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Collecting area: Photojournalism (Page 1 of 2)

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Albertson, Jeff

Jeff Albertson Photograph Collection

ca.1966-2005
7 boxes 10.5 linear feet
Call no.: PH 057
Depiction of Jeff Albertson, ca.1970
Jeff Albertson, ca.1970

Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008.

As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.

Gift of Charlene Laino, Oct. 2013

Subjects

Boston (Mass.)--PhotographsRock musicians--PhotographsVietnam War, 1961-1975--Protest movements

Contributors

Simon, Peter

Types of material

Photographs
Ashcraft, Barr G.

Barr G. Ashcraft Photograph Collection

1972-1975
2 boxes, ca.125 items
Call no.: PH 007
Depiction of Vietnamese soldiers, ca.1973
Vietnamese soldiers, ca.1973

A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.

Subjects

Cambodia--PhotographsPhotojournalistsVietnam War, 1961-1975Vietnam--Photographs

Contributors

Ashcraft, Barr G

Types of material

Photographs
Blackington, Alton H.

Alton H. Blackington Photograph Collection

1898-1943
15 boxes 4 linear feet
Call no.: PH 061
Depiction of Fortune teller, ca.1930
Fortune teller, ca.1930

A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956).

This collection of glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.

Gift of Yankee Publishing, Mar. 2012

Subjects

Coolidge, Calvin, 1872-1933--PhotographsEarhart, Amelia, 1897-1937--PhotographsMaine--Social life and customs--PhotographsMassachusetts--Social life and customs--PhotographsNew England--Social life and customs--PhotographsNew Hampshire--Social life and customs--PhotographsRoosevelt, Franklin D. (Franklin Delano), 1882-1945--PhotographsSacco-Vanzetti Trial, Dedham, Mass., 1921--Photographs

Types of material

Photographs
Borchers, Kathy

Kathy Borchers Photojournalism Collection

1977-2018
7 boxes 2.75 linear feet
Call no.: PH 083
Depiction of Boy dressed as an eagle for the Fourth of July parade, Bristol, R.I., 1993
Boy dressed as an eagle for the Fourth of July parade, Bristol, R.I., 1993

An award-winning photojournalist, Kathy Borchers began a thirty year career with the Providence Journal in the mid-1980s. A native of Dayton, Ohio, she and her twin sister Karen (also a photojournalist) took up photography in high school and refined their technique as undergraduates at Bowling Green State University. After receiving her master’s degree at the Indiana University School of Journalism in 1981, Borchers worked for three years with the Topeka Capital-Journal before landing in Providence. In addition to covering general news and sports, she took on a number of special assignments and longer-form photoessays over the years in southern New England. She retired in 2015.

A rich sampling from a long career in photojournalism, the collection includes photographic negatives and prints along with associated published materials. Centered primarily on her time with the Providence Journal, the collection reflects the breadth of Borchers’ assignments, including general news, sports coverage, and longer-form photoessays, in both black and white and color. The collection also includes five self-made books: three on long-term photographic projects for the Journal and two career retrospectives.

Gift of Kathy Borchers, July 2018

Subjects

Photojournalists--Rhode IslandRhode Island--Photographs

Contributors

Providence Journal

Types of material

Photographs
Cohen, Ed

Edward Cohen Photographs of Max Roach

ca. 1980-1990
2 boxes, 17 photographs 4 linear feet
Call no.: PH 086

Ed Cohen is a graduate of UMass Amherst (’75) and has been an active commercial photographer in Western Massachusetts since finishing at UMass. In addition to typical work for hire subject matter, Cohen has specialized in event and concert photography.

The Edward Cohen Photographs of Max Roach collection is comprised of seventeen mounted photographs of Max Roach at UMass in the late 1980s, early 1990s. Roach is depicting in concert, backstage, and interacting with well known musicians, UMass faculty, and members of the UMass community. The photos were purchased by the University and were exhibited in the Student Union.

Subjects

Jazz musicians--Massachusetts--AmherstRoach, Max, 1924-2007--Photographs

Types of material

Photographs
Delevingne, Lionel

Lionel Delevingne Photograph Collection

ca.1975-1995
9 boxes 4 linear feet
Call no.: PH 047
Depiction of Joan of Seabrook
Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Subjects

Antinuclear movement--United StatesClamshell AlliancePhotojournalistsSeabrook Nuclear Power Plant (N.H.)

