Lyndon Baines), 1908-1973
- Journalistic ethics
- Kennedy, John Fitzgerald, 1917-1963
- King, Martin Luther, Jr., 1929-1968
- University of Massachusetts. Trustees
- Vietnam War, 1961-1975
- WGBH (Television station : Boston, Mass.)
- World War, 1914-1918
- Lyons, Louis Martin, 1897-
Types of material
- Letters (Correspondence)
National Arts Policy Archive and Library, 1965-2013.
Call no.: NAPAAL
The National Arts Policy Archive and Library is a collaborative project initiated by SCUA, the UMass Amherst Arts Extension Service, and several partners in arts agencies intended to document the history of arts administration in America. Collecting the records of state-level and national arts agencies, NAPAAL will provide a foundation for research into the evolution of arts policy, strategies for supporting the arts, and the economic and cultural impact of the arts on our communities.
Constituent collections include:
- Art and state
- Government aid to the arts
- Americans for the Arts
- National Asssembly of State Arts Agencies
- National Endowment for the Arts
National Endowment for the Arts Collection, 1965-2009.
5 boxes (7.5 linear feet).
Call no.: MS 686
Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.
In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
- Art and State
- Government aid to the arts
Hans Joachim Ring Collection of East German Cinema, 1945-1990.
10 boxes (4.75 linear feet).
Call no.: MS 566
Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.
The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.
- Children's films--Germany, East
- Motion pictures--Germany, East
- Deutsche Film Aktiengesellschaft
- Progress Film-Vertrieb
- Ring, Hans Joachim
Types of material
- Fliers (Printed matter)
Sidney Topol Papers, 1944-1997.
52 boxes (78 linear feet).
Call no.: MS 374
An innovator and entrepreneur, Sidney Topol was a contributor to several key developments in the telecommunications industries in the latter half of the twentieth century. A graduate of the University of Massachusetts (1947) and an engineer and executive at Raytheon and later Scientific-Atlanta, Topol’s expertise in microwave systems led to the development of the first effective portable television relay links, allowing broadcasts from even remote areas, and his foray into satellite technologies in the 1960s provided the foundation for building the emerging cable television industry, permitting the transmission of transoceanic television broadcasts. Since retiring in the early 1990s, Topol has been engaged in philanthropic work, contributing to the educational and cultural life in Boston and Atlanta.
The product of a pioneer in the telecommunications and satellite industries and philanthropist, this collection contains a rich body of correspondence and speeches, engineering notebooks, reports, product brochures, and photographs documenting Sidney Topol’s forty year career as an engineer and executive. The collection offers a valuable record of Topol’s role in the growth of both corporations, augmented by a suite of materials stemming from Topol’s tenure as Chair of the Electronic Industries Association Advanced Television Committee (ATV) in the 1980s and his service as Co-Chair of a major conference on Competitiveness held by the Carter Center in 1988.
- Boston (Mass.)--Social conditions--20th century
- Cable television
- Electronic Industries Association
- Raytheon Company