Contributors

Delevingne, Lionel

Types of material

Photographs
Econosmith

Econosmith Collection

1969-2019
1 box, digital files 0.5 linear feet
Call no.: PH 089
Depiction of Pete Seeger, 2006
Pete Seeger, 2006

A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers.

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.

Gift of John Economos and Maxine Smith, April 2019

Subjects

Cape Cod (Mass.)--PhotographsClearwater Festival--PhotographsDemonstrations--New York (State)--New York--PhotographsDemonstrations--Washington (D.C.)--PhotographsFolk musicFolk musicians--PhotographsIraq War, 2003-2011--Protest movements--PhotographsPeace movements--PhotographsSeeger, Pete, 1919-2004--Photographs

Contributors

Economos, JohnSmith, Maxine

Types of material

Photographs
Henry, Diana Mara

Diana Mara Henry Collection (20th Century Photographer)

1934-2014
75 linear feet
Call no.: PH 051
Depiction of Diana Mara Henry at the Harvard Crimson, 1967<br/>Photo by Charles Hagen
Diana Mara Henry at the Harvard Crimson, 1967
Photo by Charles Hagen

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

Connect to another siteSee the exhibit Photographer: DMH

Subjects

Abzug, Bella S., 1920-1998--PhotographsChisholm, Shirley, 1924-2005--PhotographsDemocratic National Convention (1972 : Miami Beach, Fla.)--Pictorial worksDemocratic National Convention (1976 : New York, N.Y.)--Pictorial worksFeminism--PhotographsHarvard University--Students--PhotographsInternational Women's Year, 1975--Pictorial worksNational Women’s Conference--Photographs

Types of material

Clippings (information artifacts)Exhibition catalogsNegatives (photographic)PhotographsPolitical postersPress releasesSlides (photographs)
Restrictions: Copyright for Henry's images are retained by her until 2037.
Holland, Jeff. C.

Jeff C. Holland Collection

1988-1990
2 boxes 1 linear feet
Call no.: PH 090

During his undergraduate years at UMass Amherst (1988-1993), Jeff Holland was active as a photographer for both the Daily Collegian and the student yearbook, the Index. For a time during and after his college years, Holland worked as a professional photographer, doing freelance work in and around Northampton. Since moving to Minnesota in 1996, he has worked in various capacities in the airline industry and earned a Master of Public Affairs from the University of Minnesota in 2018.

This small collection consists of photographic negatives, contact sheets, slides, and prints taken by Holland during his undergraduate years at UMass Amherst. Taken primarily for use in the college newspaper and yearbook, much of the work is focused on UMass athletics, student protests, and concerts.

Gift of Jeff C. Holland, July 2014

Contributors

University of Massachusetts Amherst--Photographs

Types of material

Photographs
Liberation News Service (New York, N.Y.)

Liberation News Service (New York, N.Y.) Records

1968-1975
6 boxes 4.5 linear feet
Call no.: MS 1007
Cover of Liberation News Service issue 441, June 10, 1972.
Cover of Liberation News Service issue 441, June 10, 1972.

Founded in 1967, Liberation News Service, an alternative news agency, issued twice-weekly packets aimed at providing inexpensive images, articles, and art reflecting a countercultural outlook. First from its office in Washington, D.C., and then from New York City, LNS provided underground and college papers around the globe with radical and unconventional coverage of the war in Vietnam, global liberation struggles, American politics, and the cultural revolution. Two months after moving to New York City in June 1968, LNS split into two factions, with the sides mirroring common points of dispute within the New Left. The more traditional political and Marxist activists remained in New York, while those more aligned with the counterculture and “hippie” movement settled on farms in western Massachusetts and southern Vermont. For a year each faction put out competing versions of LNS news packets, until the winter conditions and small staff at the farm in Montague caused their production to end in January 1969. LNS-New York continued its production of unique leftist coverage of national and international issues throughout the 1970s, closing in 1981.

The LNS-NY Records include a relatively complete run of packets 102-701 (1968-1975) sent to the subscribing underground press newspaper the Indianapolis Free Press. Some packets and years are more complete than others, and these New York packets are especially dense with photographs compared to earlier LNS packets from before the split in 1968. The collection also includes a small selection of other artwork, articles, and materials kept by the Indianapolis Free Press.

Gift of Ron Haldeman, courtesy of Thomas P. Healy, January 2018

Subjects

News agencies--New York (State)Press and politicsRadicalismUnderground press publications

Contributors

Indianapolis Free PressLiberation News Service (New York, N.Y.)
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